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Grand Egyptian Museum opens its doors to the world, global dignitaries attend inauguration

The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
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The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
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The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
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The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
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The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors. (AFP)
Grand Egyptian Museum opens its doors to the world, global dignitaries attend inauguration
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The 3,200-year-old pink-granite colossal statue of King Ramses II at the entrance of the Grand Egyptian Museum. (Supplied)
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Grand Egyptian Museum opens its doors to the world, global dignitaries attend inauguration

Grand Egyptian Museum opens its doors to the world, global dignitaries attend inauguration
  • Grand opening ceremony attended by high-ranking Arab and global officials

CAIRO: The Grand Egyptian Museum — the largest archaeological museum in the world dedicated to a single civilization — has officially opened its doors.

The launch event was attended by international dignitaries including German President Frank-Walter Steinmeier, King Philippe of Belgium and Greek Prime Minister Kyriakos Mitsotakis.

High-ranking Arab officials in attendance were led by ֱ’s Minister of Culture Prince Badr bin Abdullah, who was joined by Crown Prince Theyazin of Oman and Palestinian President Mahmoud Abbas.

Egyptian President Abdel Fattah El-Sisi opened the museum, a long-awaited, billion-dollar showcase for pharaonic treasures, saying that its inauguration opened “a new chapter in history” for the country.

“Today, as we celebrate together the opening of the Grand Egyptian Museum, we are writing a new chapter in the history of the present and the future, in the cause of this ancient homeland,” El-Sisi told a gathering of princes, queens, heads of state and other dignitaries at a ceremony in the museum’s square.

Saturday’s lavish spectacle saw shafts of light illuminating both the pyramids and the museum’s colossal facade, huge musical set-pieces and joint performances betwee Cairo and Tokyo, Paris and New York City.

The site, around 2 kilometers from the Giza Pyramids, covers a total of 490,000 sq. meters. The design is a blend of modernity and history, thanks to Irish firm Heneghan Peng Architects.




The site, around 2 kilometers from the Giza Pyramids, covers a total of 490,000 sq. meters. (Supplied)

The museum is the brainchild of former Egyptian Minister of Culture Farouk Hosny, who first proposed the idea in 1992. The museum’s construction began in 2005, but work stopped for three years during the political turmoil that followed the 2011 uprising.

However, the desire to highlight Egypt’s ancient heritage on an unprecedented scale came with challenges; the process has been mired by political upheaval and the global pandemic, which saw the museum’s grand opening delayed four times.




The Grand Egyptian Museum in Giza on the southwestern outskirts of the capital Cairo. (Supplied)

“To say that the Grand Egyptian Museum is Egypt’s gift to the world is not an exaggeration, as the legacy of ancient Egyptian civilization represents a global heritage,” the country’s prime minister, Mostafa Madbouly, said.

That heritage and history will be shown across 40,000 sq. meters of exhibition space, with a whopping 7,500 sq. meters dedicated to the treasures of King Tutankhamun, all of which were discovered in his tomb on Luxor’s West Bank in 1922 by British archaeologist and Egyptologist Howard Carter.

The museum houses more than 57,000 artifacts across the Tutankhamun Galleries, Main Galleries, Grand Hall, Grand Staircase and Khufu’s Boat Museum. The 4,600-year-old solar boat of King Khufu, the pharaoh who is credited with building the Great Pyramid of Giza is a particular draw. The 43-meter-long (140-foot) wooden boat, discovered in the 1950s, was buried next to the Great Pyramid for Khufu — or Cheops as he is also known — to use in the afterlife.




A visitor tours the Grand Egyptian Museum in Giza on the southwestern outskirts of the capital Cairo. (AFP)

But “what truly distinguishes the Grand Egyptian Museum is its remarkable display of the complete collection of the King Tutankhamun — more than 5,000 artifacts showcased together for the first time. The items have been gathered from various storages — the Egyptian Museum in Tahrir and the Luxor Museum,” GEM’s former director, Dr. Tarek Tawfik, told Arab News.

Saturday’s grand opening included the inauguration of two halls dedicated to the 5,000 artifacts from the collection of King Tutankhamun.

“Visitors will be amazed by the museum’s modern presentation techniques, which narrate the story of the king through a fresh curatorial philosophy that differs from traditional exhibition styles,” Tawfik added.




The statue of queen Hatshepsut at the museum. (Supplied)

Some sections of the museum have been open to the public since 2024, with new galleries and exhibition spaces due to open on Nov. 4 which it is hoped will attract both local visitors and international tourists.

