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Saudi label HINDAMME pays tribute to local culture at Riyadh Fashion Week

Saudi label HINDAMME pays tribute to local culture at Riyadh Fashion Week
Saudi fashion label HINDAMME showcased its latest collection at Riyadh Fashion Week. (Supplied) 
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Saudi label HINDAMME pays tribute to local culture at Riyadh Fashion Week

Saudi label HINDAMME pays tribute to local culture at Riyadh Fashion Week

RIYADH: Saudi fashion label HINDAMME showcased its “Hejaz Collection” at Riyadh Fashion Week recently, paying tribute to the Kingdom’s western province.

Creative head Mohammed Khoja began the runway presentation with a series of monochrome full-length dresses, knit cardigans, and silk button-downs, all printed with an Arabic font that was a motif throughout the show.

The font was reminiscent of the brand’s 2024 “Petroglyphs Collection,” highlighting Khoja’s previous work. 

Leopard-print elevated scarves and hats, while zebra-print hats, fur sweaters, silk dresses, and metallic boxy jackets added an electric edge to the new line.

One of the hero pieces — a single-breasted floor-length leather coat — symbolized the unisex versatility of the brand that was styled on both male and female models on the runway.

A silky, hot-pink ensemble was a highlight of the collection as a model adorned a mesh veil embroidered with the Arabic phrase “Arous Albahr,” which translates to “mermaid” or “bride of the sea.”

The phrase is usually used to refer to the city of Jeddah due to its strategic location on the Red Sea coast, making it a significant meeting point between countries and cultures historically.

Sunday night’s event gathered fashion enthusiasts and Saudi creatives, including musician Mishal Tamer — who also modeled one of the pieces during the show — as well as style and fashion influencer Faisal Ghazzawi, and digital creator Nirvana Abdul.

The brand, established in 2016, has become known for its contemporary, luxury, ready-to-wear pieces that are inspired by the concept of East meets West.

Khoja’s designs often blend elements of his native Saudi culture. His debut collection integrated contemporary interpretations of the “Al-Qatt Al-Aseeri” pattern into garments.

The pattern style is a traditionally female interior wall decoration, described by UNESCO as “an ancient art form considered as a key element of the identity of the region of Asir.”

Riyadh Fashion Week wrapped up on Oct. 21 with a showcase by designer Stella McCartney.


Bob Vylan frontman defends Glastonbury chant against IDF

Bob Vylan frontman defends Glastonbury chant against IDF
Updated 1 min 49 sec ago

Bob Vylan frontman defends Glastonbury chant against IDF

Bob Vylan frontman defends Glastonbury chant against IDF
  • ‘I’d do it again tomorrow, twice on Sundays,’ says Bob Vylan
  • Palestinian lives more important than losing US tour, agency

DUBAI: In his first interview since leading chants against the Israeli Defence Forces in support of Palestine at the Glastonbury music festival, Bobby Vylan, the frontman of UK punk duo Bob Vylan, spoke to The Louis Theroux Podcast about the controversy and its fallout.

Following their performance, the band was dropped by its agency, UTA, and the US State Department revoked the band members’ visas, leading to the cancellation of their planned tour of North America.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

But if he had the chance, Vylan says he would do it all again.

“If I was to go on Glastonbury again tomorrow, yes, I would do it again. I’m not regretful of it. I’d do it again tomorrow, twice on Sundays. I’m not regretful of it at all,” the rapper said.

“The subsequent backlash that I’ve faced. It’s minimal. It’s minimal compared to what people in Palestine are going through. (What) is there to regret? Oh, because I’ve upset some right-wing politician or some right-wing media?”

Vylan told Theroux the backlash was “so disproportionate,” arguing that it turned public attention away from Gaza. “My whole issue with this thing is that the chant is so unimportant,” he said.

“What is important is the conditions that exist to allow that chant to even take place on that stage. And I mean, the conditions that exist in Palestine. Where the Palestinian people are being killed at an alarming rate. Who cares about the chant?”


Kingdom registers 184 new archeological, cultural sites in Baha

Kingdom registers 184 new archeological, cultural sites in Baha
Updated 20 October 2025

Kingdom registers 184 new archeological, cultural sites in Baha

Kingdom registers 184 new archeological, cultural sites in Baha
  • Heritage Commission aims to preserve, digitize and promote ֱ’s rich cultural legacy
  • Baha is home to a remarkable legacy of traditional architecture, reflected in its houses, mosques, castles, and fortresses

RIYADH: The Heritage Commission has added 184 new cultural, archeological, and architectural sites in the Baha region to the National Antiquities Register, bringing the total in the region to 313.

The registration aims to preserve these sites and highlight their historical and cultural significance, according to the Saudi Press Agency report, and is part of the commission’s broader efforts to document and digitize heritage sites across the Kingdom.

