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Pilgrims through the lens: How photographers document scenes of faith during Hajj

Pilgrims through the lens: How photographers document scenes of faith during Hajj
Photo by Faisal Al-Thaqafi.
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Updated 13 June 2025

Pilgrims through the lens: How photographers document scenes of faith during Hajj

Pilgrims through the lens: How photographers document scenes of faith during Hajj

MAKKAH: Every year, the holy lands transform into a unique visual spectacle pulsing with faith and human diversity, drawing the world’s eyes to Makkah, where millions of Muslims perform the pilgrimage of Hajj.

During this period of spiritual and human momentum, photographers stand as visual historians, conveying to the world unforgettable scenes through their lenses that capture moments of worship, tears, unity, mercy, and cultural diversity.

Photographer Anas Al-Harthi said: “When I carry my camera during Hajj season, I feel that I am not just documenting an event but painting a grand canvas of faith in human colors from every continent.”

He added: “A photographer during Hajj does not just take a picture — he moves with a deep sense that this shot may remain a witness to a moment that will never be repeated in the pilgrim’s life.”




Photo by Faisal Al-Thaqafi.

Al-Harthi pointed out that the greatest challenge is respecting the sanctity of the scene without interfering with it, which requires a high artistic sense and an appreciation of place, time and situation.

Photographer Anas Bakhsh said that the experience of photographing during Hajj places the photographer at the heart of human emotion.

“Thousands of faces pass before you, and each face carries a story, every tear bears a prayer, and every movement expresses longing and contentment. Sometimes I feel that the photo I took is an answered prayer for someone in a moment of complete submission to God.”

He said that the scene forever engraved in his memory is when crowds gather on the plain of Arafat at the same time, a majestic sight where differences between people dissolve and the sounds of Talbiyah and supplication rise.

Photographer Faisal Al-Thaqafi said that professional photography during Hajj is not only about technical skill, but also about cultural and religious awareness, and the ability to engage with the scene with the spirit of a believing photographer. “The photographer during Hajj is not just a professional holding a camera — he is an eye pulsing with faith, translating emotion into imagery.”

He added: “Sometimes you capture an image of an elderly pilgrim raising his hands to the sky, and you realize that this photo will remain in people’s hearts more than any commentary or report — because it is sincere, pure, and simple.”

The three photographers agree that the logistical challenges — crowds, heat, and problems involving mobility — do not stand in the way of their passion. Instead, they drive them to exert double the effort to document this unique event.

Bakhsh said: “Every season, I return home with thousands of photos, but I keep only one or two for myself — those images that I feel touched something inside me and perhaps touched the hearts of millions around the world.”




Photo by Faisal Al-Thaqafi.

Al-Thaqafi said that a successful photograph during Hajj is not only one of high visual quality, but one that conveys a genuine emotion. “The strongest images are those that do not need an explanation. You see a pilgrim smiling or crying, and you feel your heart tremble.”

Al-Harthi believes that a photograph can change the world’s perception of Hajj and bring this great ritual closer to non-Muslims as well, saying: “We are not working only for documentation — we are working to build a human bridge, where the spirit of Islam is shown through an honest and professional lens.”

With these sincere lenses, the Hajj season becomes an open exhibition of spirituality, where photos tell stories that words cannot express, and bear witness to the greatest annual human gathering, where everyone is equal in attire, and united in purpose: seeking mercy and forgiveness.

Amid this visual momentum created by photographers through their lenses, the impact of these images is also felt by the pilgrims themselves and by millions of followers on social media. Syrian pilgrim Omar Al-Kadeeb, from Deir Ezzor, said: “Photos of relatives who performed the pilgrimage in the holy sites and near the Kaaba reached my family and friends within minutes and spread widely. At that moment, we felt like we were part of their spiritual journey despite the distance.” He added: “I saw images taken of pilgrims from all nationalities, and I found myself moving emotionally through the scenes — from a father crying in prayer, to a child smiling in Arafat, to a woman raising her hands to the sky in a profoundly moving moment that cannot be described.”




