Manuscripts reveal the Arab world’s historic role in global learning
Manuscripts reveal the Arab world’s historic role in global learning/node/2620187/art-culture
Manuscripts reveal the Arab world’s historic role in global learning
“Golden Ink: A Journey through Arab and Islamic Manuscripts” is an exhibition that took place in Abu Dhabi. (Supplied)
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Updated 9 min 8 sec ago
Hams Saleh
Manuscripts reveal the Arab world’s historic role in global learning
Updated 9 min 8 sec ago
Hams Saleh
DUBAI: Manuscripts have long served as windows into the Arab and Islamic world’s pursuit of science, art and philosophy.
In Abu Dhabi, this legacy was recently explored through “Golden Ink: A Journey through Arab and Islamic Manuscripts,” an exhibition organized by the Department of Culture and Tourism — Abu Dhabi, in collaboration with McGill University.
“Golden Ink: A Journey through Arab and Islamic Manuscripts” was organized by the Department of Culture and Tourism — Abu Dhabi , in collaboration with McGill University. (Supplied)
“This exhibition reminds us of the Arab world’s incredible contribution to global knowledge,” Fatema Al-Tamimi, director of library management department at DCT Abu Dhabi, told Arab News. “Beyond books, it’s about our shared history of science, art and ideas. It places Abu Dhabi at the heart of celebrating this rich heritage, inspiring both local and international visitors.”
The exhibition, held earlier this month, showcased manuscripts selected for their artistic beauty, scientific value and philosophical significance. “Our selection was done through a thorough curatorial process. We prioritized manuscripts that demonstrated breathtaking artistry, groundbreaking scientific content and profound philosophical depth,” Al-Tamimi said.
The exhibition showcased manuscripts selected for their artistic beauty, scientific value and philosophical significance. (Supplied)
By featuring works that span medicine, astronomy, poetry and faith, the exhibition offered insight into a civilization where art and science were deeply interconnected. “Each piece was chosen as part of a larger narrative, almost like telling a great story,” she explained.
“The manuscripts tell a powerful story of curiosity and connection. They depict a time when different cultures shared knowledge freely. They also prove that science and art thrived together, and that this civilization was a true center of learning and beauty for the world,” Al-Tamimi added.
By featuring works that span medicine, astronomy, poetry and faith, the exhibition offered insight into a civilization where art and science were deeply interconnected. (Supplied)
The exhibition was held in parallel with the Fourth Abu Dhabi International Conference on Manuscripts, which gathered researchers and experts from around the world to discuss the visual arts in Arabic and Islamic manuscripts under the theme “Visual Arts in Arabic and Islamic Manuscripts: Artistic Heritage and Contemporary Influence.”
DUBAI: Global music icon Mariah Carey is set to headline the 2025–2026 edition of Saadiyat Nights, Abu Dhabi’s open-air concert series held on Saadiyat Island.
The five-time Grammy Award-winning singer will perform in the UAE capital on Feb. 7, 2026, marking her return to the stage after her sold-out debut at the inaugural Saadiyat Nights in January 2024.
Fans are expecting a performance featuring her signature powerhouse vocals, well-known hits and dynamic stage production.
Over a career spanning more than three decades, Carey has become one of the best-selling female artists in history, with more than 200 million albums sold worldwide and 19 Billboard Hot 100 No. 1 singles, the most by any solo artist.
Her catalog includes globally recognized songs such as “Hero,” “Fantasy,” “Always Be My Baby,” “Dreamlover,” “We Belong Together,” and “One Sweet Day.”
Carey recently released her 16th studio album, “Here For It All,” on Sept. 26 through Gamma, a music and media company founded by former Apple Music creative director Larry Jackson and music executive Ike Youssef.
The album, her first in nearly eight years, blends elements of pop, R&B, disco and gospel, and features collaborations with American singer and producer Anderson .Paak, American R&B artist Kehlani, Jamaican dancehall performer Shenseea and American gospel group The Clark Sisters.
The record debuted at No. 1 on several Billboard charts, including Top Album Sales, Top Current Album Sales, Top R&B Albums and Independent Albums, continuing Carey’s 35-year streak of placing new releases in the Billboard 200 top 10.
