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Diriyah Art Futures celebrates inaugural cohort with ‘Continuum’

‘Continuum’ brings together installations, audiovisual pieces, VR works and AI-generated art in Riyadh. (Supplied)
‘Continuum’ brings together installations, audiovisual pieces, VR works and AI-generated art in Riyadh. (Supplied)
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Updated 14 September 2025

Diriyah Art Futures celebrates inaugural cohort with ‘Continuum’

‘Continuum’ brings together installations, audiovisual pieces, VR works and AI-generated art in Riyadh. (Supplied)
  • Residency’s 11 artists show works that pry into technology’s role in shaping memory, culture

RIYADH: Diriyah Art Institute’s inaugural exhibition “Continuum” opened on Saturday, presenting works by 11 international artists who form the first cohort of the Diriyah Art Futures residency.

Curated by Irini Papadimitriou, the show brings together installations, audiovisual pieces, VR works and AI-generated art that explore themes of memory, identity, displacement, migration, environmental concerns and our relationship with technology.




‘Clastic Resonance’ by UK-based artist William J. Brooks. (Supplied)

“‘Continuum’ is an umbrella title that we’ve decided to adopt for the program, and the exhibition is a celebration of the work that everyone has been creating and developing over a year at DAF,” Papadimitriou said at the opening.

Among the works is UK-based artist William J. Brooks’ “Clastic Resonance,” a sound installation built with Riyadh sandstone boulders.

HIGHLIGHTS

• The artists’ works collectively highlight the global and regional conversations shaping the future of art in a digital age.

• Jordanian artist Aya Abu Ghazaleh’s ‘It Grows Within,’ reflects on forced displacement through an immersive installation centered around a tree trunk built from wooden clothespins.

Low-frequency recordings of the mechanized rhythms of urban development, captured during the city’s ongoing physical and cultural transformation, are transmitted as vibrations perceptible through direct touch.




‘Archiving Retention’ by Tunisian artist Dhia Dhibi. (Supplied)

The piece reflects on impermanence and the sonic memory of place, drawing on the rhythms of the city’s rapid transformation.

“We’re in a specific moment in time in Riyadh, and Saudi in general, where there’s a tremendous amount of construction projects occurring. I was particularly interested in the transient sonic output that comes from this,” Brooks told Arab News.




‘Tiyrist - Threads of Exile’ by French Algerian artist Samia Dzair. (Supplied)

As visitors touch the rocks, they feel subsonic vibrations that ebb and flow, resembling the rhythm of breathing. Brooks uses the piece to question how construction sounds affect the surrounding environment and how an artist might respond to them.

“When I first came here, I became really aware of the ecology in Riyadh and the call to prayer, because I’m not familiar with that. I became super conscious of the sounds occurring and the sheer volume of the city,” he added.




‘Majra’ by Egyptian artist Salma Ali. (Supplied)

Another striking work is Jordanian artist Aya Abu Ghazaleh’s “It Grows Within,” which reflects on forced displacement through an immersive installation centered around a tree trunk built from wooden clothespins.

The object, both ordinary and symbolic, represents the belongings left behind when uprooted.




Korean artist Junsoo Kim's ‘3^30’. (Supplied)

The piece takes a circular form, spiraling around an invisible clothesline that holds traces of rust and embroidery. The design creates an enclosed loop that visitors cannot escape.

She said: “It’s a trap, actually. You can never leave; the circularity. It’s not typically the way you see clothes being hung, but now it’s become more of a circular (experience) ... You never sit in a corner, you just keep rotating.

“It’s like someone is still looking for home and never stopping.”

The installation incorporates sounds collected from the area, including Dabkeh chants, the call to prayer, and alarms, layering archival noise into the experience of loss and repetition.

Tunisian artist Dhia Dhibi’s “Archiving Retention” interrogates the fragile relationship between digital traces, historical memory, and online archives. Reflecting on the flood of images of war shared over the past year, he asked: “What images are there to preserve afterwards? Or in other words, does it really matter to preserve any digital content online?”