Photos by Faisal Al-Thaqafi, center shot, and Anas Al-Harthi.

Al-Kadeeb said that the professional photos shared by photographers on platforms such as X, Instagram and TikTok enhance the status of Hajj in people’s hearts and make it feel more relatable and more meaningful to the viewer — even if they are not performing Hajj themselves.

“I believe every beautiful image from Hajj is an indirect invitation for people to dream of Hajj and to realize the greatness of this immense pillar,” Al-Kadeeb said.

He concluded with high praise for the photographers: “They are not just professionals — they are messengers of peace and beauty, delivering the message in today’s universal language: a photo.”


Royal Diriyah Opera House: a modern desert oasis honoring tradition

Royal Diriyah Opera House: a modern desert oasis honoring tradition
Updated 23 October 2025

Royal Diriyah Opera House: a modern desert oasis honoring tradition

Royal Diriyah Opera House: a modern desert oasis honoring tradition
  • Architects say they feel ‘lucky’ that their proposal for the project was the winning one
  • Eli Synnevag, director and a senior architect at Snohetta, said the design draws inspiration from local Najdi architecture

RIYADH: Royal Diriyah Opera House, scheduled to open in 2028 in the historic heart of Diriyah, was designed by the Norwegian architectural firm Snohetta and celebrates tradition and modernity.

Speaking to Arab News on the sideline of a reception hosted by the Norwegian Embassy in Riyadh, Eli Synnevag, director and a senior architect at Snohetta, said the design draws inspiration from local Najdi architecture, and reflects a deep connection to the surrounding desert landscape and traditional building techniques.

Part of a broader initiative to reinvigorate the heritage area, the opera house will be a cultural beacon within a master plan aimed at transforming the region into a vibrant, contemporary destination.

Scheduled to open by the end of 2028, the state-of-the-art performing center, designed in collaboration with the ֱn company Syn Architects, is spearheaded by the Diriyah Company and operated by the Royal Commission for Riyadh City, she said.

Synnevag, who has been working with Oslo-based Snohetta for almost 25 years, told Arab News: “Our journey in ֱ started with the King Abdulaziz Centre for World Culture (Ithra) in Dhahran. I worked on Ithra way back in 2008. We were so honored to be selected as a part of an international competition to be the winning proposal.”

It was an initiative from Saudi Aramco to promote cultural development, knowledge and diversity in the Kingdom.

“We were very lucky to be commissioned by a client such as Aramco. We had a very good collaboration with them,” she said.

“In 2013, we won a competition for one of the iconic metro stations in Riyadh, the Qasr Al Hokm Metro Station connecting two of the lines in the city’s brand-new metro network, opened in February this year.” she said.

“And since 2022, we have been working and designing the Royal Diriyah Opera House. That was also an international architectural competition that we were very lucky to be the winning proposal. The estimated time of completion is the end of 2028. It’s well on its way now. It started construction before the summer, and now they are making all the foundation work and the groundwork,” she added.

When asked about plans for future projects Synnevag said: “We are part in several competitions that are ongoing, so we are hoping for positive feedback later. We are focused on key cultural projects that are kind of engaging and a part of progress that we see is happening in Saudi now. So focusing on culture in the wider sense, whether it’s opera houses, museums, libraries and so on.”

On local partnership, she said that for the opera house they collaborated with Syn Architects, who had a deeper knowledge of Najdi architecture, the context, and the understanding of the site at Diriyah.

“For us, that was a very rewarding collaboration,” she said.

The Norwegian architect praised the ongoing transformation in the Kingdom in line with Saudi Vision 2030.

“There are a lot of transformations going on, things are moving fast. Every time you visit Riyadh, there is something new that is happening. But I am really focused on trying to develop local identity, the understanding of place.

