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Ozzy Osbourne, lead singer of Black Sabbath and godfather of heavy metal, dies at 76

Ozzy Osbourne, lead singer of Black Sabbath and godfather of heavy metal, dies at 76
Either clad in black or bare-chested, the singer was often the target of parents’ groups for his imagery and once caused an uproar for biting the head off a bat.(REUTERS)
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Ozzy Osbourne, lead singer of Black Sabbath and godfather of heavy metal, dies at 76

Ozzy Osbourne, lead singer of Black Sabbath and godfather of heavy metal, dies at 76
  • Ozzy Osbourne was synonymous with Heavy Metal and rock music
  • Known as the Prince of Darkness, Osbourne was a Middle East favorite and played with Black Sabbath in Abu Dhabi in 2014 and 2018

Ozzy Osbourne, the gloomy, demon-invoking lead singer of the pioneering band Black Sabbath who became the throaty, growling voice — and drug-and-alcohol ravaged id — of heavy metal, died Tuesday, just weeks after his farewell show. He was 76.
“It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning. He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time,” a family statement from Birmingham, England, said. In 2020, he revealed he had Parkinson’s disease after suffering a fall.
Either clad in black or bare-chested, the singer was often the target of parents’ groups for his imagery and once caused an uproar for biting the head off a bat. Later, he would reveal himself to be a doddering and sweet father on the reality TV show “The Osbournes.”
The Big Bang of heavy metal
Black Sabbath’s 1969 self-titled debut LP has been likened to the Big Bang of heavy metal. It came during the height of the Vietnam War and crashed the hippie party, dripping menace and foreboding. The cover of the record was of a spooky figure against a stark landscape. The music was loud, dense and angry, and marked a shift in rock ‘n’ roll.
The band’s second album, “Paranoid,” included such classic metal tunes as “War Pigs,” “Iron Man” and “Fairies Wear Boots.” The song “Paranoid” only reached No. 61 on the Billboard Hot 100 but became in many ways the band’s signature song. Both albums were voted among the top 10 greatest heavy metal albums of all time by readers of Rolling Stone magazine.
“Black Sabbath are the Beatles of heavy metal. Anybody who’s serious about metal will tell you it all comes down to Sabbath,” Dave Navarro of the band Jane’s Addiction wrote in a 2010 tribute in Rolling Stone. “There’s a direct line you can draw back from today’s metal, through Eighties bands like Iron Maiden, back to Sabbath.”
Sabbath fired Osbourne in 1979 for his legendary excesses, like showing up late for rehearsals and missing gigs. “We knew we didn’t really have a choice but to sack him because he was just so out of control. But we were all very down about the situation,” wrote bassist Terry “Geezer” Butler in his memoir, “Into the Void.”
Osbourne reemerged the next year as a solo artist with “Blizzard of Ozz” and the following year’s “Diary of a Madman,” both hard rock classics that went multiplatinum and spawned enduring favorites such as “Crazy Train,” “Goodbye to Romance,” “Flying High Again” and “You Can’t Kill Rock and Roll.” Osbourne was twice inducted to the Rock & Roll Hall of Fame — once with Sabbath in 2006 and again in 2024 as a solo artist.
The original Sabbath lineup reunited for the first time in 20 years in July for what Osbourne said would be his final concert. “Let the madness begin!” he told 42,000 fans in Birmingham.
Metallica, Guns N Roses, Slayer, Tool, Pantera, Gojira, Alice in Chains, Lamb of God, Halestorm, Anthrax, Rival Sons and Mastodon all did sets. Tom Morello, Aerosmith’s Steven Tyler, Billy Corgan, Ronnie Wood, Travis Barker, Sammy Hagar and more made appearances. Actor Jason Momoa was the host for the festivities.
“Black Sabbath: we’d all be different people without them, that’s the truth,” said Pantera singer Phil Anselmo. “I know I wouldn’t be up here with a microphone in my hand without Black Sabbath.”
Outlandish exploits and a classic look
Osbourne embodied the excesses of metal. His outlandish exploits included relieving himself on the Alamo, snorting a line of ants off a sidewalk and, most memorably, biting the head off the live bat that a fan threw onstage during a 1981 concert. (He said he thought it was rubber.)
Osbourne was sued in 1987 by parents of a 19-year-old teen who died by suicide while listening to his song “Suicide Solution.” The lawsuit was dismissed. Osbourne said the song was really about the dangers of alcohol, which caused the death of his friend Bon Scott, lead singer of AC/DC.
Then-Cardinal John J. O’Connor of New York claimed in 1990 that Osbourne’s songs led to demonic possession and even suicide. “You are ignorant about the true meaning of my songs,” the singer wrote back. “You have also insulted the intelligence of rock fans all over the world.”
Audiences at Osbourne shows could be mooned or spit on by the singer. They would often be hectored to scream along with the song, but the Satan-invoking Osbourne would usually send the crowds home with their ears ringing and a hearty “God bless!”
He started an annual tour — Ozzfest — in 1996 after he was rejected from the lineup of what was then the top touring music festival, Lollapalooza. Ozzfest has gone on to host such bands as Slipknot, Tool, Megadeth, Rob Zombie, System of a Down, Limp Bizkit and Linkin Park.
Osbourne’s look changed little over his life. He wore his long hair flat, heavy black eye makeup and round glasses, often wearing a cross around his neck. In 2013, he reunited with Black Sabbath for the dour, raw “13,” which reached No. 1 on the UK Albums Chart and peaked at No. 86 on the US Billboard 200. In 2019, he had a Top 10 hit when featured on Post Malone’s “Take What You Want,” Osbourne’s first song in the Top 10 since 1989.