On entering, the journey begins with the hanging obelisk of King Ramses II in the museum’s courtyard. Visitors will also be able to view a large-scale statue of the pharaoh in the entrance hall before ascending the Grand Staircase — the 3,200-year-old, 11-meter-tall (36-foot-tall) statue was moved to the museum after decades of standing in the center of a traffic-clogged roundabout in front of Cairo’s main train station.




The Main Galleries cover three central topics — beliefs, society and kingship — spanning different periods of ancient Egypt, from the prehistoric era and old, middle and new kingdoms through to the Greco-Roman period. (Supplied)

The Main Galleries cover three central topics — beliefs, society and kingship — spanning different periods of ancient Egypt, from the prehistoric era and old, middle and new kingdoms through to the Greco-Roman period.

Of note is the museum’s vast restoration center, which at 32,000 sq. meters is the largest restoration hub in the Middle East and features 16 specialized laboratories for artifact examination and restoration. In a move that sets the museum apart from its international counterparts, the restoration center will be open to the public.

Billed as a bridge between Egypt’s ancient legacy and its modern vision, the Grand Egyptian Museum will offer invaluable insight into one of the world’s most talked about ancient civilizations.


Malika El-Maslouhi shines in new holiday campaign

Malika El-Maslouhi shines in new holiday campaign
Updated 01 November 2025

Malika El-Maslouhi shines in new holiday campaign

Malika El-Maslouhi shines in new holiday campaign

DUBAI: Moroccan Italian model Malika El-Maslouhi appeared this week in a new holiday campaign for the French luxury label Guerlain.

In a photo shared on the brand’s Instagram page, the 26-year-old model, who has become a favorite on international runways, wore the limited-edition Rouge G lipstick from Guerlain’s Tale of Wonders Holiday Collection in shade G 877. She was also pictured holding the lipstick alongside the matching limited-edition Rouge G Stellar case.

In another image, she posed beside a gift box, wearing celestial-inspired jewelry that included dangling star-shaped earrings and matching rings featuring radiating motifs and delicate pave detailing.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

El-Maslouhi, born in Milan to a Moroccan father and an Italian mother, began her modeling career at the age of 18. She has since appeared on runways for international fashion houses including Dior, Chanel, Valentino and Jacquemus, gracing the catwalks of New York, London, Milan and Paris Fashion Weeks. Over the years, she has walked for brands such as Ulla Johnson, Prabal Gurung, David Koma, Boss, Missoni, Messika and more.

She has also featured in campaigns for brands such as Calvin Klein, Off-White and Lanvin, expanding her portfolio across both luxury and contemporary fashion.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In August, she was the face of Anthropologie’s 2026 resort-wear campaign. The line blended breezy elegance with playful details including jewel-toned maxi dresses, sleek black knitted dress, and form-fitting satin gowns that would be perfect for date night.

El-Maslouhi has previously starred in Anthropologie’s summer campaigns. The catwalk star was photographed posing pool and beachside in pieces from Anthropologie’s summer offering, which include ready-to-wear, swimwear and accessories.

The model was seen sporting standout pieces including a lobster-embroidered cardigan, colorful printed shorts, loose summer dresses, tropical one-pieces, denim shorts, floral-printed maxi skirts and tie-up shirts in lightweight fabric, all from the “Sunrise, Jetset” collection.

Earlier this year, El-Maslouhi starred in Saint Levant’s music video for the song “Exile,” directed by Algerian French filmmaker Lyna Zerrouki. The video, which explores themes of longing, loss and hope, features El-Maslouhi against a striking blue backdrop, seemingly falling through the air.

In 2022, she was awarded the Model of the Year in Italy title.


Will Smith to headline UAE book fair

Will Smith to headline UAE book fair
Updated 01 November 2025

Will Smith to headline UAE book fair

Will Smith to headline UAE book fair

DUBAI: Hollywood star Will Smith is set to take the stage at the UAE’s Sharjah International Book Fair 2025, which runs from Nov. 5 to 16 at Expo Center Sharjah.

The Oscar-winning actor and musician will appear as a guest speaker on Nov. 14, where fans are expecting him to share his trademark humor and personal reflections on life and creativity.

A regular visitor to the Middle East, Smith has made several trips to the region in recent years, often expressing his admiration for its culture and hospitality. He has skydived over Dubai’s Palm Jumeirah, celebrated his wedding anniversary in the city with his wife Jada Pinkett Smith, and explored landmarks across the UAE.

In 2023, he made headlines in ֱ when he attended the inaugural AlUla Camel Cup, further cementing his strong connection to the region.