“How do we build in this environment, how do we celebrate the culture? I think it’s really something that makes us an example for others. And I think it’s made a very strong push over a very short period of time,” Synnevag said.

On the changing landscape of the entertainment sector in the Kingdom, she said: “There are so many new venues for concerts, for art, for music, and also more for leisure and so on, and I think the young people really like to take part in this … like the same on the global scale as well.”

With a proposal rooted in the desert landscape, local cultural heritage, and Najdi building traditions, Snohetta is working on the opera house project to create a new stage for future generations of performers and audiences.

The 46,000-square-meter opera house will accommodate about 3,500 people at its four venues, including a 2,000-seat theatre for large-scale productions and headline artists, two smaller theatres for multipurpose use, and a 450-seat, shaded rooftop amphitheater for outdoor performances.

Intended as a tribute to local visual culture and heritage, the venue’s design will incorporate installation pieces by ֱn artists, including Maha Malluh, one of the country’s leading female conceptual creatives.

The ambitious project is designed as a cluster of buildings interconnected throughout by open passages that will provide shaded relief from the intense sun, with green gardens open to visitors to the opera house and the wider public.


Popularity of anime in ֱ is an increasingly powerful tool for brands, report finds

Popularity of anime in ֱ is an increasingly powerful tool for brands, report finds
Updated 23 October 2025

Popularity of anime in ֱ is an increasingly powerful tool for brands, report finds

Popularity of anime in ֱ is an increasingly powerful tool for brands, report finds
  • Researchers find 31% of fans watch anime content daily, 21% spend more than $530 a year on merchandise, 70% like brands that connect with the art form
  • ‘Anime reflects modern life, personal growth, and emotional depth in ways that feel both global and relatable,’ report says

RIYADH: A new report reveals how anime has become a cultural cornerstone for Saudi youth and a powerful new platform for brands.

The research was carried out by global advertising and digital media agency Dentsu MENAT. At the Athar Festival for creativity in Riyadh this week the company’s CEO, Tarek Daouk, spoke to Arab News, the event’s media partner, about anime culture in the Kingdom and the ways in which it can redefine modern agency models.

About 31 percent of fans of anime watch content daily, and more than 21 percent spend more than SR2,000 ($530) a year on merchandise, the report revealed.

“We looked at anime fans in ֱ and we found that around 70 percent of anime fans will react positively to brands that are connected to anime,” Daouk said,

“When you go deep into a fandom and you try to understand the passion point, then the potential for the brand to build connections is very high.”

Anime, a style of animation that originated in Japan, has been a significant part of Saudi youth culture since the 1980s, when early series began airing across the region, including “Grendizer,” “Detective Conan,” and “Captain Majid” (also known as “Captain Tsubasa”), which were localized and dubbed into Arabic by Damascus-based Al-Zahra Center/VENUS. When the TV channel Spacetoon began broadcasting in 2000 and its popularity soared, it helped define television programming for a generation.

The report found that 62.3 percent of people who engage with anime regularly in ֱ are under the age of 35, and so it is becoming a language of connection in youth culture.

According to the report: “Among 18-24-year-olds, quality narratives and artistic creativity are the top reasons for their deep connection to the medium. Anime reflects modern life, personal growth, and emotional depth in ways that feel both global and relatable.”

This passion for anime has inspired many Saudis to carve out their own spaces that blend the style of the art form with Saudi aesthetics, including graphic designer Njood Al-Kharboush, who creates stickers, pins and decks of cards she sells on her online store, Haku.

Daouk said: “Cultures have different layers. One layer is where we live, our stories, our family stories, our societies’ stories. That’s one layer of culture.

“The other layer is what we like; we like football, anime, dance, poetry, music, fashion. And in this layer of culture, we share it across geographies.

“So a Saudi fan of anime will share a lot of stories with a Japanese fan of anime. The first layer of where they live (and) the language might be different but their passion points are similar.”