Abdulrahman Al-Ghamdi, director of the Heritage Commission branch in Baha, said the registration and documentation of the sites aim to safeguard the Kingdom’s rich heritage.

He noted that the commission is developing management, conservation, and protection plans to ensure the sustainability of these sites, in line with a comprehensive vision to enhance the Kingdom’s position as a global destination for heritage and culture.

Baha is home to a remarkable legacy of traditional architecture, reflected in its houses, mosques, castles, and fortresses, all built using local materials such as stone, wood, and sand.

These structures embody a deep-rooted heritage that forms an integral part of the national and cultural identity, while also serving as a source of economic growth.

The region’s heritage villages have become popular destinations for tourists and visitors from both abroad and inside the Kingdom, eager to explore the ancient civilizations shaped by the people of Baha, the SPA reported.

People are encouraged to report any new archeological discoveries or illegal activities that might harm heritage sites via the commission’s social media accounts, the Balagh platform, by visiting any of its offices, or by calling the Unified Security Operations Center at 911.


Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition
Artist Tarek Al-Ghoussein's 'Abu Dhabi Archipelago.' (Supplied) 
Updated 20 October 2025

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

DUBAI: Abu Dhabi’s 421 Arts Campus will celebrate its 10th anniversary on Nov. 15 after supporting more than 1,500 creative practitioners, commissioning hundreds of new works, and delivering about 2,000 programs, residencies, grants, and exhibitions in the city.

To mark the milestone, 421 Arts Campus is presenting “Rays, Ripples, Residue,” which is set to run from Nov. 1 to April 16. The exhibition is curated by Emirati Munira Al-Sayegh, Lebanese editor Nadine Khalil, and Sharjah-born Indian writer Murtaza Vali, and explores how artistic practices and exhibition-making in the UAE have evolved over the past decade.

Sara Naim's 'Silent Scream' ( 2014)is part of the exhibition. (Courtesy of the artist and The Third Line, Dubai)

Faisal Al-Hassan, director of the arts hub and commissioning institution, spoke to Arab News about the showcase, explaining that it features new commissions as well as previously presented works, or new iterations of those works.

The exhibition unfolds in three chapters, with Al-Sayegh’s chapter titled “Leading to the Middle.” It “looks at how minor moments that can be easily overlooked — which she views as ‘ripples’ — create opportunities for a younger generation of artists to flourish,” Al-Hassan explained.

Al-Sayegh examines the practices of established artists like Emirati Mohammed Ahmed Ibrahim and the late Kuwaiti creative Tarek Al-Ghoussein.

Then, Khalil presents “Ghosts of Arrival,” described by Al-Hassan as “an intimate look at what it feels like to arrive after the moment has passed.”

Artists featured in the section include Hashel Al-Lamki, Mona Ayyash, and Nadine Ghandour.

Al-Hassan said: “She brings to the fore the practices of artists from the past 10 years who were influenced by work that was created a decade prior. It is both an analysis of artmaking in the UAE and a personal reflection of her own arrival in the country in 2017.”

“SUN” is curated by Vali and presents a survey of the last 10 years to highlight the preoccupation of artists in the country with the sun. According to Al-Hassan, Vali selected “works made between 2015 and today that are focused on the sun as both a symbolic and physical presence in our everyday lives — presented visually and metaphorically — to convey and investigate environmental degradation, hyper-commodification, and urban development.”


Saudia unveils fashion brand at Riyadh Fashion Week

Saudia unveils fashion brand at Riyadh Fashion Week
Updated 20 October 2025

Saudia unveils fashion brand at Riyadh Fashion Week

Saudia unveils fashion brand at Riyadh Fashion Week

RIYADH: The Kingdom’s national carrier Saudia has entered the fashion industry with the launch of a new clothing brand at Riyadh Fashion Week.

The brand, SV by Saudia, is billed as the airline’s first foray into the fashion and lifestyle sector, “inspired by our identity, creating endless opportunities for customers to engage with us in a fashionable, elegant, creative and comfortable ways,” according to a statement by the company.

Bomber jackets, polo shirts, joggers and jumper dresses are offered with travel-themed insignia on some items. (Supplied)

The sporty-chic brand comprises on-trend athleisure in the airline’s signature brand colors of green and white, with pops of blue and varying shades of green adding depth and dimension to the line.

Bomber jackets, polo shirts, joggers and jumper dresses are offered with travel-themed insignia on some items.

The show took place on Saturday night on the rooftop of the Kingdom Center Tower.

The brand takes its name from Saudia’s IATA code, which are three letters assigned by the International Air Transport Association to identify airports, cities, or metropolitan areas. The airline was set up in 1945.

The brand takes its name from Saudia’s IATA code. (Supplied)

Presented under the theme “Live to Fly,” the debut collection draws inspiration from both “nostalgia and futurism. Each design reinterprets elements of flight through a distinctly innovative vision,” according to the company.

