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Saudi Architecture Characters Map begins implementation with digital tools and training

Saudi Architecture Characters Map begins implementation with digital tools and training
Vice Minister of Municipalities and Housing Ihab AlHashani. (AN photo by Huda Bashatah)
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Updated 25 March 2025

Saudi Architecture Characters Map begins implementation with digital tools and training

Saudi Architecture Characters Map begins implementation with digital tools and training
  • Initiative provides developers with guidelines for architectural styles
  • Guidelines inspired by regional identities, aiming to reflect ֱ’s cultural diversity

RIYADH: The Ministry of Municipalities and Housing has started the next phase of the Saudi Architecture Characters Map rollout in Taif, Al-Ahsa, Asir, and Makkah following its official launch earlier this month.

In an exclusive interview with Arab News, Vice Minister of Municipalities and Housing Ihab AlHashani detailed the next steps and outlined the robust coordination efforts underway to ensure the project’s success.

AlHashani emphasized the long preparation behind the initiative: “The architectural map of ֱ is really a project that has been in the (works) for over two years, led by Crown Prince Mohammed bin Salman.”

The ministry, he said, is concentrating on building awareness and preparing the industry for the upcoming rollout.

“The immediate step now that we have launched is really to kind of heighten awareness and start training some of the architects (to) launch in the four cities that were announced, at Taif, Al-Ahsa, Asir (and) Makkah.”

Saudi Architecture provides developers across the Kingdom with guidelines for building styles.

The Characters Map introduces 19 distinct architectural styles inspired by regional identities, aiming to reflect ֱ’s cultural diversity through its built environment.

The long-term vision of the project is to create more walkable and sustainable cities.

“We are working on broader strategy to kind of develop the five, 10, 15-minute cities in ֱ, where you can go to work, do your basic needs with a walkable distance,” he said.

AlHashani stressed that training architects is crucial for smooth implementation. He noted the extensive groundwork already laid out before the public launch.

“We have a massive program ongoing, starting with the communication that we are doing now … this has the training started way before the launch, so to make sure that we hit the ground running. The efforts are significant.”

He also highlighted the technical and digital support behind the initiative. “There (are) the digital tools in place that have been implemented already, part of the Balady platform. And of course, the ongoing communications with … the municipalities, and of course, our partners, the regional development authorities,” he added.

Addressing the evolution of design influences, AlHashani explained how previous examples have informed the current codes. He remarked on the role that pioneering projects played in shaping the national approach.

“Any successful example of (an) architectural design guideline was taken into account in developing these codes … our designs (are) inspired somewhat by Diriyah … but mostly it’s more covering the entire area of the central region.”

Looking ahead, he confirmed that implementation is already visible on the ground.

He added that the rollout is set to accelerate, with numerous examples expected in the near future: “There will be many examples in the coming 12 months … of these guidelines being implemented on the ground.”

To ensure a uniform application of the new design codes, the ministry has integrated the guidelines into its licensing process. AlHashani explained how digital enforcement plays a key role.

“Balady platform already has kind of a geospatial element in it, where each zone is already linked to the license that is issued. So, if you apply for a license in Taif, then the guidelines will come up as the requirements that you will have to (adhere to) in terms of design.”

Public engagement and outreach are also essential components of the initiative. AlHashani underscored the breadth of the ministry’s reach through its extensive municipal network.

“The municipal sector is the largest sector in ֱ … that has access and reach to the citizen.

“You deal with the with us on a daily basis, even without you knowing. We have for instance 285 (municipalities). We have 17 amanahs (administrative divisions). We are present everywhere in ֱ.”

He further emphasized the role of workshops and stakeholder meetings as vital tools for ensuring that all parties are aligned with the new standards.

“More importantly (are) the kind of the workshops that we have with key stakeholders in (these) structures such as the architectural firms, the big developers, and of course, the giga projects.”

Looking to the future, AlHashani touched on the broader strategic goals that underpin the initiative.

He explained that success will not only be measured by the immediate application of design guidelines but also by their impact on urban planning, with “major (key performance indicators).”

With integrated digital tools, targeted training, and extensive stakeholder engagement, the Saudi Architecture Characters Map aims to redefine urban development across the Kingdom while remaining rooted in its rich cultural heritage.


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025

Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.” 

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of ֱ’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (ֱ), Abdelrahman Elshahed (ֱ), Ahmad Angawi (ֱ), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (ֱ), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (ֱ), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (ֱ), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (ֱ), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (ֱ), Monira Al-Qadiri (Kuwait), Muhannad Shono (ֱ), n + n Corsino (France), Nebras Aljoaib (ֱ), Obaid Alsafi (ֱ), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (ֱ), Saeed Gebaan (ֱ), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (ֱ).