Now in its 44th outing, the annual literary event returns under the theme “Between You and a Book” and will feature more than 2,350 publishers from 118 countries, alongside more than 1,200 activities and 750 workshops for readers of all ages.

This year’s program will host a remarkable roster of global literary figures, including Nigerian author Chimamanda Ngozi Adichie, Italian physicist and bestselling writer Carlo Rovelli, Irish novelist and Booker Prize winner Paul Lynch, and Indian content creator Prajakta Koli. Prominent Arab and Emirati names such as poet and filmmaker Nujoom Al Ghanem, historian Dr. Hamad bin Seray and renowned Egyptologist Zahi Hawass will also participate.


Where We Are Going Today: Julius Meinl: A taste of Vienna in Riyadh

Where We Are Going Today: Julius Meinl: A taste of Vienna in Riyadh
Updated 01 November 2025

Where We Are Going Today: Julius Meinl: A taste of Vienna in Riyadh

Where We Are Going Today: Julius Meinl: A taste of Vienna in Riyadh

Founded in Vienna, Austria, in the 19th century, Julius Meinl is well known in Europe as a coffee and tea supplier, and the company has just recently opened a shop in Riyadh.

You will surely enjoy their V60 Colombian coffee beans and desserts, such as the Gers Ogaily — or traditional Kuwaiti sponge cake with saffron and cardamom — covered in chocolate.

While the Kunafah bites leave something to be desired, the coffee is flavorful; every sip is simply delicious.

Overall, the prices at this coffeehouse are high. One cup costs SR17 (approximately $5). The chocolate bites are worth SR7 each.

If you’re eco-conscious, the decor and overall aesthetics will capture your attention. The walls are covered with recycled wood, the espresso cups are all biodegradable, and, according to the coffee house, the tools they use are all sustainable.

While the coffee and tasty sweets at Julius Meinl are high-quality, the location may not be the best. Situated in Riyadh’s far north, in the Al-Narjis neighborhood, it is pretty far from the city center.

The seating is slightly uncomfortable as well.

Despite these setbacks, Julius Meinl is a good place to enjoy a coffee time with a friend, perhaps once in a while. Its rich, flavorful brews and attention to sustainability make it worth the occasional visit.


King Salman Park: The green heart of Riyadh 

King Salman Park: The green heart of Riyadh 
Updated 31 October 2025

King Salman Park: The green heart of Riyadh 

King Salman Park: The green heart of Riyadh 
  • The team from Gerber Architekten discuss their RIBA-award nominated design 

DUBAI: In the heart of Riyadh, a groundbreaking project is transforming a former airbase into a green oasis that promises to reshape the Saudi capital’s environmental and social landscape. King Salman Park — nominated for its inaugural Middle East Awards by the prestigious Royal Institute of British Architects — stands as a testament to innovative urban design in one of the world’s most challenging desert environments. 

“Our primary vision was to transform this former (airbase) area from a desert flood zone into living, breathing nature in the heart of Riyadh,” Eckhard Gerber, founder of Gerber Architekten, the German firm behind the design and execution of the park, tells Arab News. 

Thomas Lücking, the company’s managing director, adds, “The idea was to really create a forest and have under its canopy a thousand gardens. So, something to really increase the livability of the city, to attract the citizens into the green, and give them the opportunity to really understand and connect to nature.” 

Concept image for Overlook Hill in King Salman Park. (Courtesy of Gerber Architekten)

The park, spanning 16 square kilometers, will reportedly be the largest urban park in the world. And it’s set to challenge conventional approaches to urban development in extreme climatic conditions. 

“How to structure the park was the biggest initial challenge,” says Lücking. “And what helped us was really understanding Riyadh and the Arabian peninsulas and the wadis — a key element in the environment in and around Riyadh. Here, the main structuring element was creating a manufactured wadi.” 

A second major challenge was connecting the city to the park. “That’s when we got this idea of an intertwining of the green fingers of the park with the urban ‘fingers’ of the city,” he continues. “So, the city reaches into the park, and the park reaches out into the city with those green fingers to make it, really, a vital part of the city — not just an island isolated there. And there’s no fence; there’s no boundary around the park.” 

Concept image for Overlook Hill in King Salman Park. (Courtesy of Gerber Architekten)

The project’s ambition goes far beyond creating a simple green space. It represents a comprehensive approach to urban regeneration, addressing critical environmental challenges while giving citizens a new way to interact with nature in a desert metropolis. 

Water management emerged as a crucial innovation. Lücking highlights the firm’s pioneering approach: “We’re using treated wastewater from the city — approximately 150,000 cubic meters daily — which is polished to near-drinking water quality.” 