His exploration took him back to 2010, when internet access in Tunisia first became more widely available.

“It actually kind of induced or helped the revolution to happen, because people were used to certain mass media images and then all of a sudden they were exposed to images or videos of protests that were unprecedented. For me, it’s my sort of archeology of media, in a way,” he told Arab News.

The work builds on three elements: videos, posts, and sounds. Most central is a large 29-level pyramid-like piece, symbolizing the 29 days of the uprising, made of stills taken from videos that were posted during each day.

Developed in collaboration with Le Fresnoy Studio National des Arts Contemporains in France, the Emerging New Media Artists Programme provides participants with professional equipment, a production budget, and a wide range of multidisciplinary learning opportunities.

The first cohort includes artists from ֱ, Egypt, Algeria, Jordan, Tunisia, Morocco, Bahrain, Republic of Korea, the United Kingdom, and South Africa.

Their works collectively highlight the global and regional conversations shaping the future of art in a digital age.

The exhibition will run until Nov. 15.


Study finds ֱ’s eastern coastal ecosystems overall healthy

Study finds ֱ’s eastern coastal ecosystems overall healthy
Updated 26 October 2025

Study finds ֱ’s eastern coastal ecosystems overall healthy

Study finds ֱ’s eastern coastal ecosystems overall healthy
  • Wildlife center said the assessment, conducted throughout 2024 and 2025, covered at more than 400 sites

RIYADH: ֱ’s National Center for Wildlife has declared the environment on the Kingdom’s eastern coast to be overall healthy after completion of the first comprehensive assessment.

In a report carried by the Saudi Press Agency, the wildlife center said the assessment, conducted throughout 2024 and 2025 at more than 400 sites, examined a wide range of critical marine and coastal environments, including coral reefs, seagrass meadows, mangrove forests, and mudflats. 

Launched in collaboration with international experts, the assessment employed internationally recognized field methodologies, such as underwater imaging and satellite remote sensing, to create a detailed scientific database.

“Results showed that coral reefs had a healthy cover rate of 22%, with low levels of bleaching not exceeding 2%,” said the report, adding that the dominant species observed, such as Porites and Merulina, “demonstrated resilience to harsh environmental conditions.”

Seagrass meadows were found to be stable in most areas, the report said.

Seagrass meadows were found to be stable in most areas. (SPA)

Researchers also found that mangrove forests covered an estimated 1,573 hectares and displayed healthy vegetation, particularly around the Ras Tanura and Tarout Island areas.
“Over 80,000 fish from 90 species were observed. Field records also confirmed the presence of large marine animals, including dugongs, dolphins, turtles, sharks, and rays, highlighting the Arabian Gulf’s importance as a major habitat,” the report said.

The study also recorded 176,836 birds from 69 species, with peak numbers occurring during the fall migration season. 

A new species for ֱ, Franklin’s gull, was observed, and Tarout Bay and Dammam Corniche were identified as key breeding and aggregation sites, the report further said.

 

A total of 176,836 birds from 69 species were observed during the period covered by the assessment. (SPA)

NCW’s chief executive officer, Mohammed Qurban, said the assessment reflects the Kingdom’s commitment to advancing scientific research and its applications in protecting the marine environment, aligning with Saudi Vision 2030 and the goals of the Saudi Green Initiative.“

Qurban explained that safeguarding marine environments enhances the future of biodiversity, climate stability, and food security. The results, he added, provide a crucial scientific reference to support national plans for biodiversity protection and achieving sustainable development.


