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Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization

Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization
The Legacy of Muslim Scientists, House of Wisdom, Sharjah. (Supplied)
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Updated 08 March 2025

Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization

Iraqi artist Afifa Aleiby unveils new painting of historical women from Islamic civilization

SHARJAH: What do Wallada Al-Mustakfi, Rufaida Al-Aslamia, Dayfa Khatun, and Aminatu have in common? They are all distinguished women in Islamic history that you more than likely have never heard of before. That is about to change thanks to a new painting by the acclaimed Iraqi artist Afifa Aleiby, whose colorful “A Wonderful World,” pays tribute to 16 noteworthy Muslim women whose names have faded away over time.

Commissioned by the Barjeel Art Foundation in Sharjah, the painting will be on public display at the House of Wisdom in Sharjah until the end of Ramadan and will later be transferred to the Sharjah Museum of Islamic Civilization.

Aleiby’s work is a companion piece to a 1988 painting titled “Islamic Scientists,” by the late Syrian artist Mahmoud Hammad and currently in the collection of Barjeel Art Foundation.




The Legacy of Muslim Scientists, House of Wisdom, Sharjah. (Supplied)

In his composition, Hammad highlighted 16 influential male scholars and physicians, including Ibn Sina and Ibn Rushd. “Exhibited together for the first time, these artworks stand as a powerful reminder of the transformative impact of these intellectuals, both men and women, on the history of Islamic civilization," reads a wall text. The recent unveiling event opened with a panel talk, where Aleiby and Hammad’s daughter, Lubna Hammad, discussed the displayed artworks.

Aleiby noted some of the difficulties in taking on this open-call commission, including a lack of resources, literary and visual. “Some of these women have only two or three lines written about their history and role,” she said.

In her detailed piece, dotted with symbolic elements (such as the proud peacock and a library of books) and set against a serene landscape, Aleiby depicted notable women of medicine, astronomy, poetry, science, education and military leadership who lived between the 7th and 17th centuries in Africa, Andalusia, India, and the Arab world.

One of these figures is Razia Sultana, who was born in the 13th century and went on to become the first and only female ruler of the Delhi Sultanate in India. From the 11th century, there is also a depiction of Safiyya bint Abdullah Al-Riyy, who was a skilled calligrapher and poet in Andalusia. Another Andalusian woman of poetry is the rebellious and liberal Wallada Al-Mustakfi, who formed a literary salon that was a meeting point for male and female voices.


Who’s who at the Riyadh Comedy Festival 

Who’s who at the Riyadh Comedy Festival 
Updated 12 September 2025

Who’s who at the Riyadh Comedy Festival 

Who’s who at the Riyadh Comedy Festival 

Whitney Cummings 

Whitney Cummings. (Getty Images)

Who: US stand-up, actor, and podcaster. 

Best known for: The “Good For You” podcast; co-creating “2 Broke Girls.” 

She says: “When you get in a room with a bunch of people and no one knows who everyone else is, and they’re all laughing at the same stuff … we’re not that divided. If you go to a comedy show, you’ll see that.” (CleveRock.com) 

Appearing: Sept. 26 

Maz Jobrani  

Maz Jobrani.  (AFP)

Who: US stand-up and actor of Iranian heritage. 

Best known for: ‘The Axis of Evil,’ tour; the “Minivan Men” podcast; his memoir “I’m Not a Terrorist, but I’ve played one on TV.” 

He says: “Throughout my life and throughout my comedy I’ve talked about being Iranian, about being an immigrant. And I am very much in support of immigrants in America.” (CNN) 

Appearing: Sept. 26 

Dave Chappelle 

Dave Chappelle. (AFP)

Who: US stand-up and actor. 

Best known for: Multi-million-dollar Netflix comedy-special deal; six Grammy-winning comedy albums; five Emmy wins; the 2019 Mark Twain Prize for American Humor. 

He says: “I'm either gonna be a legend or just that tragic story, but I'm going full throttle; I'm going all the way. I'm eager to find out how this will resolve itself.” (“Inside The Actor’s Studio”) 

Appearing: Sept. 27 

Kevin Hart 

Kevin Hart. (AFP)

Who: This feels redundant — he’s got 177 million Instagram followers.  

Best known for: Diminutive-sidekick movie roles; four Grammys; two Emmys; the 2024 Mark Twain Prize. 

He says: “I’m giving you an experience through a story that is relatable, and more importantly, I’m saying things that other people just don’t have the heart to say.” (“60 Minutes”) 

Appearing: Sept. 28 

Aziz Ansari 

Aziz Ansari. (AFP)

Who: US actor and comedian of Indian heritage. 

