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DUBAI: Long before he led professional kitchens or perfected complex stocks, Mevish Appadoo, now head chef at Twine — a Mediterranean restaurant in Dubai — was just a teenager in Mauritius captivated by the aromas coming from his grandfather’s stove.  

“I was always telling my parents and my grandmother, ‘One day I will cook like Grandpa,’” Appadoo told Arab News. “This stayed in my head.” 

At 17, after dropping out of school, he made the leap into the culinary world. What began as a boy’s dream quickly turned into a career path marked by discipline, patience and an enduring passion for process. Now aged 32, with years of experience behind him, including time spent as a ramen chef, he has developed a leadership style shaped by old-school mentorship and modern sensibilities.  

When you started out, what was the most common mistake you made? 

You know, in the kitchen, we always need to wash our hands, but I wasn’t drying my hands properly before seasoning. I’d get shouted at a lot by the chef. When your hands are wet, the seasoning gets stuck to your fingers, so you don’t have control (over it). 

What’s your top tip for amateur chefs?  

You need to have patience. You can’t just cook very fast. The food will never be good if you don’t give it the time it’s supposed to take to cook. Anyone can cook pasta in five minutes, but it’s not going to be the same as pasta that takes 15 minutes. 

What one ingredient can instantly improve any dish? 

Salt. It’s so important, and there are lots of people who don’t know when or how to use it. If it’s a stock or soup, you can put the salt in at the last minute. But if you’re cooking a meat dish, you need the salt at the beginning to help it penetrate the meat and make it more flavorful. 

When you go out to eat, do you find yourself critiquing the food? 

To be honest, I did that when I first started as a chef, because I thought I knew more than everyone. But over time, especially when I became a sous-chef at that level, I stopped doing it. Now what I do is I go, eat, pay my bill, and if I have any complaints, or even compliments, I try to go directly to the chef. I never go to the manager or the waiter because I don’t want it to look like a complaint. I just go to the chef and tell him, “I liked this.” Or “Maybe you should try this.” Things like that. 

What’s the most common issue you find in other restaurants? 

I would say it starts with the service. If they don’t treat you well at the beginning, it affects everything. If they take 15 minutes to bring you the menu, or they don’t smile, or you order still water and they bring sparkling, your mood starts to drop. That’s how guests start to complain. Sometimes, even if you give them good food, everything that happened before has already spoiled the experience. 

What’s your favorite cuisine or dish to eat? 

I’m not a fan of big restaurants or big culinary spaces, even though that’s where I work. I prefer to eat in small cafeterias. My favorite dish in Dubai is omelet, paratha with cheese, and Oman chips. I could eat that every day. 

What’s your go-to dish to cook quickly at home? 

I always prefer simple food. So, noodles — but Mauritian noodles. They’re very different. They’re kind of like ramen, but everything is different, the stock, the noodles themselves, and the garnish.  

What’s your favorite dish to cook? 

At work, I love to make stocks — chicken stock, beef stock… — to use as a base for sauces. It requires a lot of steps. If I’m at home, I love to cook biryani. That also requires many steps. Everything that has stages excites me… there’s something about following that process. The steps are what make it pleasurable to cook. 

What’s the most difficult dish for you to get right? 

Before, I was a chef at a Japanese restaurant where we made ramen. It was very challenging to get the taste of the soup right. Ramen broth has to cook for six to eight hours. You can’t miss a step. You can’t put it on a high flame, it needs to be controlled very, very delicately. When people eat ramen, they think it’s about the meat or the egg or the noodle. No, it’s about the soup. The soup is what makes it what it should be. 

As a head chef, what are you like? 

I would say I’m a mix of generations. Because I started very young, I never trained with people my age; all the chefs who trained me were old — in their sixties. I don’t know how to describe them, but they really made me strong. Without them, I wouldn’t be the person I am today. So many people tell me, “You’re very young. How can you do this? How can you do that?” I hope (those chefs) can hear me when I say this is all because of them. Now I try to bring that experience to the new generation and adapt how I guide them, because they are not like the generation before. You can’t just shout at them. They understand things differently now. 

