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Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

Special Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
Special Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
Special Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
Special Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
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Hail has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years. (Supplied)
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Updated 9 min 18 sec ago

Hail’s iconic Quraishyyat coffee pot is symbol of hospitality

Hail’s iconic Quraishyyat coffee pot is symbol of hospitality
  • Distinctive design crafted in the northern city for hundreds of years
  • Item traditionally used for special occasions remains popular today

RIYADH: The northern city of Hail in ֱ has been crafting a specific type of Arabic coffee pot known as the Quraishyyat for hundreds of years.

This distinctive vessel features a longer neck and a slimmer body than the typical receptacle, and was traditionally reserved only for special occasions.

“Al-Quraishyyat is a coffee pot made of green and yellow copper and has several names such as the palace coffee pot, the khateeb coffee pot, or Hail’s Quraishyyat,” Hamid Al-Dhuwaili, owner of Al-Dhuwaili Heritage Museum in Hail, told Arab News.

He explained that making such coffee pots had been part of the culture in Hail for hundreds of years, and added: “People have practiced this craft since ancient times, before the founding of the First Saudi State. There are well-known craftsmen in Hail who excel in this industry. Currently Hail is home to a coffee pot factory considered one of the best in the Middle East.”

While other handicrafts, including carving, tent making and weaving, are also native to Hail, it is its coffee pots that most visitors and tourists find attractive.

Thanks to its cool weather, rocky landscape and groundwater resources, Hail was one of the main stopping points for traveling merchants and migrants.

It was a resting point for travelers to feed their cattle, which fostered a culture of hospitality among the people of Hail. Coffee has been a significant part of that culture for centuries.

Along with the Quraishyyat, there are other kinds of coffee pots that are also prominent in the city, including the Baghdadiyyat, which is believed to have been introduced by travelers from the Iraqi capital.

Another variation is the Raslan, which consists of pots of different sizes. The Raslan is believed to have been brought to Hail through merchants from the Levant region.

The crafting of coffee pots in Hail has been significant throughout its history as a trading post, and remains so today as the tradition welcomes visitors from near and far.


Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai
Updated 22 September 2025

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

DUBAI: Lebanese-Finnish gallerist Taymour Grahne has inaugurated a new project space and art advisory in Dubai, offering a location for exhibitions alongside the firm’s office in London.

The inaugural show in Dubai is titled “Arranging Flowers” by US painter Gail Spaien. It presents a new body of work that reimagines domestic interiors through flattened perspectives and vibrant patterning.

Lebanese-Finnish gallerist Taymour Grahne. (Supplied)

Grahne told Arab News: “I wanted to start my Dubai program with an artist who has not shown in the region previously, in keeping with Taymour Grahne Projects’ ethos of introducing new artists to the region.

“And for audiences in the city to discover artistic voices they might not otherwise encounter.”

He added: “Gail’s practice explores the idea of home and domestic space as a site of meaning, while also weaving in inspirations from nature, landscape, ritual textiles, and pattern.

“These themes are universal, and they also connect strongly with life in Dubai, where ideas of belonging and home are important to many.”

The outpost is billed as a project space, rather than as a traditional gallery.

“Rather than focusing on exclusivity or long-term representation, the ‘project space’ model keeps things agile and experimental,” Grahne explained.

He added that “by not having a fixed roster, I can continually bring fresh perspectives from around the globe to the project space.”

Just a few of the artists whom Grahne has exhibited in the past — he previously ran a project space in New York — include contemporary creatives Francesca Mollett, Dominique Fung, Lamia Joreige, and Faycal Baghriche.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, Grahne and his team have placed artworks in major museum collections, including at The Metropolitan Museum of Art, New York; The Guggenheim Museum, New York; The Barjeel Art Foundation, Sharjah; The Dalloul Art Foundation, Beirut; and The British Museum, London.

“My expertise spans both modern and contemporary art from the Middle East as well as international contemporary art, with a strong focus on the art scenes of New York, London, and Los Angeles.

“That allows me to tailor collections that are globally relevant while also being deeply connected to the region’s own artistic heritage,” Grahne explained.

He added that his Middle Eastern and European background, as well as a childhood spent between London, Beirut and New York, has helped him “connect with collectors across geographies.”

As for why he chose Dubai for the first Taymour Grahne Projects in the region, he points to the city’s unique role as a connective hub.

“Dubai sits at the crossroads of Abu Dhabi, Doha, Riyadh, and beyond, with each of these cities making huge investments in culture … while my immediate focus is on Dubai, I see the region as deeply interconnected,” he said.