Best known for: “Parks and Recreation”; “Master of None,” for which he won two Emmys and a Golden Globe. 

He says: “Anytime you feel something strong, pain or joy, if you’re a comedian or a writer, then you’ve got to note it and find out what’s creating that strong emotion. What’s beautiful about it is that it’s a common experience.” (The Guardian) 

Appearing: Sept. 28 

Gabriel Iglesias 

Gabriel Iglesias. (AFP)

Who: US comedian and actor of Mexican heritage. 

Best known for: The first two “Magic Mike” films; “Mr. Iglesias”; his nickname, “Fluffy” — as in, “I’m not fat, I’m fluffy.” 

He says: “I still feel like I have a lot of dues to pay as an actor. I don’t consider myself a seasoned veteran of acting. I do consider myself that as a comic.” (Forbes)  

Appearing: Oct. 1 

Russell Peters 

Russell Peters. (AFP)

Who: Canadian stand-up and actor of Indian heritage. 

Best known for: Being the first comedian to get a Netflix special; setting records for ticket sales in several countries. 

He says: “Comedians look at everyone else as civilians. You guys are all civilians to us. We have a very dark way of looking at things. … We’ll find something funny about whatever disaster happened.” (Marriska Fernandes) 

Appearing: Oct. 2 

Chris Tucker 

Chris Tucker. (AFP)

Who: US comedian and actor 

Best known for: The “Rush Hour” film franchise. 

He says:  I want everybody to come to my show to laugh, have fun, to learn something — learn about what I’m thinking about — and then what got me to my point in life or success. That’s my whole goal.” (Page Six) 

Appearing: Oct. 2 

Zarna Garg 

Zarna Garg. (AFP)

Who: Indian-American stand-up and screenwriter. 

Best known for: “A Nice Indian Boy”; her memoir “This American Woman.” 

She says: “I don’t want to change people’s minds. I’m not a political comic. I’m not here to prove to somebody that I’m an artist at this level or that level. I’m here to serve my audience. They’re giving me a very important asset, which is their time, and I take every second seriously, almost to the point of insanity.” (Glamour) 

Appearing: Oct. 2 

Mark Normand 

Mark Normand. (AFP)

Who: US stand-up and actor. 

Best known for: Several stand-up specials; his podcasts “Tuesdays with Stories” and “We Might Be Drunk.” 

He says: “We (comedians) should all be grateful we get to do this. So enjoy it, don't abuse it, and work hard at it. Make it about the audience, not about you. Try to make them laugh. Entertain them instead of just being indulgent.” (The Comedy Gazelle) 
Appearing: Oct. 3 

Jimmy Carr 

Jimmy Carr(AFP)

Who: Irish-British comedian and TV host. 

Best known for: “Last One Laughing”; “8 out of 10 Cats”; dealing with hecklers; having an annoying laugh. 

He says: “There’s nothing more exciting than a new joke that works. The joke doesn’t even exist when it’s just a thought, it only exists when you tell it someone. And that excites me.”  

Appearing: Oct. 6 

Jo Koy 

Jo Koy. (AFP)

Who: US stand-up and actor with part-Filipino heritage. 

Best known for: “Easter Sunday”; hosting the 2024 Golden Globes. 

He says: “I love the art of storytelling and that's my favorite style of standup and my intentions were always to be able to have you see it when I do it on stage. In your head, you can already visualize it.” (Collider) 
Appearing: Oct. 8 

Tom Segura 

Tom Segura. (AFP)

Who: US stand-up, actor, and podcaster of part-Peruvian heritage. 

Best known for: “Bad Thoughts”; his podcasts “Your Mom’s House” and “Two Bears One Cave.” 

He says: “My mom finds me funny but absolutely disgusting. And I could not enjoy that more. To get somebody to gasp and laugh, or drop their head and laugh, there’s something in that moment that feels very much like love.” (Vulture) 

Appearing: Oct. 8 

Sebastian Maniscalco 

Sebastian Maniscalco​​​​​​. (AFP)

Who: US stand-up and actor of Italian heritage. 

Best known for: “About My Father”; several comedy specials. 

He says: “You don’t become a bodybuilder the first day you start lifting weights. Same thing with comedy. You gotta flesh out your joke, your bit. You add and subtract. You see what works.” (Dolce Magazine) 

Appearing: Oct. 9 


Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe
Updated 12 September 2025

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

DUBAI: For Carmen Landsberg, the kitchen has always felt like home — a place of creativity, comfort and connection. Born in the small South African town of Empangeni and raised in a family passionate about cooking, Landsberg found her love for the kitchen at an early age. 