Her 2024 performance at Saadiyat Nights was among the highlights of the series’ debut season, with tickets selling out weeks in advance. Her return in 2026 aims to recreate that atmosphere, offering audiences another opportunity to experience her catalog performed live in an open-air coastal setting.
Carey joins a line-up of international artists confirmed for Saadiyat Nights, including Ludovico Einaudi performing on Jan. 10, Lewis Capaldi on Jan. 17, John Mayer on Jan. 24, Ricky Martin on Jan. 31 and Bryan Adams on Feb. 11.
Additional performers are expected to be announced in the coming months.
Saudi Film Confex attracts major Saudi companies and global stars
Hollywood star Johnny Depp took center stage to deliver a masterclass titled “The Genius of Embodying Different Roles”
Updated 4 min 43 sec ago
Rahaf Jambi
RIYADH: The Saudi Film Confex, which took place in Riyadh from Oct. 22 to 25, attracted major Saudi companies and global stars, highlighting the Kingdom’s rising influence in the filmmaking industry, as well as its growing creative economy.
Hollywood star Johnny Depp took center stage to deliver a masterclass titled “The Genius of Embodying Different Roles.” Hosted by Saudi actress and filmmaker Fatima Al-Banawi, the session provided attendees with a rare look into Depp’s artistic process, his approach to character building, and the lessons he has learned over his four-decade career.
Now in its third year, the Saudi Film Confex has become a key platform for the Kingdom’s creative industries, uniting local talent, international studios, and investors under one roof. This year’s event featured an expansive exhibition, workshops, panel discussions, and networking opportunities.
The Saudi Film Confex took place in Riyadh. (AN Photo/Loai Elkelawy)
Film AlUla’s acting executive director Zaid Shaker described the Kingdom’s filmmaking progress as “nothing short of transformative.”
He said: “Saudi filmmaking is not just advancing but experiencing transformative acceleration. In a few short years, the industry has gone from nascent to dynamic. Storytelling has always been part of Saudi culture — from poetry to oral histories — and film has become the newest chapter of that tradition, especially among the younger generation.”
Film AlUla has emerged as one of the driving forces behind this transformation, providing infrastructure, incentives, and natural backdrops that attract both local and international productions. The destination has hosted several global projects, including “Kandahar” starring Gerard Butler, and is one of the most visually striking filming locations in the Middle East.
The Saudi Film Confex took place from Oct. 22 to 25. (AN Photo/Loai Elkelawy)
Shaker emphasized that the Saudi film industry’s growth is powered by two essential elements: organic creative momentum and strategic national investment.
“The sector has naturally leaned toward quality over quantity, which has ensured its early success,” he said. “Saudi-born auteurs like Shahad Ameen and Tawfik Alzaidi are earning global recognition — “Norah” was selected for the Un Certain Regard section at Cannes, and “Hijra” is the Kingdom’s official submission for the 2026 Academy Awards. These filmmakers are defining a new cinematic identity for ֱ.”
He also credited the government’s deliberate approach to building an integrated ecosystem that nurtures both creativity and professionalism.
The Saudi Film Confex attracted major Saudi companies and global stars. (AN Photo/Loai Elkelawy)
“In AlUla alone, we have established world-class infrastructure through partnerships with industry leaders such as MBStudios,” he said. “We offer a competitive 40-percent cash rebate and provide upskilling programs with international partners to cultivate Saudi talent.”
Film AlUla’s collaborations extend across the Kingdom’s creative ecosystem. Shaker highlighted its ongoing partnership with the Red Sea Fund, which supported the co-production of “Hijra,” filmed entirely in AlUla.
“These collaborations are setting the foundations for a new generation of filmmakers who are rooted in the region and inspired by it,” he said. “We are building not only an industry, but also a cultural legacy that reflects ֱ’s landscapes, people, and stories.”
The Saudi Film Confex highlighted the Kingdom’s rising influence in the filmmaking industry. (AN Photo/Loai Elkelawy)
Beyond production, Film AlUla’s vision also encompasses tourism, education, and heritage preservation, positioning AlUla as both a cultural destination and a creative laboratory for the Kingdom’s future storytellers.
“We are seeing a vibrant creative community forming around this ecosystem,” Shaker said. “Film Confex gives us a chance to connect with emerging filmmakers, offer training through workshops, and inspire new storylines. When young Saudis see AlUla’s landscapes on screen, it ignites ideas — they want to tell stories that belong to this land.”
