Four of 2025’s top video games so far/node/2608520/lifestyle
Four of 2025’s top video games so far
‘Indiana Jones and the Great Circle.’ (Supplied)
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Updated 18 July 2025
Arab News
Four of 2025’s top video games so far
Updated 18 July 2025
Arab News
‘Indiana Jones and the Great Circle’
Who doesn’t want to play the part of one of cinema’s great action heroes? And who doesn’t want to run around punching Nazis? In Bethesda’s addictive action-adventure you get to do both, controlling the titular archaeologist as he scraps and sneaks his way through a range of beautifully rendered real-world locations, solving puzzles on his way, all to thwart the bad guys.
‘Split Fiction’
The latest two-player action-adventure from co-op specialists Hazelight Studios is their best yet, earning well-deserved plaudits from critics and gamers alike. You and your partner play as authors Mio Hudson and Zoe Foster, who’ve been connected —against their will — to a machine that steals creative ideas and have become stuck in a world of their own stories.
‘Mario Kart World’
No way Nintendo could’ve launched the Switch 2 without a Mario game. And what a game it was, taking all the fun of previous “Mario Kart” editions, but introducing open-world options, off-roading skills, and an elimination mode. Oh, and the ability for up to 24 players to race at once. More than 30 years on from its launch, “Mario Kart” is still the gold standard in fun.
‘Clair Obscur:Expedition 33’
It has its flaws, but this bleakly moving RPG from French studio Sandfall Interactive is so ambitious in its storytelling and execution that most of them can be forgiven. You control the party known as Expedition 33 on a suicide mission to defeat the Paintress, a mysterious being who —for 67 years — has determined the age at which people will die in the peaceful town of Lumière
Need a summertime streaming binge? Here’s what you should have seen so far in 2025
Updated 18 July 2025
Arab News
‘ADZԳ’&Բ;
This harrowing drama, created by actor Stephen Graham (who also stars) and writer Jack Thorne and directed by Philip Barantini, will surely clean up at the next round of major awards. The story of 13-year-old Jamie Miller, accused of the murder of a schoolmate, and his family was practically flawless in every aspect, from the excellent ensemble cast (including breakout star Owen Cooper, who plays Jamie) to the extraordinary technical skill (each of its four episodes was shot in a single take). “The balletic production processes that must have been involved are simply staggering, but they suck the audience in and refuse to let them go, demanding we share in every uncomfortable second,” our reviewer wrote. “‘Adolescence’ may be one of the most upsetting shows released this year — at times, it’s excruciating — but it is also a remarkable work of art.”
‘Severance’ S2
The wonderfully weird world of Apple’s sci-fi comedy-drama was expanded far beyond the walls of the Lumon offices in season two, as Mark S (Adam Scott) and his team of data refiners dealt with the fallout from their successful, if brief, escape from their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — and alert the outside world to the cruelties of their working conditions. Season two had that same blend of surreal silliness and nightmarish anxiety that made the show so popular — as our reviewer said: “Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy.” “Severance” remains smart, thought-provoking, entertaining, and utterly absorbing.
‘Mo’ S2
The second season of Mo Amer’s semi-autobiographical comedy drama — in which he plays Mo Najjar, a Kuwait-born Palestinian refugee living in Houston, Texas, with his mother Yusra (the superb Farah Bsieso), and his older brother Sameer (Omar Elba), who’ve been waiting more than two decades to have their asylum case heard — proved that the success of season one was no fluke. Amer, our reviewer wrote, continued to explore “incredibly complex and divisive topics — family, religion, imbalance of power, exile, mental health, parenthood, multiculturalism and much more — with an artful lightness of touch, without ever taking them lightly.” The finale — in which the family finally head to Palestine for the first time in more than 20 years — was a triumph of storytelling.
‘Black Mirror’ S7
Charlie Brooker’s near-future-set sci-fi anthology series — which has, since its inception, proven frighteningly prophetic — continued to explore familiar themes in its seventh season, most especially the terrifying potential technology has to reshape our existence. But it did so with a slightly softer touch that suggests Brooker’s cynicism is mellowing just a little — and it was the richer for it. It doesn’t hurt that some fine actors continue to line up to feature in the show — this season saw Rashida Jones, Awkwafina, Peter Capaldi, Paul Giamatti, Emma Corrin, Issa Rae, Patsy Ferran and many more on the roster. And, of course, there was that sequel — the first in the show’s history — to a “Black Mirror” classic: season four’s “USS Callister.”
