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Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

Hundreds of fans turned out to support a member of Irish rap group Kneecap on Wednesday at a London court as he sought to throw out a terrorism charge for allegedly displaying a flag in support of Iran-backed Lebanese militia Hezbollah. (AFP)
Hundreds of fans turned out to support a member of Irish rap group Kneecap on Wednesday at a London court as he sought to throw out a terrorism charge for allegedly displaying a flag in support of Iran-backed Lebanese militia Hezbollah. (AFP)
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Updated 20 August 2025

Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’
  • O hAnnaidh says charge a ‘distraction,’ as lawyers try to throw it out
  • Judge will rule whether prosecution can continue on Sept. 26

LONDON: Hundreds of fans turned out to support a member of Irish rap group Kneecap on Wednesday at a London court as he sought to throw out a terrorism charge for allegedly displaying a flag in support of Iran-backed Lebanese militia Hezbollah.

Liam Og O hAnnaidh, who was initially charged under the Anglicised name Liam O’Hanna and whose stage name is Mo Chara, is alleged to have waved the yellow flag of Hezbollah during a Kneecap gig in London on Nov. 21, 2024.

O hAnnaidh is accused of holding up the flag on stage while saying “Up Hamas, up Hezbollah.” Kneecap have said the flag was thrown on stage during their performance.

The 27-year-old was charged in May under the Terrorism Act, which makes it a criminal offence to display an article in a way which arouses reasonable suspicion that someone is a supporter of a proscribed organization.

O hAnnaidh appeared at Westminster Magistrates’ Court on Wednesday wearing the keffiyeh scarf associated with the Palestinian cause and had to fight his way through a scrum of photographers to get inside the building.

He sat alongside an Irish language interpreter during the hearing and his bandmates Naoise O Caireallain, stage name Moglai Bap, and J.J. O Dochartaigh, who goes by DJ Provao, were also in court, with supporters filling the public gallery.

RULING NEXT MONTH

Irish music was played outside the court throughout the hearing, with many supporters waving Irish and Palestinian flags while others held placards reading “Free Mo Chara.”

O hAnnaidh’s lawyers say the charge was brought too late and the prosecution case should be thrown out, as O hAnnaidh was formally charged on May 22 this year, one day after the six-month limit for such charges.

Prosecutor Michael Bisgrove, however, argued that O hAnnaidh was charged on May 21, within the time limit. Judge Paul Goldspring said he would give a decision on Sept. 26.

O hAnnaidh left the court to cheers from supporters, telling the crowd the charge against him was “a distraction from the real story” of Israel’s actions in the Palestinian territories.

Belfast-based Kneecap, who rap in Irish and English and regularly display pro-Palestinian messages during their gigs, previously said the charge was an attempt to silence them.

The group — who rap about Irish identity and support the republican cause of uniting Northern Ireland with the Republic of Ireland — have been increasingly vocal about the war in Gaza since O hAnnaidh was charged.


REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance
Updated 07 November 2025

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

DUBAI: German filmmaker Edward Berger’s 2022 take on “All Quiet on the Western Front” was a masterpiece, and his English-language debut, last year’s “Conclave,” was a nuanced, smart political thriller. There’s no doubting his talent.

However, “Ballad of a Small Player” is not on that level. While it’s a visual delight, reminiscent of Wes Anderson’s vividly realized worlds. But the unusual stylistic choices often seem forced — art for art’s sake. It’s not helped by Rowan Joffé’s screenplay, which fails to build on initial intrigue and ends up feeling thrown together.

Colin Farrell plays disgraced Irish financier Brendan Reilly, who’s fled the UK for Macau having stolen the life savings of a wealthy old woman who had invested with his firm. In Macau, Reilly has reinvented himself as Lord Doyle — an aristocratic playboy hoping that his apparent wealth and upper-class upbringing (neither of which Reilly actually possesses) will be enough to fool creditors into funding his gambling habit. And his drinking.

Farrell is convincing as a fraudster adrift in the luxurious loneliness of five-star suites — a man who clearly wants to try and be ‘good,’ but whose moral failings and lack of self-control (and self-awareness) keep sabotaging his attempts. As his debts mount, he meets Dao Ming, a credit broker with her own issues (and debts). When one of her clients commits suicide, Reilly comforts her, and promises that when his fortunes change, he will clear her debts too.

But his losing streak continues, and he is found by investigator Cynthia Blithe (Tilda Swinton), who has been contracted by his former employers and gives him 24 hours to repay the funds he embezzled.

As Reilly spirals further into despair and stress he has a heart attack. As he loses consciousness, he sees Dao approach him, smiling. He wakes up in Dao’s house, where she nurses him back to health and they share their most intimate secrets. 

Reilly’s fortunes then turn around dramatically, resulting in an improbable winning streak at the baccarat tables. And then the opportunity to completely change his life, and Dao’s, by staking it all on a single hand.

Berger builds the tension and claustrophobia of Reilly’s world well at first, but he’s the only character close to fully developed. Dao’s intriguing persona is wasted, and the gifted Swinton’s role is too cartoonish to convince. Ultimately, the movie fails to deliver on its promising first impressions.