Lighting up Arab skies: Saudi innovator Reyam Alahmadi launches Astrophile to bring space science home

Lighting up Arab skies: Saudi innovator Reyam Alahmadi launches Astrophile to bring space science home
Updated 25 October 2025

Lighting up Arab skies: Saudi innovator Reyam Alahmadi launches Astrophile to bring space science home

Lighting up Arab skies: Saudi innovator Reyam Alahmadi launches Astrophile to bring space science home
  • Astrophile magazine reimagines how science could speak to readers across the Arab world
  • It reminds young Saudis and Arabs that science is not foreign, but is part of their own story

ALKHOBAR: Saudi science communicator Reyam Alahmadi is bringing the cosmos closer to home. At just 25, the Madinah-born innovator has launched Astrophile, the Kingdom’s first Arabic astronomy magazine, to make space science accessible, accurate, and part of everyday conversation across the Arab world. 

“What began as a personal fascination with the cosmos evolved into a full-fledged movement to revive Arab contributions to astronomy, and to give today’s generation the tools and language to rediscover them,” she told Arab News.

“The Arab world truly needed something like Astrophile. There wasn’t a single comprehensive Arabic astronomy platform, which left a huge gap in accurate knowledge. That gap led to misconceptions about space, and that’s what we wanted to fix.”

When Astrophile launched, the magazine did not simply translate international astronomy news, but also reimagined how science could speak to readers across the Arab world. 

Through storytelling, visual design, and educational offerings, Alahmadi built a brand that feels both modern and deeply cultural. Every article blends cosmic wonder with accessible language, transforming scientific terms into relatable concepts. 

“I believe the wonder of space belongs to everyone,” she said. “So I share what I learn in the simplest way possible, not with overwhelming numbers or formulas, but through storytelling and curiosity. My goal is to make readers feel the beauty of the universe, not the heaviness of its equations.”

In a region where complex STEM subjects often feel distant, Alahmadi’s approach bridges the emotional and intellectual, transforming astronomy into a shared cultural experience. 

For Alahmadi, Astrophile is more than a publication, it is a revival. She sees it as part of a wider effort to reclaim the Arab world’s historic leadership in astronomy, from scholars who once mapped the stars to modern-day dreamers shaping the space economy. 

“Astronomy, chemistry, and physics, many of these sciences were born from Arab minds,” she said. “Reviving that heritage isn’t nostalgia; it’s responsibility. We’re continuing what our ancestors began, adapting their legacy to today’s society.” 

By publishing in both Arabic and English, Astrophile bridges global and regional audiences. It reminds young Saudis and Arabs that science is not foreign, but is part of their own story.

Her vision, she said, is to “restore curiosity as a national habit.”

Behind Astrophile’s elegant visuals and clean scientific precision lies a deeper challenge: language itself. 

“One of the hardest parts is translation,” Alahmadi said. “Some technical terms, especially about rockets or engineering, simply don’t exist in Arabic. It can be frustrating, but also exciting; it gives us space to innovate linguistically.”

As well as science writing, each issue of the magazine also involves linguistic invention, as her team refines and localizes terminology to suit Arabic readers without losing scientific accuracy. 

“In a way, it feels like exploration on two fronts,” she said. “We explore space, and at the same time, we explore our language.”

That approach has given Astrophile a distinctive voice: poetic, informed, and proudly Saudi, blending design aesthetics with factual clarity. 

In just a few years, Astrophile has evolved from a passion project into a respected reference point for young science enthusiasts, teachers, and even regional media outlets seeking verified space updates in Arabic.

Under Alahmadi’s leadership, the magazine has tackled global milestones such as the James Webb Space Telescope, the Artemis lunar missions, and ֱ’s astronaut program, translating these topics into stories that resonate with Arab identity and vision.

Her message is consistent: Science is not distant, it is personal. 

“My vision is for Astrophile to become the leading reference for every Arabic-speaking space enthusiast,” she said. “I want it to inspire a generation who see space as part of their world, not beyond it.” 

Alahmadi’s blend of scientific precision and cultural sensitivity has positioned her as a voice for both innovation and inclusion, proving that women in ֱ are not only joining, but also shaping global scientific conversations. 

Her journey also reflects a broader transformation within the Kingdom, where young women are leading initiatives that merge research, creativity, and public engagement. 