 


Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country
Updated 20 September 2025

Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country

TORONTO: Irish rap group Kneecap was banned from entering Canada this week, with the country’s government saying the band “publicly displayed support for terrorist organizations such as Hezbollah and Hamas.”

The group has faced criticism for political statements seeming to glorify militant groups and has previously been banned from Hungary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Liberal lawmaker Vince Gasparro, parliamentary secretary for combating crime, said in a social media video: “Canada stands firmly against hate speech, incitement to violence and the glorification of terrorism. Political debate and free speech are vital to our democracy, but open endorsements of terrorist groups are not free speech.”

Kneecap has accused critics of trying to silence the band because of its support for the Palestinian cause. Its members say they do not support Hezbollah or Hamas, and nor do they condone violence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In an Instagram post, Kneecap said Gasparro’s comments were “wholly untrue and deeply malicious.”

“We have today instructed our lawyers to initiate legal action against you,” said the band’s statement. “We will be relentless in defending ourselves against baseless accusation to silence our opposition to a genocide being committed by Israel.”

Kneecap was scheduled to perform in Toronto and Vancouver next month. The group performed at Coachella in April when members accused Israel and the US of genocide against Palestinians, prompting calls to revoke their visas and leading to several canceled shows.


Jessica Chastain showcases Elie Saab designs

Jessica Chastain showcases Elie Saab designs
Updated 20 September 2025

Jessica Chastain showcases Elie Saab designs

Jessica Chastain showcases Elie Saab designs
  • Chastain appears on the show ‘Late Night with Seth Meyers’
  • Star has also worn outfits by fellow couturier Zuhair Murad

DUBAI: US actress and film producer Jessica Chastain made a statement this week in designs by Lebanese couturier Elie Saab.

During her appearance on “Late Night with Seth Meyers,” Chastain wore the designer’s Appliqued Cape-Effect Cady Jumpsuit.

The sleeveless red design featured a fitted bodice and wide-leg trousers. She opted to forgo the matching cape, keeping the look streamlined and modern, with her long hair worn loose and minimal accessories.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Saab also shared images on Instagram of Chastain’s appearance on “LIVE with Kelly and Mark,” where she chose a bold red tailored suit.

The look included a long double-breasted blazer with structured lapels and flap pockets, styled with high-waisted, wide-leg trousers for a sharp monochrome finish.

Chastain has long shown her appreciation for Saab’s creations.

In 2024, she wore a purple jumpsuit by the designer to the Annual Breakthrough Prize Ceremony at the Academy Museum of Motion Pictures in Los Angeles.

She has also championed fellow Lebanese couturier Zuhair Murad on multiple occasions.

In 2022, she chose a red off-shoulder embroidered gown from his Spring/Summer 2020 collection for the 13th Annual Governors Awards.

At the time, she shared on Instagram: “I’ve had my eye on this @zuhairmuradofficial for quite some time. Thank you for letting me wear this beautiful piece.”

In 2023, she opted for a black sequined gown adorned with glittering embellishments and a plunging neckline at the 48th Chaplin Award Gala in New York City. The look was from Murad’s Fall/Winter 2022 couture collection.

The latest celebrity to champion Saab is US actress Danielle Deadwyler.

Earlier this week, she showed off a bubblegum pink cocktail dress at a screening of “The Piano Lesson” in New York.

The outfit hailed from Saab’s Spring/Summer 2024 ready-to-wear collection and featured a belted waist with a slightly flowing skirt.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Saab also shared an image on Instagram this week of British actress Emilia Jones wearing a set from his Resort 2026 collection to HBO’s “Task” New York premiere.

Saab is known for his intricate embroidery, flowing gowns and red-carpet glamour. His designs have been worn by stars including Beyonce, Angelina Jolie, Halle Berry, Jennifer Lopez and Taylor Swift.


Rashida Al-Rashidi’s journey from needle and thread to global recognition

Rashida Al-Rashidi’s journey from needle and thread to global recognition
Updated 20 September 2025

Rashida Al-Rashidi’s journey from needle and thread to global recognition

Rashida Al-Rashidi’s journey from needle and thread to global recognition
  • She designed special Sadu-style shoelaces for Adidas
  • Proud to keep ‘timeless art’ alive, she tells Arab News

MAKKAH: Rashida Rashid Ali Al-Rashidi has turned a passion for needle and thread into a unique and authentic identity that has resulted in global recognition.

Al-Rashidi, or Umm Nasser, told Arab News recently: “The story began with a simple love for embroidery, which to me was a hobby that kept me occupied and comforted me.

“As the years passed, I realized that this hobby carries a greater value, much more significant than a thread and needle. It is an identity and a form of creativity that can make a difference in people’s lives.”