Arabia Pictures, a creative boutique dedicated to transforming ideas into intellectual properties, was participating for the third year in succession. Abdulaziz Nayta, project management and business development lead, described the company as “a one-stop shop for bringing creative visions to life.”
Nayta said: “We offer a unique blend of services — from ideation and concept development to project management and commercial guidance. Our core focus is on content creation, IP ownership, and monetization.”
The Saudi Film Confex highlighted the Kingdom’s growing creative economy. (AN Photo/Loai Elkelawy)
Arabia Pictures provides both financial backing and industry expertise. The company’s portfolio spans films, series, gaming, and events — adapting Arabic stories for global audiences while also working on international brand collaborations.
“Events like Saudi Film Confex empower the industry’s infrastructure and open new business lines in production and distribution,” Nayta added. “It’s an excellent initiative by the Saudi Film Commission, and we’re confident it will continue to yield great results for the future.”
Making its debut appearance at the event, the Saudi Entertainment Academy — the first accredited entertainment academy in the Middle East — attracted significant interest from visitors and industry professionals alike.
Founded in 2019, SEA provides training programs that lead directly to employment in the entertainment and event management sectors. CEO Eihab AbouRukbah said the event offered valuable opportunities for engagement and collaboration.
“This was our first time participating, and it was amazing,” he said. “So many people came to ask about our programs — how we discover talents, what we teach, and how we can partner with companies to build the sector together.”
He said the academy continues to expand its curriculum to match the rapid growth of ֱ’s entertainment landscape.
“We are still growing, and so is the market,” he said. “There’s a lot of potential for cooperation, innovation, and development within the community.”
The Saudi Film Confex has become a dynamic engine for industry growth — connecting filmmakers, producers, and investors while highlighting ֱ’s potential as a regional hub for cinema. The event’s success reflects the nation’s broader cultural transformation under Vision 2030, in which film and entertainment are central to diversifying the economy and telling authentic Saudi stories to the world.
By fostering collaboration, nurturing local talent, and attracting global expertise, the Saudi Film Confex continues to solidify its place as the Kingdom’s premier film industry event — one that mirrors the ambition and creative energy driving ֱ’s new cultural era.
Some of the biggest movies coming your way before the end of the year
Updated 24 October 2025
Arab News
‘Predator: Badlands’
Starring: Elle Fanning, Dimitrius Schuster-Koloamatangi
Director: Dan Trachtenberg
In cinemas: Nov. 6
The latest installment in the popular sci-fi action franchise is set on “the most dangerous planet in the universe,” where Dek, a young Predator who’s been outcast for being a runt, has decided to take a chance hunting down “the ultimate apex predator” to prove his worth. He’s assisted by Thia, a damaged synth created by Weyland-Yutani (the bad guys of the “Alien” franchise). But she brings her own set of problems into the equation, being opposed by another synth, Tessa. (Fanning plays both Thia and Tessa.) Trachtenberg has cited “Shane,” “Mad Max 2,” Clint Eastwood Westerns, and the seminal video game “Shadow of the Colossus,” among others, as thematic and stylistic influences.
‘The Running Man’
Starring: Glen Powell, William H. Macy, Lee Pace, Emilia Jones
Director: Edgar Wright
In cinemas: Nov. 13
The second adaptation of Stephen King’s 1982 novel about a dystopian near-future in which the titular lethal competition is the highest-rated show on television. Contestants, known as Runners, must evade professional assassins (Hunters) for 30 days to claim a huge cash reward. Powell plays Ben Richards, who’s persuaded to enter the show in a last-ditch effort to get enough money together to potentially save the life of his sick daughter. Director Wright has proven his ability to direct propulsive action with “Baby Driver,” and with Powell — one of the hottest properties in Hollywood — as the lead, this should be a lot of fun.
‘Jay Kelly’
Starring: George Clooney, Adam Sandler, Laura Dern
Director: Noah Baumbach
In selected cinemas: Nov. 13; on Netflix: Dec. 5
Baumbach’s coming-of-age comedy drama was nominated for the Golden Lion at the Venice International Film Festival. Clooney plays the titular (fictional) actor — a big movie star, but a pretty hopeless human being and father — and Sandler plays his manager Ron Sukenick. The film follows the pair on a journey through Europe during which they begin to open up to each other about their relationships, their lives and their legacies. Baumbach co-wrote the film with British actress Emily Mortimer.