In 2020, he released the album “Ordinary Man,” which had as its title song a duet with Elton John. “I’ve been a bad guy, been higher than the blue sky/And the truth is I don’t wanna die an ordinary man,” he sang. In 2022, he landed his first career back-to-back No. 1 rock radio singles from his album “Patient Number 9,” which featured collaborations with Jeff Beck, Eric Clapton, Mike McCready, Chad Smith, Robert Trujillo and Duff McKagan. It earned four Grammy nominations, winning two. (Osbourne won five Grammys over his lifetime.)
At the Rock & Roll Hall of Fame induction ceremony in 2024, Jack Black called him “greatest frontman in the history of rock ‘n’ roll” and “the Jack Nicholson of rock.” Osbourne thanked his fans, his guitarist Randy Rhoads and his longtime wife, Sharon Osbourne.
The beginnings of Black Sabbath
John Michael Osbourne was raised in the gritty city of Birmingham. Kids in school nicknamed him Ozzy, short for his surname. As a boy, he loved the Four Seasons, Chuck Berry and Little Richard. The Beatles made a huge impression.
“They came from Liverpool, which was approximately 60 miles north of where I come from,” he told Billboard. “So all of a sudden it was in my grasp, but I never thought it would be as successful as it became.”
In the late 1960s, Osbourne had teamed up with Butler, guitarist Tony Iommi and drummer Bill Ward as the Polka Tulk Blues Band. They decided to rename the band Earth, but found to their dismay there was another band with that name. So they changed the name to the American title of the classic Italian horror movie “I Tre Volti Della Paura,” starring Boris Karloff: Black Sabbath.
Once they found their sludgy, ominous groove, the band was productive, putting out their self-titled debut and “Paranoid” in 1970, “Master of Reality” in 1971, “Vol. 4” in 1972 and “Sabbath Bloody Sabbath” in 1973.
The music was all about industrial guitar riffs and disorienting changes in time signatures, along with lyrics that spoke of alienation and doom. “People think I’m insane because I am frowning all the time,” Osbourne sang in one song. “All day long I think of things but nothing seems to satisfy/Think I’ll lose my mind if I don’t find something to pacify.”
The Guardian newspaper in 2009 said the band “introduced working-class anger, stoner sludge grooves and witchy horror-rock to flower power. Black Sabbath confronted the empty platitudes of the 1960s and, along with Altamont and Charles Manson, almost certainly helped kill off the hippy counterculture.”
After Sabbath, Osbourne had an uncanny knack for calling some of the most creative young guitarists to his side. When he went solo, he hired the brilliant innovator Rhoads, who played on two of Osbourne’s finest solo albums, “Blizzard of Ozz” and “Diary of a Madman.” Rhoads was killed in a freak plane accident in 1982; Osbourne released the live album “Tribute” in 1987 in his memory.
Osbourne then signed Jake E. Lee, who lent his talents to the platinum albums “Bark at the Moon” and “The Ultimate Sin.” Hotshot Zakk Wylde joined Osbourne’s band for “No Rest for the Wicked” and the multiplatinum “No More Tears.”
“They come along, they sprout wings, they blossom, and they fly off,” Osbourne said of his players in 1995 to The Associated Press. “But I have to move on. To get a new player now and again boosts me on.”
Courting controversy — and wholesomeness
Whomever he was playing with, Osbourne wasn’t likely to back down from controversy. He had the last laugh when the TV evangelist the Rev. Jimmy Swaggart in 1986 lambasted various rock groups and rock magazines as “the new pornography,” prompting some retailers to pull Osbourne’s album.
When Swaggart later was caught with a sex worker in 1988, Osbourne put out the song “Miracle Man” about his foe: “Miracle man got busted/miracle man got busted,” he sang. “Today I saw a Miracle Man, on TV cryin’/Such a hypocritical man, born again, dying.”
Much later, a whole new Osbourne would be revealed when “The Osbournes,” which ran on MTV from 2002-2005, showed this one-time self-proclaimed madman drinking Diet Cokes as he struggled to find the History Channel on his new satellite television or warning his kids not to smoke or drink before they embarked on a night on the town.
Later, he and his son Jack toured America on the travel show “Ozzy & Jack’s World Detour,” where the pair visited such places as Mount Rushmore and the Space Center Houston. Osbourne was honored in 2014 with the naming of a bat frog found in the Amazon that makes high-pitched, batlike calls. It was dubbed Dendropsophus ozzyi.
He also met Queen Elizabeth II during her Golden Jubilee weekend. He was standing next to singer-actor Cliff Richard. “She took one look at the two of us, said ‘Oh, so this is what they call variety, is it?’ then cracked up laughing. I honestly thought that Sharon had slipped some acid into my cornflakes that morning,” he wrote in “I Am Ozzy.”
Thelma Riley and Osbourne married in 1971; Osbourne adopted her son Elliot Kingsley, and they had two more children, Jessica and Louis. Osbourne later met his wife, then Sharon Levy, who became her own celebrity persona, when she was running her father’s Los Angeles office. Her father was Don Arden, a top concert promoter and artist manager. She went to Osbourne’s hotel in Los Angeles to collect money, which Osbourne had spent on drugs.
“She says she’ll come back in three days and I’d better have it. I’d always fancied her and I thought, ‘Ah, she’s coming back! Maybe I have a chance.’ I had pizza hanging from my hair, cigarette ashes on my shirt,” he told the Los Angeles Times in 2000. They married in 1982, had three children — Kelly, Aimee and Jack — and endured periodic separations and reconciliations.
He is survived by his wife Sharon Osbourne and his children.