For local and global brands, this represents an opportunity to integrate anime culture into other streams and leverage intellectual properties that resonate with Saudi fans, who are 1.6 times more likely than the global average to improve their opinion of a brand when an anime IP is incorporated into products or promotions.

One example of this is development of a Dragon Ball Z theme park as part of the Qiddiya entertainment and tourism project in Riyadh. Themed around the legendary series, it is expected to be one of the largest anime-themed destinations in the world.

There are other ways in which anime is increasingly becoming part of people’s lives. The report found that more than half of anime fans in ֱ play anime-based video games and more than 43 percent play video games based on manga (Japanese comics), highlighting the potential of this sector as the Kingdom continues to invest in esports.

“Now with gaming, where gaming is becoming a space for connection between people, not just to game, and where you can incorporate content like anime in gaming, these connections are much easier now,” Daouk said.

The great popularity of anime in the country means there are many opportunities to capitalize on it, he added.

“The biggest opportunity is to go along with the 2030 Vision and turning Saudi from a consuming community — like, we consume anime, we watch anime — into giving the talent in Saudi the opportunity to produce. And when you produce, you add your cultural twist to the content.”


Saudi imports to Austria increased by 29% in 2024, says Austria ambassador

Saudi imports to Austria increased by 29% in 2024, says Austria ambassador
Updated 23 October 2025

Saudi imports to Austria increased by 29% in 2024, says Austria ambassador

Saudi imports to Austria increased by 29% in 2024, says Austria ambassador
  • Growing trade ties highlighted at Riyadh reception ahead of Austrian National Day
  • Green tech, mining, tourism, education among growth areas as economic exchange strengthens

RIYADH: In a reception on Wednesday ahead of Austrian National Day, Oskar Wustinger, the Austrian ambassador to ֱ, highlighted the growing economic and trade relations between the two countries.

“The excellent Austrian-Saudi relations are based on solid friendship and cover more and more fields. Fast-growing economic exchange and cooperation are important and dynamic elements,” Wustinger said.

“There is an impressive growth in bilateral trade, with Austrian exports to ֱ increasing 49 percent in 2024, and equally important, Saudi imports to Austria increasing by 29 percent,” he added.

Attending the reception from the Saudi side were high-level officials and diplomats, including Faisal Al-Sudairy, undersecretary of the Riyadh region, who represented Riyadh Gov. Prince Faisal bin Bandar.

As a part of his remarks Wustinger also detailed key areas of collaboration under Vision 2030, commending the initiative for being “impressively bold.”

“Vision 2030 is impressively bold and very ambitious. Austrian companies with world-leading expertise are well-suited to support these efforts,” he said.

The ambassador also underscored the numerous trade missions organized by the Austrian Embassy Commercial Section to ֱ which showcased the interest for collaboration in key sectors such as green technology, infrastructure, mining, tourism and education.

“These are areas with decades of Austrian expertise and innovation, which can significantly contribute to ֱ’s ambitious development journey,” the envoy said.

Wustinger said that the number of Austrian subsidiaries in the Kingdom is growing with several Austrian companies having opened their regional headquarters in ֱ, and another Austrian regional headquarters due to open in December.

On the topic of tourism, the ambassador said that this summer was marked by a 34 percent surge in Saudi tourists to Austria.

“Austria is a popular destination for Saudi tourists and (is becoming) even more popular.

“Many visas have already been issued in the application of the new visa cascade,” he added, referring to changes to the EU Schengen visa scheme allowing easier access to multi-entry visas for Saudis.

“And an ever-growing number of Saudi football teams regularly hold their summer camps in Austria,” he added.

On the educational front, the ambassador also said that Saudis are participating in executive training programs for the Diplomatic Academy Vienna and in the Austrian Leadership Programs run by the Austrian Foreign Ministry.