‘Wicked: For Good’
Starring: Cynthia Erivo, Ariana Grande, Jonathan Bailey
Director: Jon M. Chu
In cinemas: Nov. 20
The adaptation of the second act of Stephen Schwartz and Winnie Holzman’s multi-award-winning stage musical — an adaptation (of an adaptation) of “The Wonderful Wizard of Oz” — sees friends Elphaba and Glinda coming to terms with their new identities as the Wicked Witch of the West and Glinda the Good. Elphaba continues her fight for animal rights, while Glinda finds herself the focus of the unwelcome attention of the Wizard and Madame Morrible. And when Dorothy Gale arrives in Oz from Kansas, their relationship is strained further.
‘Zootopia 2’
Voice cast: Ginnifer Goodwin, Jason Bateman, Ke Huy Quan
Directors: Jared Bush, Byron Howard
In cinemas: Nov. 27
Disney’s big animated release this winter sees Bunnyburrow police officers Judy Hopps (rabbit) and Nick Wilde (fox) team up once again. This time, they’re on the trail of Gary De’Snake, a mysterious pit viper who’s just doing his best to help his family, but leaves chaos in his wake. Judy and Nick go undercover and discover a reptilian population living as a hidden underclass in their city.
‘Avatar: Fire and Ash’
Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver
Director: James Cameron
In cinemas: Dec. 18
The third installment in Cameron’s epic sci-fi series picks up a year after the events of 2022’s “The Way of Water.” As Jake and Neytiri’s family struggle to come to terms with Neteyam’s death, they encounter the Ash People — an aggressive tribe led by Varang, who has allied his people with Quaritch, Jake’s enemy. Pandora’s internal conflicts escalate with “devastating consequences.”
Having pulled off an acclaimed portrayal of legendary singer-songwriter Bob Dylan earlier this year, Chalamet turns his attention to a lesser-known US hero, Marty Reisman, an obsessively driven table-tennis player whose life loosely inspired this comedy-drama set in 1950s New York, where Marty is a staple of the sport’s community, renowned for his skill and showmanship in equal measure.
3 Abu Dhabi restaurants retain Michelin stars in 2026 guide
Updated 24 October 2025
Hams Saleh
ABU DHABI: The launch event for the Michelin Guide Abu Dhabi 2026 was held on Thursday at the Emirates Palace Mandarin Oriental, with three of the city’s restaurants retaining their coveted star status.
Now in its fourth edition, the annual guide provides a directory of the best places to eat in Abu Dhabi, including the cream of the crop, the one Michelin star-rated Erth, Hakkasan and Talea by Antonio Guida.
Michelin stars are awarded on the basis of several criteria, including the quality of ingredients, harmony of flavors, consistency over time and across the menu, and the expression of a chef’s personality through their dishes.
This year’s guide also includes 10 restaurants recognized in the Bib Gourmand category, which recognizes those places that offer high-quality food at more moderate prices.
Joining the list for first time in 2026 were Bua Thai Cafe, Goldfish and 3Fils Abu Dhabi, with the latter also picking up the Opening of the Year Award, which was presented to its chef Jun Kamiyama.
Almayass, Al Mrzab, Beirut Sur Mer, Mika, Otoro, Ryba and Tazal all retained their Bib Gourmand status from last year.
It was a special night for Vittorio Nania from Villa Toscana, who won the Young Chef Award.
“When you have passion, there is no recipe,” he said as he collected his prize. “Just believe in what you believe and push harder every day. That’s it.”
The year’s Michelin Service Award, which is presented to an individual or team that shows exceptional hospitality or service, went to chef Ricardo Bout from Ray’s Grill, a steakhouse at Conrad Abu Dhabi Etihad Towers known for its panoramic views and signature chargrilled steaks.
The Michelin guide also includes “Selected” restaurants, which are recommended for their quality. Joining the list for the 2026 edition were Antonia, Cipriani Dolci, Novikov Abu Dhabi, Pinched by Kunal Kapur, Sand & Koal, Strawfire by Ross Shonhan, Taparelle and Villa Mamas.