Saudi stars promote new film ‘Al-Gaid’ by Telfaz11

Saudi stars promote new film ‘Al-Gaid’ by Telfaz11
Updated 21 July 2025

Saudi stars promote new film ‘Al-Gaid’ by Telfaz11

Saudi stars promote new film ‘Al-Gaid’ by Telfaz11

DUBAI: Saudi actress Maria Bahrawi took to social media to promote studio Telfaz11’s latest film, “Al-Gaid.”

The 18-year-old actress shared a post about the new film on Instagram Stories, featuring several stills from the movie.

The film is directed by Hussam Al-Halwa and written by Ahmed Al-Haqil.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Starring Yaqoub Al-Farhan, Saad Al-Shatti, Khaled Abdel Aziz and Ibtisam Ahmed, the film is set against the backdrop of the 19th-century northern Arabian desert in winter. It was penned by Saudi novelist Ahmed Al-Hokail and blends the revenge genre with Bedouin soap opera tropes, according to Variety. The film “(crafts) a unique narrative tailored for an Arab audience,” according to a Telfaz11 statement. “Rooted in an authentic Saudi perspective, ‘Al-Gaid’ aims to revolutionize the landscape of Saudi epic films,” the statement added.

Telfaz11 is a homegrown creative and media studio that has been behind successful Saudi projects like “Sattar,” which became the highest-grossing Saudi movie in the first three months of its release, and “Mandoob,” which beat “Wonka” from Warner Bros. on its opening weekend in ֱ in 2023.

Although she does not star in the film, Bahrawi is one of many Saudi stars whipping up excitement over “Al-Gaid,” with the likes of actress Mila Al-Zahrani and creative director Ahmed Al-Kaabi taking to her comments section to discuss the new movie.

No stranger to success herself, Bahrawi starred in “Norah,” the debut feature of Saudi filmmaker Tawfik Al-Zaidi, which screened in the Cannes Film Festival’s Un Certain Regard section in 2024. The film received the Special Mention accolade at the event.

The movie, shot entirely in AlUla, is set in 1990s ֱ when the professional pursuit of all art, including painting, was frowned upon.

Besides Bahrawi, the movie also stars Yaqoub Al-Farhan and Abdullah Al-Satian. It follows the story of Norah and failed artist Nader as they encourage each other to realize their creative potential in rural ֱ.

The movie was backed by the Red Sea Fund — one of the Red Sea Film Foundation’s programs — and was filmed with an all-Saudi cast and a 40 percent Saudi crew.