Association marks International Stuttering Awareness Day in Riyadh

Association marks International Stuttering Awareness Day in Riyadh
Updated 23 October 2025

Association marks International Stuttering Awareness Day in Riyadh

Association marks International Stuttering Awareness Day in Riyadh

RIYADH: To mark International Stuttering Awareness Day, the stuttering awareness and support association Mutalaathem held an event on Wednesday evening at the Cultural House in Riyadh.

A presentation on effective communication methods for individuals with a stuttering disability was given, and various panel discussions were held for both adults and young people.

“Our event is for International Stuttering Awareness Day, and we called it ‘Give Me My Time,’ because we stutterers need time to get the words out,” said Saad Al-Munajem, founder of Mutalaathem.

Al-Munajem added: “The goal of the event is to spread awareness in our community, to tell people that stuttering is just a different way of speaking and that it is not necessary to speak fluently. We only need to take our time to deliver our thoughts.”

Stuttering is a speech disorder that causes individuals to have challenges in pronouncing words smoothly.

The health condition often worsens when the person is excited, exhausted or stressed, according to the Saudi Ministry of Health.

Stuttering often begins in early childhood, between the ages of 2 and 5 years old, and if the disability persists beyond that, professional help may be necessary.

Although the precise causes of stuttering remain unclear, it is believed to result from a combination of different factors, including genetic differences in brain functioning, according to the American Speech-Language-Hearing Association.

Lolwah Al-Nogaidan, who attended the event, spoke to Arab News about her experience with her son Saad, who has stuttered since the age of 3.

“My son was timid and didn’t talk. He used to see himself as different than others. Yet, when he attended the event (last year) and saw others with stutter, I saw a complete 180 change,” she explained.

“He had the confidence to talk … after that, I never missed an event with Saad.”

Al-Munajem explained to Arab News his personal experience with stuttering, which led him to found Mutalaathem in 2021.

“I created Mutalaathem based on my own experience and journey with stuttering. Stuttering once held me back from speaking and sharing my voice.

“I used to think it was a flaw in me or in the way I speak, but when I reached university, my perspective on stuttering changed.”

Al-Munajem developed an understanding of stuttering and focused on delivering his thoughts rather than on how he spoke.

“I told myself that what matters is not whether I speak fluently, but whether I can convey the message I want to share.”

“After my mindset toward stuttering changed, my life changed for the better, even though the stutter itself didn’t.

“Thus, I wanted to help other people to reach the same mindset I did, or maybe even further.”


Over 1,000 commuters take self-driving car journeys in Riyadh

Over 1,000 commuters take self-driving car journeys in Riyadh
Updated 23 October 2025

Over 1,000 commuters take self-driving car journeys in Riyadh

Over 1,000 commuters take self-driving car journeys in Riyadh
  • 20 cars and more routes by year-end, says authority
  • Project has started for autonomous food deliveries

RIYADH: More than 1,000 commuters have used self-driving cars in Riyadh since the pilot service was introduced at the Roshn Front shopping mall and Princess Noura University in July.

The initial phase is being run in a partnership between ֱ’s Transport General Authority, Uber and WeRide.

There are plans to expand the program with additional routes across Riyadh, growing the fleet to more than 20 autonomous vehicles by the end of the year, the TGA said in a statement.

Government entities partnering in the expansion plans include the Ministry of Interior, Ministry of Communications and Information Technology, the Saudi Data and Artificial Intelligence Authority, the General Authority for Survey and Geospatial Information, and the Saudi Standards, Metrology and Quality organization.

Members of the public are invited to request a ride in an autonomous vehicle through the Uber application.

The TGA said that it oversees all technical aspects of the program, with safety officers deployed in every vehicle to maintain standards and monitor the autonomous systems.

The authority added that the program aligns with Vision 2030 and the National Transport and Logistics Strategy.

Also in July, a project began to carry out autonomous food deliveries at Roshn Front.

A partnership between housing developer Roshn Group and delivery app Jahez, the service aims to reduce delivery times in addition to cutting carbon emissions, and is also licensed by the TGA.