‘Andor’ S2
It seems a shame that what was by far the strongest of the many TV spinoffs from “Star Wars” was just two seasons long, but maybe that limitation was the reason why it was the strongest: it cut out the indulgent exposition. We already knew what was coming — at least, if you’d seen “Rogue One” you did, and if you hadn’t seen it then why on earth were you watching a “Star Wars” spinoff? Its story of a population rising up against the erosion of their rights was both convincing and timely. “With ‘Andor,’ (creator Tony) Gilroy and (star Diego) Luna have truly set the gold standard for what future “Star Wars” can be,” our reviewer wrote. “Not just a space opera, but real stories of transformation and beauty.”
‘The Studio’
Apple’s star-studded comedy about a newly appointed Hollywood studio head (Matt Remick, played by Seth Grogan), who believes himself to be a supporter of great art, but quickly discovers that he’ll have to park his principles and chase the money, was as sharp a satire as you could wish to see. “Even though “The Studio” is a TV show about the movie business, it still manages to skewer both industries,” our reviewer wrote. “At every turn, Remick is confronted by the inherent silliness of the movie business, and we get to watch it in a series of episodic, bingeable installments, each bursting with cameos and a satirical swipe at everything from celebrity culture to pretentious auteurs.”
Recipes for success: Chef Ross Shonhanoffers advice and a tasty spaghetti mentaiko recipe
Updated 18 July 2025
Hams Saleh
DUBAI: Raised on a cattle farm in rural Queensland, Australia, and starting his working life in a butcher’s shop, Ross Shonhan is a man who knows his meat.
After honing his cooking skills in Australia, Shonhan moved to the UK, working at Asia de Cuba and The Dorchester, before moving to the US, where he helped launch Nobu Dallas as executive chef.
But it was his return to London — and a shift towards modern Japanese cuisine — that was a defining point in his career, Shonhan says. As executive chef at ZUMA London, he deepened his understanding of Japanese technique, and eventually founded the Bone Daddies Group in 2011, which quickly gained a following for its ramen bars and creative approach to Japanese comfort food.
More recently, Shonhan brought his fire-driven cooking style to the UAE, founding Netsu in Dubai and Strawfire in Abu Dhabi’s Emirates Palace Mandarin Oriental — a restaurant that blends Japanese technique with bold, open-flame cooking.
Strawfire is in Abu Dhabi’s Emirates Palace Mandarin Oriental. (Supplied)
When you started out, what was the most common mistake you made?
Trying to overcomplicate things. When you are young and eager, you want to impress, so you layer flavors, technique or garnishes, and often forget that restraint is just as powerful. Over time, I’ve learned to trust great ingredients.
What’s your top tip for amateur chefs?
Taste everything as you go. It sounds basic, but it’s amazing how many people season once at the end and hope for the best. Some slow-cooked foods, for example, taste better when they’ve been seasoned throughout the process.
What one ingredient can instantly improve any dish?
Acid — like citrus juice or a good vinegar. Whether it’s a splash of rice vinegar in a salad or a bit of aged balsamic, acid lifts everything. It balances richness, sharpens flavors, and gives a dish structure. It’s a critical part of the seasoning process.
When you go out to eat, do you find yourself critiquing the food?
Not consciously, but when you’ve been in kitchens and restaurants your whole life, it’s hard not to notice the details.
Strawfire is in Abu Dhabi’s Emirates Palace Mandarin Oriental. (Supplied)
What’s the most-common issue that you find in other restaurants?
The biggest issue is inconsistency.
What’s your favorite cuisine to eat?
I tend to gravitate towards simple places that execute well. I have some great Iranian restaurants near where I live and some brilliant Thai restaurants too. So, just family-run restaurants that have been going for years.
What’s your go-to dish if you have to cook something quickly at home?
Rice noodles with courgette, chili and fish sauce. It’s light and heathy but very tasty. It’s actually my wife’s recipe. It’s a mid-week staple.
What customer request or behavior most annoys you?
I don’t mind requests. Food is personal. But I find it tough when people don’t respect the team. We work hard to create an experience, and hospitality is a two-way street. A bit of kindness costs nothing and I think you can judge a person on how they treat their waiter.
What’s your favorite dish to cook?
Anything cooked over fire. It connects me to my childhood in the Australian outback. There’s something timeless about cooking with flame; it strips things back to instinct and makes food taste more alive.
What’s the most difficult dish for you to get right?
Creating a well-made broth requires patience, balance and discipline. It takes time and skill to develop the layers of flavor. That’s also applicable to making sauces.
As a head chef, what are you like?