“I’m living the dream. Inshallah, I’ll reach bigger and higher goals. I have all the opportunities in the world, now it’s up to me to take them,” Bahrawi previously told Arab News while discussing the film


Nancy Ajram lands Times Square billboard

Nancy Ajram lands Times Square billboard
Updated 19 July 2025

Nancy Ajram lands Times Square billboard

Nancy Ajram lands Times Square billboard

DUBAI: Lebanese superstar Nancy Ajram was featured this week on a Spotify billboard in New York City’s Times Square.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

She was named the EQUAL Arabia ambassador for July, coinciding with the release of her new album, “Nancy 11.” EQUAL Arabia is a program that aims to amplify the work of women creators by giving them international recognition.

With a career spanning more than two decades, Ajram is known for hits such as “Ah W Noss,” “Ya Tabtab” and “Badna Nwalee El Jaw.” She has released several chart-topping albums, blending traditional Arabic melodies with modern pop, and has built a wide fan base across the region and internationally.


Haql Summer Festival boosts tourism, economy

Haql Summer Festival boosts tourism, economy
Updated 14 July 2025

Haql Summer Festival boosts tourism, economy

Haql Summer Festival boosts tourism, economy
  • Festival offers a wide range of attractions, including an amusement park with electric and inflatable rides
  • Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience

JEDDAH: With schools on summer holiday, children and parents are embracing a season of relaxation, exploration, and entertainment.

From coastal getaways to mountain retreats, families across ֱ are making the most of summer with fun, adventure, and unforgettable memories.

The Haql Summer Festival, being held at Prince Fahd bin Sultan Park, runs until mid-September. It offers a wide range of attractions, including an amusement park with electric and inflatable rides, a family seating area, and an open-air theater featuring traditional performances, competitions, and daily prizes.

Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience, the Saudi Press Agency reported.

The festival aims to boost tourism in Haql, stimulate the local economy, increase commercial activity, and create job opportunities, positioning the region as a unique and attractive destination.

Haql, located in northwest ֱ in the Tabuk region and overlooking the Gulf of Aqaba, boasts clear views of several neighboring countries’ coastlines.

The festival is part of the Saudi Summer program, which runs until September and showcases the Kingdom’s diverse tourism offerings — from mountains and beaches to international events and exclusive deals, catering to all travelers.


Superman fans claim film is critical of Israel

Superman fans claim film is critical of Israel
Updated 12 July 2025

Superman fans claim film is critical of Israel

Superman fans claim film is critical of Israel

DUBAI: James Gunn’s new “Superman” film is drawing attention online for what many viewers interpret as a pointed political message. 

A scene showing a heavily armed military force attacking civilians across a border, where children’s lives are at risk, has sparked comparisons to the Israel-Gaza war.

While neither Gunn nor the cast have stated the film references Israel or Palestine, early audiences have drawn their own conclusions, suggesting the conflict serves as an allegorical backdrop.

One user wrote on X: “Y’all were not kidding about how anti-Israel and pro-Palestine that superman movie was, and they were not slick with it AT ALL,” while another said: “Superman was so openly anti-Israel and god it was so good.” 

Another user said: “Not going to lie I really like the anti-Israel sentiment from superman and now I know James Gunn is always standing on business.” 

Though the film never names specific nations, Gunn has said in interviews that it tackles themes of “politics” and “morality,” and positions Superman as an immigrant, comments that have also sparked backlash from some US conservatives.

The film is a reboot of the DC franchise and marks the beginning of Gunn’s new DC Universe. It stars David Corenswet as Clark Kent/Superman and Rachel Brosnahan as Lois Lane. The cast also includes Nicholas Hoult as Lex Luthor and Isabela Merced as Hawkgirl.

The movie was released in ֱ on July 10. 


An anthem for unspoken love: Zeyne discusses her latest release, ‘Hilwa’ 

An anthem for unspoken love: Zeyne discusses her latest release, ‘Hilwa’ 
Updated 11 July 2025

An anthem for unspoken love: Zeyne discusses her latest release, ‘Hilwa’ 

An anthem for unspoken love: Zeyne discusses her latest release, ‘Hilwa’ 
  • The Palestinian-Jordanian artist on her new single, released by MDLBEAST Records 

DHAHRAN: Palestinian-Jordanian artist Zeyne is here for her close-up — and she’s bringing the inspirational women in her family along. 

Zeyne’s latest single “Hilwa” dropped this week and the artwork — shot by Zaid Allozi — shows three women interlocked by their braided hair. 