Developed by creative director Mohammed Khoja, the founder of fashion label Hindamme, the partnership reflects Saudia’s goal of showcasing the nation’s creativity on the global stage, according to the airline.

Khoja said: “It’s been a great honor to collaborate with Saudia on the debut collection of this iconic fashion line.

“Working alongside Freebirds (a Saudi virtual creative agency) to bring SV by Saudia to life offered a unique experience to uniting two worlds; the rich legacy of Saudia that we all grew up cherishing, and the nostalgia it represents to us as Saudis, reinterpreted through an innovative fashion medium.”

SV by Saudia is the airline’s first foray into the fashion and lifestyle sector. (Supplied)

It is not the first time a Saudi airline has tapped fashion talent.

In 2024, ֱ designer Mohammed Ashi, founder of the Paris-based label Ashi Studio, unveiled the inaugural cabin crew uniforms for the Kingdom’s new airline, Riyadh Air.

The luxury line comprises cashmere outerwear, dresses and trousers made of fine wools, custom leather footwear, amethyst earrings, and pillbox hats.

These designs were all inspired by 1950s airline fashion, widely considered the golden age of aviation, but with an Ashi twist.


Bollywood’s favorite romance still going strong after 30 years

Bollywood’s favorite romance still going strong after 30 years
Updated 19 October 2025

Bollywood’s favorite romance still going strong after 30 years

Bollywood’s favorite romance still going strong after 30 years
  • Since Oct. 20, 1995, ‘Dilwale Dulhania Le Jayenge’ has been running daily at Mumbai’s Maratha Mandir theater
  • Film explores clash between liberal values of second-generation Indians abroad and conservative values of parents

MUMBAI: India’s longest-running film celebrates 30 years in the same cinema on Monday, a Bollywood romance so beloved that fans know it simply by its acronym “DDLJ.”

First released on October 20, 1995, “Dilwale Dulhania Le Jayenge,” or “The Brave Hearted Will Take the Bride” has been running daily at Mumbai’s Maratha Mandir theater since its debut.

“I have seen it about 30 times... and I will continue watching it,” said Mohammad Shakir, 60, smiling as he bought another 40 rupee ($0.45) ticket.

The film, which catapulted Shah Rukh Khan to superstardom and redefined modern Hindi romance, still weaves its magic.

Every day at 11:30 am, audiences gather for a nostalgic escape and to relive the story of young love defying tradition.

“The weekday crowd typically consists of college students and young couples,” said cinema head Manoj Desai.

“On Sundays, you will find around 500 people, even after 30 years.”

It has been running for more than 1,500 weeks, far outstripping the five-year run of action-thriller “Sholay,” or “Embers,” at another Mumbai theater.

‘Gѱʳ’

The film explores the clash between liberal values of second-generation Indians abroad and the conservative values of their parents.

Its climax — when the heroine runs alongside a moving train into her lover’s arms — still draws whistles, cheers and applause.

“This is the goosebump moment,” Desai said. “The father letting his daughter go, saying she won’t find a better partner to spend her life with.”

Some fans have made “DDLJ” part of their lives — one woman has been coming for 20 years.

“We don’t charge anything from her — we pay for the ticket,” Desai said. “Where will you get a patron like this?“

Even younger audiences remain captivated.

“In our generation today, we often see transactional relationships,” said 23-year-old Omkar Saraf, who hadn’t been born when the film was released.

“But in this film, the hero crosses all boundaries to win his love with no expectations,” he said.

“We have watched it on television, on our mobiles, but the big screen gives us goosebumps.”

“DDLJ” has even shaped real love stories for some.

One couple watched it while dating and invited Desai to their wedding.

“They went abroad for their honeymoon — and came back to watch the movie,” Desai said.

‘CULTURAL MONUMENT’

The film’s screening was almost discontinued in 2015, but an uproar meant the fan favorite remained in its daily time slot at the Maratha Mandir, according to the Hindustan Times.

The theater itself has also changed little, its vintage charm intact with counters serving steaming cups of tea and deep-fried samosa snacks.

Its location near Bombay Central Station adds to its story, as travelers often catch a show before heading to their destinations.

Those include visitors from abroad.

“The film is like Romeo and Juliet, with a happy ending,” said Kelly Fernandez, a tourist from Spain who had wanted to see a Bollywood movie.

“Even though we didn’t understand the language, we enjoyed the music, dance and costumes.”

Film critic Baradwaj Rangan sees the film’s endurance as a love letter to an India grappling with old and new values.

“It represents a certain point in Indian culture, and that is why it is still loved,” Rangan told AFP, saying it “perfectly captured” the friction between two generations.

“The film has become a kind of cultural monument,” Rangan said. “I think it is going to be playing forever.”