Those that remained on the list from last year were Broadway, Em Sherif Sea Cafe, Namak, Meylas, Li Jiang, Li Beirut, Finz, Dai Pai Dong, Coya, Byblos Sur Mer, Martabaan by Hemant Oberoi, Cafe Milano, Villa Toscana, Zuma, Catch at St. Regis, Bord’ Eau by Nicolas Isnard, Mijana, terra, Al Farah, Ray’s Grill, Kopitiam by Chandy’s, Jose by Pizzaro, Mate, NIRI, Paradiso, Punjab Grill, Oii, Grand Beirut, La Petite Maison, Butcher & Still, 99 Sushi Bar, Moksh, Fouquet’s, Oak Room and Tean.
Saudi artist Abdulhadi Abdullah: ‘I want my art to inspire happiness’
Updated 23 October 2025
Rahaf Jambi
RIYADH: Abdulhadi Abdullah describes art as “the magic of creating something out of nothing.” He recalls creating a colorful drawing as a child that delighted his friends — a moment that ignited a lifelong passion for creativity, and a belief that inspiration can be found everywhere.
Two notable paintings by the Saudi artist vividly illustrate his approach to cultural storytelling. In “Edge of the Universe,” he depicts a man seated on a patterned surface, surrounded by stylized camels and hoding a bowl of camel milk — a symbol of hospitality. The inspiration for this work struck him during a visit to a traditional marketplace, where the vibrant colors and sounds enveloped him. As he painted, he envisioned the stories of countless lives intertwined in the bustling market.
In “Edge of the Universe,” Abdulhadi Abdullah depicts a man seated on a patterned surface, surrounded by stylized camels and hoding a bowl of
camel milk — a symbol of hospitality. (Supplied)
“The geometric background of vivid squares adds a contemporary, mosaic-like effect. By merging traditional symbols with modern colors and clean lines, the painting conveys a deep longing for the past, reflecting warmth, pride, and an enduring connection to heritage and shared cultural memory,” the artist’s statement reads.
In “Saint of the People,” a man sits serenely on a chair, a halo casting a soft glow above him. (Supplied)
In the second artwork, “Saint of the People,” a man sits serenely on a chair, a halo casting a soft glow above him. Abdullah recalls exploring an old, abandoned building and feeling a powerful urge to capture that moment. The bright blues and yellows in this painting contrast sharply with the dark silhouette of another figure, reflecting a journey of introspection and discovery.
“He appears as a saint — ancient and wise,” Abdullah writes of the figure in the painting. “But in the shadows, he hides a devilish truth. Many believe his thoughts are pure, yet in reality they are the complete opposite.”
As an art teacher, the 36-year-old finds inspiration in his students too. He cites a moment during a class when a young girl presented her artwork — a simple drawing of her family. The innocence and joy in her creative expression struck him deeply. “Each mind holds a different universe,” he says. His students’ drawings, filled with raw emotion and uninhibited color choices, often spark ideas for his own work.
Heritage also plays a pivotal role in Abdullah’s work. He says that heritage has its “own color” — a tone that carries memory, rhythm, and soul. And he tries to translate this heritage into new shades that have never been used before. He fondly recalls conversations with his grandmother about their ancestry and the colors that defined their culture. Abdullah reshapes these traditional colors through his own lens, honoring his roots in a contemporary setting.
Before beginning any artwork, Abdulhadi Abdullah engages in field research, often visiting ‘forgotten’ places. (Supplied)
Before beginning any artwork, Abdullah engages in field research, often visiting ‘forgotten’ places. “These visits are like treasure hunts,” he says. He observes colors, light behaviors, and spatial relationships and uses them to form “conceptual sketches” in his mind.
At the core of Abdullah’s artistic philosophy is a commitment to spreading joy. “I want my art to inspire happiness,” he says.
Abdullah is not just an artist; he is a storyteller, educator, and cultural ambassador. His vibrant artistic style and commitment to spreading joy through his work reflect a deep understanding of the transformative power of art. From the lively markets of Riyadh to the quiet corners of forgotten gardens, his journey invites us all to celebrate the beauty of our shared human experience.