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YouTube marks 20 years with spotlight on MENA creator economy

YouTube introduced its Arabic-language interface in 2010 to broaden access across the region, and in 2012 launched the YouTube Partner Program in MENA, allowing creators to monetize their content. (AFP/File)
YouTube introduced its Arabic-language interface in 2010 to broaden access across the region, and in 2012 launched the YouTube Partner Program in MENA, allowing creators to monetize their content. (AFP/File)
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Updated 23 April 2025

YouTube marks 20 years with spotlight on MENA creator economy

YouTube marks 20 years with spotlight on MENA creator economy
  • Platform reveals that Saudi-based channels earning 7 figures or more increased by 40 percent year over year, with total reach of 20 million adults
  • YouTube says it remains committed to the region and its content creators as it enters third decade

LONDON: YouTube has released new data highlighting the rapid growth of the content creator economy in the Middle East and North Africa, as the platform marks its 20th anniversary.

The data, published on Wednesday, shows a year-on-year increase in the number of channels earning seven figures or more in revenue in º£½ÇÖ±²¥, the UAE, and Egypt.

“As YouTube turns 20, we celebrate the phenomenal work of creators across MENA and their role in driving the region’s popular culture,†Javid Aslanov, head of YouTube in MENA, said.

“These creative entrepreneurs skillfully leveraged YouTube’s diverse formats to share their voices and also build thriving businesses that reach global audiences. We’re proud to be able to support them in their journey and can’t wait to see what the next 20 years holds.â€

YouTube was launched in 2005, with the first video — “Me at the Zoo†featuring co-founder Jawed Karim — uploaded on April 23 of that year. Since then, the platform has hosted an estimated 14 billion videos, according to a January report from the University of Massachusetts.

Beyond sheer volume, YouTube has grown into a global hub for culture, learning, and entertainment. The platform now shares revenue with over 3 million creators, artists, and media partners worldwide, including more than half a million who started their channels over a decade ago.

In the MENA region, YouTube’s reach continues to expand. As of May 2024, the platform reached  20 million people aged over 18 in º£½ÇÖ±²¥, 7.5 million in the UAE, and over 1.7 million people aged 25–54 in Qatar.

According to YouTube’s latest figures, as of December 2024,  the number of channels earning seven figures or more in the Kingdom increased by 40 percent year over year.

Egypt also saw a 60 percent increase in channels reaching seven-figure annual revenues, while the UAE experienced a 15 percent growth during the same time period, reflecting YouTube’s support for its partners and contributions to the creator economy. 

Globally, YouTube has paid out $70 billion to creators, artists, and media companies over the past three years.

The data also underscores the international appeal of MENA creators. Over 95 percent of watch time for channels based in the UAE comes from outside the country, alongside more than 60 percent for Egyptian channels.

YouTube introduced its Arabic-language interface in 2010 to broaden access across the region, and in 2012 launched the YouTube Partner Program in MENA, allowing creators to monetize their content.

Over the years, the platform has amplified a wide range of regional voices — from Saudi satirical shows such as “Noon Al-Niswa†by Hatoon Kadi and the animated series “Masameer,†to Egypt’s Mohamed Abdelhafez, whose agriculture-focused channel has racked up over 100 million views.

Some of MENA’s most memorable YouTube moments include Queen Rania of Jordan receiving the YouTube Visionary Award, the Harlem Shake at the Pyramids of Egypt, AboFlah’s record-breaking fundraiser for refugees, and Thamanyah’s Guinness World Record podcast episode on relationships.

As it enters its third decade, YouTube said it will continue to invest in supporting the region’s content creators — key players in the fast-growing MENA creator economy.


State of the Saudi media sector and investment opportunities it offers

State of the Saudi media sector and investment opportunities it offers
Updated 04 May 2025

State of the Saudi media sector and investment opportunities it offers

State of the Saudi media sector and investment opportunities it offers

RIYADH: The General Authority for Media Regulation has released a report, “The State of the Saudi Media Sector and Investment Opportunities for 2024,†which provides an overview of the media landscape in the Kingdom and highlights the significant transformations the sector is undergoing to keep pace with Saudi Vision 2030.

