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Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown
Riyadh-based Argentine model Georgina Rodriguez touched down in Italy for the Venice Film Festival. (Getty Images)
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Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

DUBAI: US singer and actress Sofia Carson attended the amfAR Gala Venezia 2025in a beaded blush gown from Lebanese designer Elie Saab’s Fall/Winter 2025 couture collection on Sunday as Riyadh-based model Georgina Rodriguez touched down in the Italian city.

Emblazoned with floral appliques, the gown boasted fine boning on the corset and puffed upper sleeves over fitted, cuff-length sleeves.




US singer and actress Sofia Carson attended the amfAR Gala Venezia 2025in a beaded blush gown from Lebanese designer Elie Saab’s Fall/Winter 2025 couture collection. (Getty Images)

The event featured performances by Paris Jackson and Ava Max, while US actor Colman Domingo hosted the festivities. The gala is an annual fundraiser held on the sidelines of the Venice Film Festival by amfAR, the Foundation for AIDS Research.

Carson was joined by international celebrities, including US singer Halsey, Brazilian model Sofia Resing, US actor Jesse Williams, and English actor Jude Law.

At the event, Carson continued her streak of looks by Saab just over a month after she was spotted wearing an outfit by the designer while promoting her latest project, “My Oxford Year.”

Carson showed off a belted black blouse by the designer in New York in late July, and she completed the outfit with a nude pencil skirt and black leather gloves.

The actress and singer is known for her affinity for Lebanese labels and previously showed off a look by Saab in March while promoting the Netflix film “The Life List.”

Carson arrived at the “CBS Mornings” show in New York City as part of the press tour wearing a green dress from Saab’s Ready-to-Wear Fall/Winter 2023-2024 collection.

She also showed off several looks by the Lebanese designer during Netflix festivities in June. Ahead of “Netflix Tudum 2025: The Live Event,” the streaming platform’s celebration of global fandom and storytelling, Carson appeared in a white ensemble featuring a tailored blazer, wide-leg trousers and a matching shirt. On a separate occasion, she wore an all-black outfit composed of wide-leg trousers and a sheer top with cape-like sleeves. Both outfits were from Saab’s Ready-to-Wear Pre-Fall 2025 collection.

Carson’s latest look in Venice comes as Riyadh-based Argentine model Georgina Rodriguez touched down in the city for the Venice Film Festival.

Rodriguez, who recently announced her engagement to longtime partner Cristiano Ronaldo, hit the red carpet ahead of the Filming Italy Venice Award ceremony in a custom Roberto Cavalli gown paired with Pasquale Bruni jewelry.


Dubai expat launches fashion line to promote Palestinian culture

Dubai expat launches fashion line to promote Palestinian culture
Updated 55 min 28 sec ago

Dubai expat launches fashion line to promote Palestinian culture

Dubai expat launches fashion line to promote Palestinian culture
  • ‘The idea is to integrate it into everyone’s everyday wear,’ co-founder Yara Alul tells Arab News
  • Urban Pal works with Palestinian children and seamstresses to give back to the community

CHICAGO: Palestinian Yara Alul left the comfort of a promising career as a stock trader, and later as a program manager at Amazon, to launch along with her sisters their own company showcasing their culture and strengthening the Palestinian clothing industry.

Alul said Urban Pal, which was launched in July, takes cultural iconic designs in clothing accessories and uses Palestinian seamstresses to create products that are sold on www.urbanpal.co. 

It also solicits design ideas and drawings from Palestinian children and places them on clothing for distribution, with portions of the profits going to the civic organization Taawon.

“Urban Pal aims to sustainably preserve and evolve Palestinian heritage while offering a 2025 customer experience,” Alul told Arab News.

“We aim to sustainably source all of our items and focus on using vintage, organic and recycled fabric where we can … We try to bring Palestine where we can by hiring Palestinian, sourcing from Palestine, and adding cultural icons to all of our pieces,” she said.

“The idea is to integrate it into everyone’s everyday wear, to strike conversations about Palestinian culture and heritage, because it’s so beautiful and it needs to be preserved and evolved.”

Customers can customize products with their own design ideas, and shipping and returns are free.

A graduate of Penn State University now living in Dubai, Alul said her and her sisters Meera and Tala “were always raised to aim to succeed in order to give back to our community.”

Beyond fashion, Alul said, the Urban Pal brand stands as a social movement, aiming to preserve cultural identity while uplifting artisans and inspiring future entrepreneurs to align purpose with business.