“I enjoyed cooking from a really young age. It’s always kind of been in my family. I think I’m the only one that’s a professional chef, but we’ve always been surrounded by food — and obviously, being South African, it’s very much part of our culture,” she tells Arab News. “It’s a gathering. It’s about getting together.” 

She credits her uncle for sparking her interest: “I spent a lot of time on our family farm. I’d get tomatoes from the garden and maybe make some tomato soup from very few ingredients.” 

Now group executive chef at Brunch & Cake Global, she leads the brand’s expansion across the GCC and beyond, including the Kingdom. 

For Carmen Landsberg, the kitchen has always felt like home. (Supplied)

“What excites me most about ֱ is the growing appetite for unique and global food experiences,” she says. “There’s an incredible energy. People are curious, open-minded, and eager to explore new flavors and concepts. It’s a vibrant, fast-evolving landscape, and I’m proud to be part of bringing Brunch & Cake into that.”  

When you started out, what was the most common mistake you made? 

Letting the pressure get to me and not utilizing the things around me to make my life easier. Like, using the wrong utensils and equipment — trying to take shortcuts. Specific tools are there to make everything easier for you. Like having a sharp knife, using a slotted spoon to pick up a poached egg instead of just quickly grabbing anything, or not using tongs to pick up pasta out of boiling water, or using a proper pasta basket, for example.  

What’s your top tip for amateur chefs?  

Investing in a good knife is key. Your knives are everything. They are your best friend. And, more generally, don’t overcomplicate things. Less is always best, I’d say.  

Brunch and Cake in King Abdullah Financial District. (Supplied)

What one ingredient can instantly improve any dish?  

I think citrus is probably my top one. Anything with a little bit of acidity can lighten up something that’s very heavy. If you over-season or over-salt something, adding a little bit of lemon helps. Lemon would definitely be my go-to.  

When you go out to eat, do you find yourself critiquing the food?  

I do notice things, but I don’t actively go out looking for them. I think being a chef makes you more lenient, actually. I try to let people do what they’re good at and just enjoy the experience. Do I notice things? Of course. It’s in my nature. But I don’t want to be obnoxious. I’m happy to go to a burger place and just appreciate that I’m there for a burger and enjoy that. But if someone does ask, I’ll give feedback. That’s important. If someone asks me, “How was it?” and I genuinely feel that I didn’t enjoy a specific thing, or maybe we didn’t get proper service, I’ll say something like, “Everything was amazing, but it would’ve been helpful if someone came to check on our table a bit more.” I’d approach it like that.  

What’s the most common issue that you find in other restaurants?  

I often notice that, after you’ve eaten, there are a lot of times when you just get the bill — no one comes over to ask, “Did you have a good time? Did you enjoy it?” I would say that’s a common mistake not asking for feedback. But sometimes people would rather not ask because they don’t want to hear the answer.  

What’s your favorite cuisine or dish to eat?  

I hope you’re not going to hate me for this, but I don’t actually have a favorite dish. I genuinely love all food — I promise you, I really love food. I’m not the kind of person who says, “Oh, I only love Italian.” But I will say that I do love fusion items. I love experimenting, I love combining Asian with other cuisines, like, why not have an Asian-style burger? So I’d say fusion food is probably my favorite. But more than specific dishes, I think I love specific ingredients, like butter, cream or herbs.  

What’s your go-to dish if you have to cook something quickly at home?  

I think my go-to and my “cooking something quickly” are a bit different. My go-to… I love cheese. I love anything with cheese, so, like, crackers with cheese. Even if I start cooking something that’s meant to be quick, I tend to go off track, because I just get inspired and let the flavors flow — and before I know it, an hour’s gone by. So my quick, easy, go-to is probably a little harvest board — something where I can just avoid a cooking accident.  

What customer behavior most annoys you? 

I have two that are probably tied. Number one is people leaving without giving feedback. Or people saying everything is great, then leaving a bad review, or guests not giving you the chance to make things right. We take our negative reviews really seriously. And giving negative feedback isn’t always a horrible thing — you don’t have to do it in a horrible way; it can be very constructive. 

But also, it’s when guests want to change the dishes too much. You come to have an experience, and then you change the dishes so much that they’re not even recognizable. That happens a lot. Sometimes people come in and say, “Oh, can I have that instead of this?” or “I don’t like that, can I have this instead?” And you’re, like, “But we don’t actually have that on the menu.” And sometimes that even leads to a complaint.  

What’s your favorite dish to cook ? 