This approach not only solves waste-management issues but provides a sustainable irrigation solution for the park’s ambitious green infrastructure. 

Concept image for Museum of the Earth. (Courtesy of Gerber Architekten)

Even the park’s soil is a marvel of scientific engineering. The team dug down 2.5 meters, breaking up compacted airport ground and creating what Lücking describes as “regenerative soil,” and by incorporating red sands, pumice, biochar, and microorganisms, they’ve developed a living ecosystem that can absorb rainwater like a sponge and support an extraordinary diversity of plant life. 

The park — which should be complete by 2030, although some areas will open sooner than that — will apparently host more than 700 plant species, a dramatic increase from the 100-120 species currently cultivated in Riyadh. Approximately half of them are indigenous to ֱ, so many of them are being newly introduced to the region’s horticultural landscape. “We wanted to create a place where people can truly enjoy nature,” Gerber emphasizes.  

The park’s design incorporates varied landscape types, including valleys, mountains, and water bodies, with elevation changes spanning 35 meters to create diverse microclimates and viewing experiences. 

Concept image for one of the park's valleys. (Courtesy of Gerber Architekten)

Architectural elements are deliberately integrated into the landscape, rather than imposed on it. The Museum of the Earth, for instance, appears initially as a natural canyon, with building facades subtly emerging as visitors explore deeper. Pedestrian bridges mimic tree branches, and rest areas are designed to resemble natural caverns. 

The park’s design philosophy rejects the typical approach of creating an entertainment zone. “We didn’t want hundreds of artificial attractions,” says Lücking. “Instead, we aimed to create a piece of manufactured nature where people can connect with their environment, explore, and occasionally get delightfully lost.” 

The nomination for the RIBA Awards, for which the winners will be announced Nov. 5, represents more than just architectural recognition for the firm. “It’s our first opportunity to showcase what’s possible in ֱ,” notes Gerber. 


Kathryn Bigelow’s ‘A House of Dynamite’ is a damp squib

Kathryn Bigelow’s ‘A House of Dynamite’ is a damp squib
Updated 31 October 2025

Kathryn Bigelow’s ‘A House of Dynamite’ is a damp squib

Kathryn Bigelow’s ‘A House of Dynamite’ is a damp squib

DUBAI: It looked so good on paper. A nuclear war-themed thriller with a script from award-winning screenwriter Noah Oppenheim, directed by Oscar-winning filmmaker Kathryn Bigelow, and starring a handful of excellent actors including Rebecca Ferguson, Idris Elba, Jared Harris and Gabriel Basso.

And for the first 20 minutes or so, “A House of Dynamite” delivers. We meet Captain Olivia Walker (Ferguson), the oversight officer for the White House Situation Room, on her way to work, where she’s informed of several significant geopolitical developments involving — separately — China, Iran, and North Korea. Then the US early-warning radar system detects an unidentified intercontinental ballistic missile (i.e. a missile with the capability to carry a nuclear warhead a very long way) already in flight (it missed the launch point, so no one knows who’s responsible for firing it) over the Pacific. At first, it’s assumed to be a routine test by North Korea, so no one really panics. But when the ICBM enters low orbit, and they figure out its likeliest destination will be Chicago, everyone really panics. With less than 20 minutes until impact, there are some horrifying decisions to be made, particularly when the two ground-based interceptors launched to intercept the ICBM fail to do so.

As the countdown to impact heads ever closer, a wave of resignation hits. Those on the video conference call between the Situation Room, the Pentagon, and various armed forces commanders await the decision of the president (Elba) on how to respond to what now seems very likely to be a nuclear attack on the US that will cause tens of millions to die. But with no real knowledge of who’s responsible (both Russia and China deny involvement), can he really decide to launch a nuclear attack of his own to avoid looking weak and inviting further aggression?

We don’t find out because, just before impact, the film jumps back 20 minutes to replay the scene from some different people’s perspectives, including Secretary of Defense Reid Baker (Harris), with snatches of dialogue from previous sections now making more sense as we catch the other ends of the conversations. Twenty minutes later, we do the same again, switching to the perspectives of the president and his entourage. Neat trick. But worth building a movie around?

The story is gripping and terrifying — at least the first time around (it’s hard to get quite as invested once you know what does or doesn’t happen). But because of the limited screen time, none of the excellent cast has a chance to go beyond Acting 101. It all makes for an odd viewing experience; one in which, despite the incredibly high stakes, it feels like there’s no real jeopardy.

In the end, “A House of Dynamite” is — much like America’s missile defense system as portrayed here — an expensive waste of time.