“We work with multiple children in Gaza right now to buy artwork from them. Sometimes we request specific themes, other times they just share their drawings with us and we buy them from them. We currently work with a dozen seamstresses in Jordan, but we’re looking to expand elsewhere,” she added.

“All of them use the funds to support their families, and have expressed the mental and emotional impact it’s had on them.”


Venice Film Festival chief Alberto Barbera speaks on Gaza protests

Venice Film Festival chief Alberto Barbera speaks on Gaza protests
Updated 01 September 2025

Venice Film Festival chief Alberto Barbera speaks on Gaza protests

Venice Film Festival chief Alberto Barbera speaks on Gaza protests
  • Thousands of anti-war protesters attended a march at the festival at the weekend

DUBAI: Venice Film Festival chief Alberto Barbera spoke to magazine at the midway point of the famed Italian event and touched on the ongoing Israeli military campaign in Gaza and related protests in Venice.

Thousands of anti-war protesters attended a march on Saturday, with Barbera telling Deadline the protesters did not wish to enter the festival grounds.

“They didn’t want to enter. I think around 30 people tried. I asked the organizers of the protest whether they wanted to send a delegation to the red carpet and they said they weren’t interested in doing that and that they didn’t want to interfere with the festival.”

When pushed by Deadline, whose journalist Andreas Wiseman said: “I thought they had said they wanted to march to the festival center,” Barbera countered with: “No, I don’t think so. I offered them a place on the carpet and they said no.”

Plans for the protest gained momentum after Venice4Palestine, an organization of Italian and international film professionals, issued an open letter last weekend calling on the festival to condemn the suffering caused by Israel’s military campaign in Gaza.

In Deadline’s interview, published on Sunday, Barbera said: “We made an initial statement and then at the pre-opening of the festival the president of the Biennale made a very strong statement against the war in Gaza. There was a priest alongside him who had been refused entry to Israel in recent weeks and who has been very supportive of Palestine.”

When asked if he would make a personal statement, Barbera said: “I would do but the Biennale doesn’t make political statements. That’s the reason I haven’t so far.”

When it comes to the roster of international films on the festival’s screening agenda, Barbera said: “There are very few Palestinian films each year, this year even less perhaps, because of the war. I saw only one film that could have had the profile of a Competition film. It wasn’t quite good enough for us, from my point of view, so we declined and I think the film will screen at another festival.”


Film AlUla hosts reception for ‘Hijra’ castat Venice Film Festival

Film AlUla hosts reception for ‘Hijra’ castat Venice Film Festival
Updated 31 August 2025

Film AlUla hosts reception for ‘Hijra’ castat Venice Film Festival

Film AlUla hosts reception for ‘Hijra’ castat Venice Film Festival

DUBAI: The cast and crew of the Saudi film “Hijra” have attended a reception hosted by Film AlUla at the Venice Film Festival.

The reception took place after the premiere screening of “Hijra,” with guests invited to the St. Regis Venice after the credits rolled.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Saudi director Shahad Ameen was on hand at the event, alongside stars Khairia Nazmi and Lamar Faden.

The film follows a grandmother (Nazmi) and her granddaughter (Faden) as they journey across northern ֱ to find a missing teenage girl.

Shot over about 55 days in eight Saudi cities — Taif, Jeddah, Madinah, Wadi Al-Faraa, AlUla, Tabuk, Neom, and Duba — the story unfolds against the backdrop of Hajj.

ֱ’s Red Sea Film Foundation has returned to the 82nd edition of the world’s longest running film festival to present a strong lineup of films and industry initiatives to reinforce its commitment to nurturing emerging talent from ֱ, the Arab world, Africa and Asia.

“Hijra” is among the highlights, while Lebanese filmmaker Cyril Aris’ “A Sad and Beautiful World” — a drama developed with the support of the Red Sea Labs, Red Sea Fund and Red Sea Souk — is also being featured.

Algerian director Yanis Koussim’s “Roqia” and Sudanese filmmaker Suzannah Mirghani’s “Cotton Queen” are both being screened in the Venice Critics’ Week section, offering urgent narratives that reflect the complexity of contemporary Arab identity. Completing the lineup is Damien Hauser’s “Memory of Princess Mumbi.”