Rashida Al-Rashidi has launched her work under the name ‘Al-Thawq Al-Rafeea’ (The Sophisticated Taste), a brand offering handmade products inspired by Sadu embroidery. (Supplied)

She said that she looked for ways to improve her skills.

“I received a professional practitioner license, a train-the-trainer certificate, and a freelancer permit. These steps were very important to me because they boosted my self-esteem and made me feel as though I was standing on solid ground.”

Al-Rashidi has participated in numerous events and collaborated with many entities, including the Comprehensive Rehabilitation Center, the Saudi Electricity Regulatory Authority, and the Harakia Association for Adults with Physical Disabilities.

Partnering with Adidas was one of my most beautiful milestones, where I designed a special shoelace that carries my unique touch. It was a turning point for me, and I felt that the thread which began in a small home was able to cross the borders and reach international platforms.

Rashida Al-Rashidi

She has also worked with the Dates Festival, Ministry of Environment, Water and Agriculture, the Lamma and Fallah Festival, Ayamna El-Helwa Festival, as well as national celebrations and a graduation project at the Imam Mohammad bin Saud Islamic University.

“With every participation, I felt part of a big picture, and that my simple work left an impact on people, while adding a touch of beauty and a sense of pride in our heritage,” she said.

She recently received global recognition for her work. “Partnering with Adidas was one of my most beautiful milestones, where I designed a special shoelace that carries my unique touch.

“It was a turning point for me, and I felt that the thread which began in a small home was able to cross the borders and reach international platforms.”

Al-Rashidi said she has launched her work under the name Al-Thawq Al-Rafeea (The Sophisticated Taste), a brand offering handmade products inspired by Sadu embroidery.

She explained: “I wanted to combine the authenticity of heritage with the spirit of modernity. That’s why I designed abayas with a touch of Sadu, so this timeless art remains present in people’s everyday lives, but with a modern twist that appeals to all tastes.”

Al-Rashidi added: “My message to anyone with a dream is to hold onto it. When a dream is accompanied by perseverance, it can turn into a success story and might become a source of inspiration for someone else without you realizing it.”

She said her achievements are a result of the support from her family and community, and wants to honor them.

“Every thread I wove carried a dream, and every embroidery I crafted carried a message. Today, I feel like I am still at the beginning of this journey, and I still have a lot to offer.”

 


All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’

All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’
Updated 19 September 2025

All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’

All’s unfair in love and war — Olivia Colman and Benedict Cumberbatch clash in ‘The Roses’

DUBAI: Jay Roach’s take on Warren Adler’s acrid 1981 novel “The War of the Roses” may be less overtly savage than the 1989 adaptation starring Michael Douglas and Kathleen Turner, but it still lands plenty of punches.

Roach trades open marital warfare for a more contemporary clash of egos and expectations, infusing the story with sharp humor and modern-day sensibilities. 

Two great British actors — Olivia Colman and Benedict Cumberbatch — anchor the film as Ivy and Theo Rose, whose seemingly ideal relationship implodes inside their sleek, custom-built dream home. Colman gives a layered, hysterically funny performance, while Cumberbatch captures Theo’s hurt pride and resentment as Ivy’s almost-dead career as a chef gets revitalized just as his, as an architect, nosedives overnight due to a freak catastrophe. The couple must navigate a new power dynamic within a previously loving relationship. 

Roach and screenwriter Tony McNamara keep the dialogue sharp and darkly comic. The movie kicks off with an imploding couples-therapy scene that turns gratitude lists into barbed attacks. 

Colman balances dry humor with quiet fury, and Cumberbatch moves seamlessly from bubbling hurt to explosive rage, making the breakdown of the Roses’ marriage both believable and extremely riveting.

The rest of the cast is stacked with talent too, though they’re mostly sidelined. Andy Samberg and Kate McKinnon play Barry and Amy, a couple whose physical chemistry is all but dead. And Jamie Demetriou’s Rory and Zoe Chao’s Sally bottle up resentment after resentment, while Allison Janney gives a singularly vicious performance as a divorce lawyer. But it’s the leads who hold the focus throughout.

Coming in at under two hours, “The Roses” moves briskly. Roach’s update is less a remake than a reimagining — one that recognizes how contemporary ambition and shifting gender roles can destabilize even the most loving and chemistry-packed marriage. But it fails to deliver the no-holds-barred meanness of the original and, in the process, loses some of its soul.

For audiences seeking sharp dialogue and sensational acting, though, “The Roses” delivers. Colman and Cumberbatch turn a familiar tale of marital collapse into a darkly amusing battle of wills that is worth seeing.