The report reflects promising investment opportunities, in addition to the technical and regulatory shifts that support the growth and sustainability of the sector. It also illustrates the magnitude of the boom in the Saudi media sector, which has achieved remarkable development driven by digital transformation and technological advance, improving the efficiency of media content and enhancing its global competitiveness.

The media authority’s estimates in the report indicate that the contribution of the media sector to the direct and indirect gross domestic product increased to 0.57 per cent in 2024, amounting to SAR16 billion ($4.26 billion), compared with 0.52 per cent in 2023.

The authority continues to work towards achieving its ambitious goals of raising this percentage to 0.8 percent by 2030. In terms of investment in human capital, job growth reached 67,000 jobs, with a rate of 22 percent by the end of 2024, with the aim of reaching 160,000 jobs by 2030.

The report also identified six key transformations in the media industry in the Kingdom, including the increasing demand for local content, developing media infrastructure, adopting modern technologies such as artificial intelligence and augmented reality, improving the regulatory environment, supporting national talents and competencies, and expanding investment opportunities.

The report confirms that the Kingdom has become a prominent destination for media investment, providing a flexible regulatory environment and mega-projects aimed at enhancing the media industry.

It also addressed the opportunities available to investors in content production, the development of electronic games, investment in media infrastructure, and international partnerships in the Saudi media market. In addition, the continued innovation and adoption of modern technologies to enhance the competitiveness of Saudi media globally is a crucial factor because the sector has elements that make it one of the main drivers of economic and cultural development in the Kingdom.

The report details the opportunities and challenges in the sector and covers the five media divisions supervised by the General Authority for Media Regulation: publishing; audio; visual; advertising; and games sectors.

The authority, through the report, hopes to improve understanding of the local media landscape and provide clear and accurate data to media entities and local and international investors, to highlight the promising opportunities in the sector.

The report is a comprehensive reference for the state of media in the Kingdom and is provides a guide for local and international investors and researchers in the sector. The authority urges interested partis to view the report on its website at https://gmedia.gov.sa/ar/media-status-report


Algerian TV channel suspended for racism against African migrants

Echorouk News TV. (X @echoroukonline)
Echorouk News TV. (X @echoroukonline)
Updated 03 May 2025

Algerian TV channel suspended for racism against African migrants

Echorouk News TV. (X @echoroukonline)
  • Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger

ALGIERS: Algerian authorities on Friday suspended broadcasts by a television news channel for 10 days after it used a racist word on social media to describe African migrants.
Echorouk News TV used the derogatory word in a Facebook post after police raids in which migrants from sub-Saharan Africa were detained.
The ANIRA broadcasting authority called the publication "extremely serious".
The report contained "a racist and discriminatory term, an attack on human dignity, conveying hate speech against a category of people because of their race," said ANIRA which demanded that the channel's management make an official apology.
Tens of thousands of undocumented African migrants have used Algeria as a staging post to attempt to get to Europe. Many have sought jobs in the North African country.
Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger.
 

 


Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows
Updated 02 May 2025

Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows
  • Fans will now be allowed to bring and display any flag that does not contain racist content, hate symbols
  • Iceland, Spain and Slovenia have all raised concerns about Israel’s participation at this year’s contest

LONDON: Organizers of the Eurovision Song Contest have lifted a ban on Palestinian flags for audience members, but maintained restrictions for participating artists, as pressure over Israel’s inclusion in this year’s event increased.

The change, confirmed by Danish broadcaster DR, marks a shift from the European Broadcasting Union’s longstanding rule prohibiting flags from non-competing countries and territories. That policy led to Palestinian flags being banned in previous years.

According to updated guidelines obtained by DR, fans will now be allowed to bring and display any flag that does not contain “racist and/or discriminatory content,†or symbols thought to incite hatred, violence, or linked to banned organizations.

In a statement to CNN, the EBU said the update seeks to “strike a balance to ensure that our audiences and artists can express their enthusiasm and identities,†while offering greater clarity for national delegations.

However, the relaxed policy applies only to the audience. Participating artists will still be restricted to displaying official national flags in all official Eurovision spaces, including the stage, green room, and Eurovision Village. Artists may show only the flag of the country they represent.

