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Annemarie Jacir’s ‘Palestine 36’ chosen as Oscar submission

Annemarie Jacir’s ‘Palestine 36’ chosen as Oscar submission
Set in 1930s Palestine, the drama explores the lives of individuals during the uprising against British colonial rule. (Supplied)
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Updated 23 August 2025

Annemarie Jacir’s ‘Palestine 36’ chosen as Oscar submission

Annemarie Jacir’s ‘Palestine 36’ chosen as Oscar submission
  • Film received partial funding from ֱ’s Red Sea Fund, Qatar-based Katara Studios

DUBAI: Palestinian filmmaker and writer Annemarie Jacir’s “Palestine 36” has been selected as Palestine’s official submission for the Oscars’ international feature film category.

Set in 1930s Palestine, the drama explores the lives of individuals during the uprising against British colonial rule. Against a backdrop of sweeping change, the film delves into themes of identity, resistance and transformation.

The story follows Yusuf (Karim Daoud Anaya), a young man caught between his rural village and the rapidly changing city of Jerusalem; Afra (Wardi Eilabouni), a girl navigating an uncertain world with the guidance of her grandmother (Hiam Abbass); and a port worker (Saleh Bakri), who finds himself drawn into an emerging uprising. A British official, portrayed by Oscar-winner Jeremy Irons, attempts to maintain order as tensions rise.

The cast also features “Game of Thrones” star Liam Cunningham, Tunisian actor Dhafer L’Abidine, and Palestinian talents Yasmine Al-Massri and Kamel El-Basha.

“Palestine 36” was selected as Palestine’s Oscar entry by an independent committee of Palestinian film professionals in a move officially confirmed by the Palestinian Ministry of Culture.

The film received partial funding from ֱ’s Red Sea Fund, and Qatar-based Katara Studios. Watermelon Pictures has acquired distribution rights to the film.

Featuring rare archival footage of 1930s Palestine, “Palestine 36” is set to have its world premiere at the Toronto International Film Festival on Sept. 5, where it will become the first Arab film to screen in the festival’s prestigious Gala section.

Jacir, who has been working on “Palestine 36” since before the pandemic, is known for her focus on Palestinian narratives. Her previous films include “Salt of This Sea” (2008), “When I Saw You” (2012), and “Wajib” (2017), all of which received critical acclaim and represented Palestine at the Academy Awards. “Palestine 36” is her fourth film to be submitted by Palestine for Oscar consideration.

It is the 18th film to be submitted by Palestine since it began participating in the international feature category. To date, the country has received two nominations in the category, both for films directed by Hany Abu-Assad: “Paradise Now” in 2006 and “Omar” in 2014.

The Oscars’ international feature shortlist will be announced on Dec. 16, with final nominations revealed on Jan. 22.


Salone del Mobile Milano comes to Riyadh

Salone del Mobile Milano comes to Riyadh
Updated 56 sec ago

Salone del Mobile Milano comes to Riyadh

Salone del Mobile Milano comes to Riyadh
  • The president of Milan Design Week gives us the lowdown on what to expect from its Middle East debut

RIYADH: Salone del Mobile Milano, aka Milan Design Week — the world’s largest design and furniture fair — will make its Middle East debut in Riyadh’s King Abdullah Financial District on Nov. 26.  

Titled “Red in Progress. Salone del Mobile Milano meets Riyadh” the three-day showcase is being organized in partnership with the Architecture and Design Commission and the Ministry of Culture. 

King Abdullah Financial District, Riyadh. (Getty Images)

“The question on everyone’s mind is: ‘Why Riyadh?’ Salone has always been held in Milan,” says Maria Porro, president of Salone del Mobile Milano. “The need was to go to a place where big changes are happening, strictly connected with our sector. Riyadh is probably the center of the major urban changes happening; the city really is an incredible hub for creativity, architecture and design. And that is why, now, in this historical moment, the place to be is ֱ, specifically Riyadh.” 

The move marks an historic step for the fair, which has been a benchmark for global design since 1961. While it has hosted international collaborations before, this is its first large-scale edition in the Middle East. 

“We are working with Sumayah Al-Solaiman (CEO of the Architecture and Design Commission), together with all the team of the Design Commission. At the same time, we chose to work with (Milan-based studio) Gio Forma, which also has an office in ֱ,” Porro says. 

Maria Porro, president of Salone del Mobile Milano. (Photo by Diego Ravier)

The collaborative effort will leave a vivid red (the signature hue of Salone) imprint through a scenographic installation designed by Gio Forma. The site-specific space will transform KAFD into an immersive exhibition that embodies flexibility, modularity and sustainability. 

The fair will bring 38 leading Italian brands to Riyadh to mingle with the local design community and collectively carve out a space filled with innovation and cultural connection. The Salone aims to promote Italian design excellence while fostering exchange with ֱ’s growing design community, aligning with Vision 2030’s focus on creative cities and cultural development. 

Porro describes the project as a slice of Milan with the flavors of Riyadh, having “all the ingredients to bake the cake.” 

She continues: “Riyadh somehow reminds me of Milan because it’s a financial place, it’s a business place, it’s a place that is changing. There’s a sort of affinity with Milan — Jeddah is more like Rome.” 

Porro emphasizes that the fair is not just about products, but about people and partnerships too. 

“Being in Riyadh is like being in a city in transformation — you see buildings being built, new squares,” she says. “I feel so welcome (in Riyadh). The team from the ministry and the commission showed a real willingness to build something together; a common project.” 

 A render of the inside of Gio Forma's installation. (Supplied)

She highlighted the importance of local engagement, noting that Italian company owners will personally attend rather than send representatives, ensuring deeper, meaningful interactions with Saudi counterparts.  

Education and talent development will also play a major role. SaloneSatellite — dedicated to designers under 35 — will be part of the Riyadh edition, connecting young Saudi designers with international mentors, offering exposure to Italian universities, and encouraging ongoing collaboration and skill exchange.  

The fair will also feature 12 masterclasses, roundtables, and The Forum, a platform focused on urban transformation in ֱ. Meanwhile, the Business Lounge — designed by Lissoni & Partners — will host meetings and presentations for decision-makers, architects and developers. 

The Lifestyle Area, created in collaboration with KAFD retailers and featuring Italian and Saudi food and beverage brands, will highlight the art of convivial living — something Porro looks forward to experiencing over a cup of her much-loved Saudi coffee. 

Sustainability is another cornerstone. The temporary installations and materials ensure minimal environmental impact. Porro stresses that quality and sustainability go hand in hand, saying every element is designed with care and purpose. 

The Riyadh edition, she notes, will be an entirely new experience for everyone involved — one tailored to a different culture, climate, and set of functional needs.  

“Salone is creating a new project, in dialogue with local needs. For me, it’s about both business opportunity and cultural project-centric opportunity, having locals and people from all over the world coming together,” she says. “It’s curated, purposeful, and about experiencing life.”