“The image shows three generations — me, my mother, and my grandmother — all connected by one continuous braid. It’s a symbol of inheritance; the quiet strength and love passed from one woman to the next,” Zeyne tells Arab News. “The braid holds the kind of love that isn’t always spoken, but is deeply felt and remembered.” 

The 27-year-old is using her music to reclaim narrative, identity and joy — singing of Arab womanhood in its most defiant, soulful and cinematic form. 

“We shot (the artwork) in a handmade mudbrick house in the Jordan Valley, built using traditional Levantine methods. These homes — found across Palestine, Jordan, Syria, and Lebanon — aren’t just sustainable, they carry memory. They connect us to land, to lineage, and to something deeper,” Zeyne says.  

“Hilwa” is an uplifting anthem released via Saudi-based MDLBEAST Records, in partnership with Zeyne’s own label, Scarab Records.  

Zeyne performing at Offlimits Festival in Abu Dhabi in April. (Omar Rezgani)

“When we saw the vision Zeyne and her team had, it was a no brainer, we were ready to jump right in and help amplify what was already there and build together towards a sustainable, long-running, global project stemming from the heart of the MENA region,” Talal Albahiti, COO and head of talent at MDLBEAST, tells Arab News. “MDLBEAST Records always champions the upcoming hard workers and visionaries, and Zeyne exemplifies these qualities perfectly.”  

Following Zeyne’s 2024 hit “Asli Ana,” which reimagined Arab rhythmic traditions through a futuristic lens, “Hilwa” pays homage to her mother and grandmother, whose love and wisdom deeply shaped her sense of identity. “While ‘Asli Ana’ was about resistance, ‘Hilwa’ is softer,” she says.  

Through Zeyne’s reflective lyrics and emotional vocal delivery, “Hilwa” explores how beauty and self-worth are inherited — not just genetically, but through stories, memories, and values passed down by generations of Arab women. “You’re so beautiful and no one can say otherwise,” she sings at one point. 

Zeyne in the studio during the recording sessions for 'Hilwa.' (Zaid Allozi)

Born Zein Sajdi in Amman in 1997, Zeyne was raised in a household where music and culture were key. Her father was a record collector, her mother led a dabke troupe, and her sister trained as a classical pianist. Zeyne began performing aged five and was already writing her own lyrics in her teens. 

She studied sociology and media communications at the University of Sussex in the UK, but the COVID-19 pandemic redirected her path. Returning to Amman in 2020, she turned her full attention to music — writing, recording and developing her distinct sound. 

Since the release of her 2021 debut single, “Minni Ana,” Zeyne has carved a singular lane in Arab pop — merging traditional Arabic sounds with modern, genre-defying production. Since then, she has released several acclaimed singles, collaborated with artists including Palestinian singer-songwriter Saint Levant, and written for fellow Jordanian-Palestinian musician Issam Alnajjar, Lebanese-Canadian singer-songwriter Massari, and the acclaimed Chilean-Palestinian star Elyanna.  

Zeyne performing at Offlimits Festival in Abu Dhabi in April. (Marwan Abouzeid and Zahra Hasby)

With more than 46 million streams across various platforms, Zeyne’s music has become a touchstone for Arab youth globally, offering a sound that is intimate, cinematic and emotionally resonant. Her boundary-pushing sound and evocative vocals have established her as one of the region’s most important cultural voices.  

Earlier this year, she launched a three-stop regional mini tour, “The Golden-Hour Run,” that included a landmark performance at the OffLimits Festival in the UAE and stadium appearances as a special guest on Ed Sheeran’s Mathematics Tour in Qatar and Bahrain, where she performed to over 65,000 people.  

She became the first female artist from the Levant to appear on the globally renowned music platform COLORS with her song “Ma Bansak,” and a viral performance in collaboration with Bottega Veneta blurred the lines between fashion, music, and Palestinian resistance. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

But Zeyne’s influence stretches far beyond music.  

As an EQUAL Arabia ambassador, she lit up Times Square in New York City, solidifying her status as an emerging symbol of contemporary Arab identity and woman empowerment. Her inclusion in the DAZED Global 100 further cemented her status as a fearless voice reshaping representation and storytelling in and beyond the region. 

“Hilwa” captures all of that—vulnerability, defiance, and a deep sense of generational continuity. On Instagram, she wrote that the song stems from an assembly line of greatness, and is “a love letter to all the women in my life — my mother, my grandmother and even my younger self — you are beautiful, and no words can say otherwise.” 

This summer, Zeyne brings that message to the stage. She will perform in London on July 19 and 20, Paris on July 22, and Jerash on July 28, before heading to ֱ for back-to-back concerts in Riyadh on Aug. 7 and Jeddah on Aug. 8.