As part of the new wave of Saudi science communicators, Alahmadi represents the next phase of Vision 2030’s knowledge economy, where education and innovation converge to build cultural and intellectual self-reliance. 

“Vision 2030 gave people like me permission to dream bigger,” she said. “It showed us that the Saudi youth can lead global conversations, not just follow them.”

Through her work, Alahmadi has made the cosmos feel closer, in both words and ownership. She believes every child who reads Astrophile could become the next scientist, engineer, or astronaut to carry ֱ’s ambitions beyond Earth. 

Looking ahead, she plans to expand Astrophile into a regional science communication hub, combining digital platforms, educational workshops, and multimedia storytelling.

Her long-term goal is simple, yet profound: to make Arabic the language of discovery again.

“Science belongs to everyone,” she said. “But when we tell it in our own language, we don’t just understand it, we own it.” 

As the night sky continues to inspire humankind, young innovators such as Alahmadi are proving that ֱ’s brightest stars are not just above, but right here, building the future.
 


Diriyah to host art book fair in November

Diriyah to host art book fair in November
Updated 25 October 2025

Diriyah to host art book fair in November

Diriyah to host art book fair in November
  • This year's edition features an expanded international presence

RIYADH: Diriyah will host the second PaperBack Art Book Fair from Nov. 6-8 in the JAX District, featuring more than 40 local and international institutions.

The event will bring together artists, publishers, and print enthusiasts to showcase the latest innovations in art books on an interactive platform, the Saudi Press Agency reported on Saturday.

This year's edition features an expanded international presence, with participants from the Kingdom and countries including Egypt, China, the UAE, India, Lebanon, Qatar, the Netherlands, Morocco, Singapore, Italy, Switzerland, and Japan.

Hosted by the Diriyah Biennale Foundation, the fair will offer workshops, sessions, and art performances, allowing the public to engage with creators and explore new techniques in art book and magazine production.


ֱ highlights ethical AI at UNESCO week

ֱ highlights ethical AI at UNESCO week
Updated 25 October 2025

ֱ highlights ethical AI at UNESCO week

ֱ highlights ethical AI at UNESCO week
  • The SDAIA and ICAIRE hope to raise awareness about AI ethics, highlight deepfake risks

RIYADH: The Saudi Data and AI Authority, in cooperation with the International Center for AI Research and Ethics, highlighted the Kingdom’s efforts to promote the ethical use of artificial intelligence during UNESCO’s Global Media and Information Literacy Week, which began Oct. 24.

As part of the event, the authority hosted a virtual session on deepfakes and misinformation risks, the Saudi Press Agency reported on Saturday.

The session “aimed to enrich global dialogue on responsible AI, showcasing the Kingdom’s experience alongside international best practices for addressing manipulated content,” the SPA stated. “The discussion also supported efforts to enhance trust and credibility in media and information platforms.”

The SDAIA and ICAIRE hope to raise awareness about AI ethics, highlight deepfake risks, and support research that protects societies from irresponsible AI use.

Deepfake technology uses advanced AI models to replicate human features, voices, and behaviors, generating highly realistic audio and visual content that is often difficult to distinguish from reality.

While deepfakes have the potential to aid education, they also raise ethical and legal concerns related to privacy, credibility, and protection from misuse.


Palestinian and Montenegrin PMs arrive in Riyadh for FII9

Palestinian and Montenegrin PMs arrive in Riyadh for FII9
Updated 25 October 2025

Palestinian and Montenegrin PMs arrive in Riyadh for FII9

Palestinian and Montenegrin PMs arrive in Riyadh for FII9

RIYADH: Palestinian Prime Minister Mohammad Mustafa and Montenegrin Prime Minister Milojko Spajic arrived in Riyadh on Saturday ahead of their attendance at the ninth edition of the Future Investment Initiative (FII9) conference.

Both leaders were received at King Khalid International Airport by Riyadh Region Deputy Governor Prince Mohammed bin Abdulrahman bin Abdulaziz and other senior officials, the Saudi Press Agency reported.