The revised policy comes amid growing criticism of Israel’s participation in this year’s contest to be held in Basel, Switzerland, with semifinals on May 13 and 15 and the final on May 17.

Officials in countries including Slovenia, Spain and Iceland have questioned Israel’s inclusion.

Icelandic Foreign Minister Porgerour Katrin Gunnarsdottir told a local outlet she found it “strange and actually unnatural that Israel is allowed to participate,†accusing the country of committing “war crimes†and “ethnic cleansing†in Gaza.

Despite these objections, the EBU has confirmed that Israel’s entry meets the competition’s rules. As with last year, large-scale protests are expected in Basel against Israel’s participation.

Despite pressure from pro-Israel organizations, Swiss authorities said demonstrations are permitted in principle, including those opposing Israel’s presence, provided they comply with public safety regulations.


Spotify, EA Sports test in-game music integration in º£½ÇÖ±²¥

Spotify, EA Sports test in-game music integration in º£½ÇÖ±²¥
Updated 01 May 2025

Spotify, EA Sports test in-game music integration in º£½ÇÖ±²¥

Spotify, EA Sports test in-game music integration in º£½ÇÖ±²¥
  • Players in Kingdom can now link their account directly with video game

LONDON: Spotify and EA Sports have launched a pilot project that allows players to link their Spotify accounts directly with the EA Sports FC 25 video game.

The feature is being rolled out in º£½ÇÖ±²¥ and selected other markets.

The project, which was announced on Thursday, enables Spotify Premium users to log in via a new tab in the main game menu and control music playback during gameplay, including during team selection or from the pause menu.

The Swedish music platform said the partnership aimed at offering players more control over their in-game audio.

It said: “Long seen as the perfect companion to gaming, music boosts focus, amplifies adrenaline, and heightens the emotional highs of every match.

“Through this collaboration, players can now curate their perfect in-game soundtrack, listening to the artists they love.â€

Podcast access and curated playlists will also be available.

The feature is currently accessible to Premium users playing EA Sports FC 25 on PlayStation 5 and Xbox Series X|S in º£½ÇÖ±²¥ and Australia.

The Kingdom has become a growing market for gaming and electronic sports, driven by a young and tech-savvy population.

Gaming now plays a prominent role in the Kingdom’s Vision 2030 diversification strategy, with plans for the sector to contribute more than $13 billion to the economy and create tens of thousands of jobs, according to Savvy Games Group.

Riyadh hosted the inaugural Esports World Cup last summer, a large-scale tournament featuring 23 events across major titles including Fortnite, Call of Duty, and EA Sports FC, with a record-setting prize pool of $62.5 million.


Jeddah communication conference explores anime’s digital evolution

Jeddah communication conference explores anime’s digital evolution
Updated 01 May 2025

Jeddah communication conference explores anime’s digital evolution

Jeddah communication conference explores anime’s digital evolution
  • The session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production

RIYADH: The eighth session of the Digital Communication Conference, titled “Anime in the Digital Space,†explored the transformation of Japanese anime over the past two decades, highlighting the impact of digital innovation and the internet.

According to Saudi Press Agency, the session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production.

Streaming giants such as Netflix, Crunchyroll, and Funimation were highlighted as pivotal players in the transition, offering translated or dubbed episodes immediately upon release and funding original series such as “Devilman Crybaby†and “Cyberpunk: Edgerunners.â€

Speakers in the session, including Manga Productions CEO Essam Bukhary, said that social media and online forums have opened the door to unprecedented engagement among fans, as well as community and cultural interaction, since audiences now take part in evaluating episodes.

Concerns were raised that heavy dependence on technology could erode the handcrafted aesthetic that defines traditional anime.

º£½ÇÖ±²¥â€™s burgeoning interest in manga and anime, which dates back to the 1970s, is helping to usher in a revolution in cultural production.

Japanese art forms have captivated audiences of all ages, gaining significant popularity in recent years. Their ability to combine entertainment, culture and education has made them of great interest to Saudi society.

To support this interest, the General Entertainment Authority has hosted events like the Saudi Anime Expo, drawing international visitors.

In line with these efforts, the ministries of culture and education launched the Manga Education program to nurture student talent, as well as integrate arts and culture into public education.