Chef Mevish’s Greek watermelon and feta salad with honey zaatar dressing  

Ingredients for 1 portion: 

Salad 

25g Watermelon  

25g feta  

10g roasted almonds 

15g cucumber 

5g kalamata olives 

Fresh herb salad 

2g mint leaves 

2g zaatar 

2g dill leaves 

2g parsley 

2g rucola 

Dressing 

6ml olive oil 

2ml lemon juice 

4ml honey 

3g chopped fresh zaatar 

Salt and pepper for tasting 

Directions: 

Cut the watermelon and feta into cubes. 

Roast the almonds and slice. 

Shave the cucumber and form it into rolls. 

Dehydrate the kalamata olives in a food dehydrator or oven at 50-60°C for one hour. 

Once the kalamata olives are dehydrated, blend them into a powder using a blender. 

In a separate bowl, prepare the honey zaatar dressing by combining olive oil, lemon juice, honey, chopped fresh zaatar and salt and pepper to taste. 

Then make the Fresh Herb Salad by mixing mint leaves, zaatar, dill leaves, parsley and rucola, then add a little bit of the dressing.  

RIYADH: Spotify has released its first Saudi “Loud & Clear report, highlighting the rise of the Kingdom’s music industry, where local artists are leveraging global discovery into sustainable careers.

According to the report, Saudi artists generated more than SR13 million ($3.5 million) in royalties on Spotify in 2024 — a 76 percent increase from the previous year and more than double the total in 2022. At the same time, Saudi artists were discovered by first-time listeners more than 220 million times. According to Spotify, more than 90 percent of royalties came from audiences outside the Kingdom.

“����ֱ�� is one of the most exciting music markets in the Middle East today. If you look back just a decade, much of the scene was underground. Fast-forward to now, and the story is very different: Artists are reaching audiences at scale, royalties are growing fast, and the ecosystem is buzzing with possibility,” said Akshat Harbola, managing director for Spotify MENAP.

He added that the momentum was “undeniable,” noting that ����ֱ��’s Music Commission projects the industry could become a half-billion-dollar market within the next decade. “To realize that vision, every stakeholder needs to come together, and the time to start that conversation is now,” he said.

The Loud & Clear event in Riyadh on Thursday was designed as a conversation-starter, bringing together artists, industry leaders and fans to examine how streaming revenues are shaping careers. Harbola described the milestone as proof that music is becoming a viable profession in the Kingdom. “We celebrated some powerful wins, more than SR13 million in royalties generated, with many Saudi artists now generating over SR100,000 last year. This is proof that music can become a sustainable career,” he said.

Spotify’s report also showed that Saudi music consumption on the platform has grown by nearly 200 percent since 2020, fueled by local pride and younger audiences. Harbola emphasized that the goal is not only growth but transparency: “By breaking down how royalties flow, how rights are protected, and how artists can truly earn from their work, we can build a more transparent and sustainable system from day one.”

What stood out most, he said, was the diversity of the Saudi music scene. “Of course, Tarab remains a powerful genre, but alongside it you now have electronic producers filling global arenas, and singer-songwriters blending Arabic and English in ways that feel fresh and original,” Harbola said, citing acoustic performances that showcased the mix of languages and styles now defining the Kingdom’s sound.

Spotify has already launched initiatives such as RADAR Arabia, EQUAL Arabia, and Fresh Finds Saudi to support emerging talent. Harbola underlined that discovery remains at the heart of the platform. “In 2024 alone, Spotify helped drive more than 220 million discoveries of Saudi artists worldwide,” he said.

Looking ahead, Spotify announced a new Saudi campaign, The GM of Vibes, celebrating the creativity and energy of the Kingdom’s listeners. “We’re incredibly focused on our mission to support artists and to educate music fans about streaming music legally. The more they stream, the more their favorite artists can sustain a living from their art,” Harbola said.

As ����ֱ��’s music ecosystem accelerates under Vision 2030, Spotify’s data-driven push for transparency signals a new era where artists are not only being heard but increasingly rewarded.