 

 


May Calamawy joins cast of new Netflix series ‘Extraction’

May Calamawy joins cast of new Netflix series ‘Extraction’
Updated 31 August 2025

May Calamawy joins cast of new Netflix series ‘Extraction’

May Calamawy joins cast of new Netflix series ‘Extraction’

DUBAI: Egyptian Palestinian actress May Calamawy has joined the cast of Netflix’s new series “Extraction” alongside Waleed Zuaiter, Ed Speleers, Omar Sy, Boyd Holbrook and Natalie Dormer.

From showrunner, writer, and executive producer Glen Mazzara, “Extraction” is set in the world of the 2020 action thriller movie franchise starring Chris Hemsworth.

The eight-episode first season follows a mercenary (Omar Sy) who attempts to rescue hostages in Libya.

According to Deadline, Calamawy will play Priscilla Ragab, an “intelligent and empathetic executive who remains calm while under pressure.”

Meanwhile, Zuaiter will play Hamza Najjar, a former soldier with a desire for justice, and Speleers will play Alford Griff, an engineer.

The 2020 action thriller was directed by Sam Hargrave and based on the graphic novel “Ciudad” by Ande Parks. Hemsworth starred as a black ops mercenary whose mission to save a kidnapped person in Dhaka, Bangladesh, goes wrong when he is double crossed.

Netflix has form for extending successful original movie franchises into TV series. The “To All the Boys I’ve Loved Before” film trilogy spawned the hit comedy series “XO, Kitty,” which was recently renewed for a third season.

Calamawy is known for her roles in US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.”

But fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue.


Experts talk fashion investment at BRICS+ Fashion Summit

Experts talk fashion investment at BRICS+ Fashion Summit
Updated 29 August 2025

Experts talk fashion investment at BRICS+ Fashion Summit

Experts talk fashion investment at BRICS+ Fashion Summit

DUBAI/ MOSCOW: With rising costs, shifting consumer habits and growing demand for sustainable practices, the fashion industry is facing a critical turning point. 

That reality was front and center during “Market Privileges: How to Attract Investors to the Fashion Industry,” a key panel at the BRICS+ Fashion Summit in Moscow.

Held at the Zaryadye Concert Hall and running until Aug. 30, the summit brings together designers, creatives and industry leaders from more than 60 countries. Its mission; to spotlight emerging fashion markets, foster cross-cultural exchange and rethink how the global fashion system can evolve — particularly across the Global South.

The investor-focused session was moderated by Olga Migacheva, founder of BI Agency, and featured speakers including Tsgehiwot Haftu Geretsadik, head of the garment desk at Ethiopia’s Ministry of Industry; Pitro Polit, director of Quito Fashion Week; Kirill Chizhov, co-founder of Copplife; Yana Komarova, CEO of Zero VC; Alexey Kostrov, executive director of the fund supporting venture investments in small science and tech enterprises in Moscow; and Maxim Penkin, a Russian businessman and retail investor.

Throughout the discussion, panelists explored how designers can secure funding while retaining creative control, what makes fashion appealing to investors and which financial tools are most effective.

“Fashion is more than just relativity, it’s an economic player that boosts it. It’s a huge industry that can attract investors,” said Penkin during the session. “This panel discuss best practices to work holistically.”

Polit emphasized fashion’s broader economic impact. “The key thing to relating to fashion week and the privileges and opportunities implies direct access to global market. Fashion mean diversification, and growth. It’s not only relevant to the textile section but several sectors of the economy,” he said. 

He added that events such as the BRICS+ Fashion Summit are essential platforms to showcase the value fashion offers to investors and governments alike.

The conversation also addressed challenges that fashion entrepreneurs face today. Penkin pointed to rising operational costs and changing consumer habits as major hurdles. “Demand over 12 months has gone down. The traffic in shopping malls has decreased from 30 to 50 percent in Moscow. Designers need the help of high-quality investors.”

Representing institutional backing, Kostrov explained the role of the Moscow Venture Fund in strengthening creative industries. “The fund was created to financially support companies that are growing quickly. Yesterday we received news that the companies are producing twice as much and the turnover is fantastic. The capitalization is impressive,” he said. “We see our role in easing the activities of the industry, we have a project for companies to use new technology. Now, it is all in place. We invest for companies that deal with tailormade projects. In our portfolio we have several projects, we will support more new projects.”

From the investor’s perspective, Komarova noted the complex post-pandemic landscape. “In 2022–2023, over 500 new logo brands appeared. In 2025 everything changed. Fashion will be one of the most technological sectors,” she said.