Anything around the fire really brings me back home because I’m South African. Having a barbecue is something that brings people together. It’s always about everyone bringing a dish. I do have a passion for anything cooked over fire. Nothing can beat a good steak on a fire — that crust you get, the fat that renders down… nothing compares. Even with vegetables, that smokiness, the char, it really adds something. It’s a little bit of home away from home. 

What’s the most difficult dish for you to get right?  

Definitely a souffle. A souffle is one of those things that can flop in the oven depending on your mood. You could do everything right, but if you’re in a bad mood, the souffle just doesn’t souffle. It’s just one of those things I honestly try to avoid. If anyone ever asked me, “Are you going to put a souffle on the menu?” I’d be like, “No.” Even if you have everything perfect — the oven, the temperature, the ingredients — it’s just one of those things that really picks up on your energy. 

As a head chef, what are you like? Are you laid back? Strict? 

I think my team would tell you I definitely love to keep good vibes in the kitchen. We spend a lot of time with the people we work with, and it’s already such a high-pressure industry, so I definitely don’t want people coming in and not being happy in the place they work. It’s important to always provide a safe space for people. You’re constantly teaching, so you don’t want to be unapproachable. But, at the same time, having boundaries is very important. I’m not like I was maybe 10 years ago — back then I was a bit more Gordon Ramsay-style crazy. But as you get older and reach certain levels in your career, you start to realize that hitting someone over the head with a pan is probably not the best way to get a positive reaction. You have to have a good balance. That’s something I always strive for. 

Chef Carmen’s egg carbonara  

Chef Carmen’s egg carbonara. (Supplied)

Բ徱Գٲ: &Բ;

1 plain croissant 

40g grated parmesan 

40g sliced beef bacon 

3 eggs 

50g brown mushrooms, roughly chopped 

10g truffle paste 

100ml cream 

40g butter 

2ml truffle oil 

0.1g dried edible flowers 

3 sprigs of parsley  

ʰ貹پDz: &Բ;

Slice the croissant lengthwise and toast until lightly golden. Set aside. 

In a heated pan, add the butter, chopped chopped mushrooms, and bacon slices. Sauté until the mushrooms are soft and the bacon is crispy. 

In a separate bowl, whisk the eggs until fluffy and then fold in the cream and truffle paste. 

Lower the heat and pour the egg mixture into the pan with bacon and mushrooms. Stir slowly and gently until all combined and creamy. Cook to preferred doneness. 

Once the eggs are almost at preferred doneness, season well and finish with a drizzle of truffle oil. 

Plating: 

On a plate, scatter the grated Parmesan in a wide circle, leaving the centre slightly bare. 

Place the toasted croissant in the centre of the plate and generously spoon the truffled egg mixture into the croissant, making it flow out onto the plate. 

Sprinkle with grated Parmesan, garnish with dried edible flowers, and finish with three small parsley sprigs on either side. 


REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor
Updated 12 September 2025

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

DUBAI: It’s a bold move, returning to the world of one of the most beloved comedies in US TV history. But that’s what creators Greg Daniels and Michael Coman are doing with “The Paper.”

Set in the same fictional universe as the US version of “The Office” (for which Daniels was the showrunner) — itself an adaptation of Ricky Gervais’ and Stephen Merchant’s magnificent UK mockumentary series — “The Paper” finds the same documentary crew that covered the team at Dunder Mifflin searching for a new subject. They settle on The Toledo Truth Teller, a struggling local newspaper owned by Enervate — a company that treats it as an afterthought to its real business of selling toilet rolls and other paper-based household products. Coincidentally, one of Enervate’s accountants is Oscar Martinez (played by Oscar Nunez), formerly of Dunder Mifflin.

The Truth Teller has a new editor-in-chief, Ned Sampson (Domhnall Gleeson) — a good-hearted, idealistic, privileged man with no experience, but whose father is a friend of Enervate’s CEO Marv Putnam. Ned is keen to shake things up at the tired old paper, which now relies solely on wire services for its print edition, put together by compositor Mare Pritti (Chelsea Frei), while its online platform, headed by the ambitious anti-Ned, Esmeralda Grand (Sabrina Impacciatore), churns out the kind of awful clickbait even the Mail Online might baulk at.

Ned wants to get back to the paper’s roots with community-focused originals. The problem? There’s no budget. He persuades Marv to let him recruit volunteer writers from throughout the company to give some of their work time over to the Truth Teller.

It’s a pretty good set-up, but despite a few glimmers of promise, “The Paper” is, at best, a serviceable piece of background television. Gleeson and Frei have good chemistry — Ned and Mare are basically the Jim and Pam of the show, complete with will-they-won’t-they plotline. But their grounded — and grounding — performances clash with the broader comedy of others, particularly Impacciatore’s portrayal of the flamboyant, entirely un-self-aware Esmeralda. The latter seems to belong in a laughter-tracked sitcom rather than a mockumentary.

It's watchable enough, and there’s definitely potential here. “The Office,” in the US, took a while to find its feet and Daniels should have enough credit banked to earn a second season. At the moment, though, “The Paper” falls well short of hopes and expectations.


Book Review: ‘Algospeak: How Social Media is Transforming the Future of Language’

Book Review: ‘Algospeak: How Social Media is Transforming the Future of Language’
Updated 12 September 2025

Book Review: ‘Algospeak: How Social Media is Transforming the Future of Language’

Book Review: ‘Algospeak: How Social Media is Transforming the Future of Language’
  • Adam Aleksic examines substitutions and coded phrases used online to bypass censorship, from PG-rated or silly alternatives to fruit emojis and dollar signs replacing letters

In “Algospeak: How Social Media is Transforming the Future of Language,” author Adam Aleksic explores how algorithms are reshaping the words we use and the ways in which we communicate.

Known online as “Etymology Nerd,” the Harvard-educated content creator, who co-founded and led the Harvard Undergraduate Linguistics Society, has been digging into word origins since 2016. He has built a wide audience with his bite-sized educational TikTok videos which explain where trending words come from and how they spread.

The term “algospeak” blends “algorithm” with a concept popularized by tech journalist and fellow book author Taylor Lorenz, describing how creators adapt language to avoid platform restrictions.

“Social media platforms want to promote the most compelling content possible so it makes sense that the words will reach us through maximally compelling mediums, like memes rather than something more serious. ‘Unalive’ is far more likely to spread today than boring traditional alternatives, such as ‘passed away’,” Aleksic writes.

The word “unalive” illustrates how online language quickly filters into offline spaces, from middle school classrooms to playgrounds, often boosted by memes. Aleksic notes: “Language and memes and metadata are one and the same, all of it shaping our vocabulary and identities.”

Fleeting words used by teens may may sound like gibberish to adult ears, but they are still worthy of note even if they are merely trendy for a short amount of time, he argues. It helps us figure out who we are, what we are talking about and how we see ourselves — even if by the time you read this review, new words have come and gone.

Aleksic examines substitutions and coded phrases used online to bypass censorship, from PG-rated or silly alternatives to fruit emojis and dollar signs replacing letters.

This isn’t new. Teenagers have long softened words and code-switched in front of authority figures in everyday speech, but now these shifts are documented, amplified and collectively adopted online.

This chronically online generation uses the language to playfully and strategically avoid shadow banning or content removal — including in high-stakes contexts such as posts about the conflict in Gaza. It works.

This is not the death of language, Aleksic insists, but its evolution. Memes, emojis and subtle code words show how communities collectively and creatively innovate, creating words and phrases in real time while navigating the constraints of platforms. “Algospeak” reveals language as a living, evolving system, shaped by algorithms, culture and the people who use it.
 


Ireland will withdraw from Eurovision 2026 if Israel participates, national broadcaster announces

Ireland will withdraw from Eurovision 2026 if Israel participates, national broadcaster announces
Updated 11 September 2025

Ireland will withdraw from Eurovision 2026 if Israel participates, national broadcaster announces

Ireland will withdraw from Eurovision 2026 if Israel participates, national broadcaster announces
  • RTE cited the violence in Gaza as a key reason for its stance

LONDON: Ireland will not take part in the 2026 Eurovision Song Contest if Israel participates, national public broadcaster RTE confirmed on Thursday.

In a statement, RTE said that during the European Broadcasting Union General Assembly in July, “a number of EBU members raised concerns about the participation of Israel in the Eurovision Song Contest.”

The Irish broadcaster said that a final decision on participation would be made once the EBU reached its own conclusion.

“It is RTE’s position that Ireland will not take part in the 2026 Eurovision Song Contest if the participation of Israel goes ahead,” the statement said, adding that the broadcaster appreciated “the extensive consultation process” by the EBU and the extension of the option to withdraw without penalty until December.

RTE cited the violence in Gaza as a key reason for its stance.

“RTE feels that Ireland’s participation would be unconscionable given the ongoing and appalling loss of lives in Gaza,” it said.

The broadcaster also expressed concern over the targeted killing of journalists in Gaza, restricted access for international media, and the plight of hostages in the region.

Ireland has won Eurovision seven times, the joint most victories of any country in the competition’s history.