I’d say I’m direct, but not constantly shouting. Firm but fair, maybe. Kitchens are intense enough without unnecessary drama. I want my team to feel supported and clear about expectations. I value honesty, effort and curiosity, and I try to create an environment where people want to grow.
Chef Ross’ spaghetti mentaiko recipe
Chef Ross’ spaghetti mentaiko. (Supplied)
For the Mentaiko mixture:
100g mentaiko
30g grapeseed oil
2g smoked sweet paprika powder
For the spaghetti:
132g mentaiko mixture
200g butter
320g spaghetti (dry)
40g parmigiana (grated)
160g cream 35%
8g salt
Juice from a half lemon
Zest from a half lemon
20g chives (finely chopped)
8g kizami nori
60g pasta water
Step 1
Place a pot with water without salt on the stove and bring it to a boil.
Then cook the pasta according to the package directions or preferences.
Step 2
While the spaghetti cooks, start with the mentaiko mixture.
The whole mentaiko comes in the roe sack which has a tough outer skin. Cut the skin in, and scrape the roe with a spoon from the skin, then add it into a mixing bowl.
Add the smocked paprika powder, grapeseed oil and grated parmigiana in and mix everything gently with a spatula and keep it on the side.
Step 3
Place a pan on the stove and add the cream, salt and butter, then heat it up slowly until the butter has melted.
Step 4
Add the cooked spaghetti to the pan with the cream and butter mixture.
Stir until the sauce is nice and creamy. If the sauce starts to curdle or thickens too much, add a little bit from the pasta water until the sauce reaches a smooth consistency again.
Step 5
Add the spaghetti and sauce to the mixing bowl containing the mentaiko mixture, add the juice of half a lemon, and mix gently. (Chopsticks or a meat fork work well for mixing this). You can add a little more pasta water If the sauce becomes too thick again.
Step 6
For serving, we recommend using a meat fork and a large spoon and twist the spaghetti into a nest then place it in the center of your plate. Distribute the chives and kizami nori over the spaghetti and grate a little lemon zest over it.
London calling: Saudi cafés and restaurants find footing in UK capital
A guide to finding a taste of home on your travels
Updated 17 July 2025
Celine Hijazi
LONDON: As the number of Saudi expats and visitors in London continues to grow, it’s no surprise that Saudi-owned brands are rising in popularity in the British capital. So, if you’re planning to make the big move — or just visiting — but you’re concerned about feeling homesick, don’t worry; your favorite cafés are coming with you, making your mornings abroad feel a little more like home.
Somewhere Café
Somewhere Café has joint Saudi-Emirati ownership. (Supplied)
If you’ve visited Somewhere Café in the UAE or ֱ, then you’re already familiar with its unmatched ambiance, food, and décor. With its first UK outlet, the beloved café — which has joint Saudi-Emirati ownership — has brought its signature “home-away-from-home” experience, along with classic Middle Eastern flavors, to London’s premier department store: Harrods.
“Inspired by our travels, we invite you to experience a piece of our journey. Much like finding a painting and bringing it home as a memento, Somewhere celebrates the unique from everywhere. The space is elegantly well-travelled, with an eclectic touch, showcasing Middle Eastern influences through craft and curation,” co-founder Amal AlMarri told Arab News.
If you’re craving something beyond the ordinary, Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. Its most popular items include beef shawarma rice, kunafa croissant, and guacamole hummus. For lunch or dinner, you might try the crispy, golden shrimp kunafa or indulge in the rich truffle and cheese batata harra.
To complement its bold menu, the café features a warm, dimly lit interior — a cozy and inviting space to relax with friends and family. Before you leave, the dessert menu — featuring a delectable farak French toast or French coffee baklava — deserves an equal amount of attention.
Hijazi Corner
At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. (Supplied)
London’s first Saudi restaurant — Hijazi Corner — is a vibrant addition to the city’s dynamic culinary scene. At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. The inspiration behind the restaurant? His mother’s kitchen.
“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny, and looks amazing — even just talking about it now makes me hungry,” Al-Zubaidi told Arab News last year. “But even if I used the exact same ingredients and followed her method, hers would still taste better.”
Rooted in tradition, the menu features dishes typically found in Saudi homes — especially Jeddah’s historic Al-Balad district, where Al-Zubaidi grew up. Highlights include chicken seelag, slow-roasted lamb haneeth, and delicate, flaky samboosek.
In just two years, Hijazi Corner has become one of London’s most sought-after Middle Eastern restaurants — a testament to the deep longing among Saudi expats for authentic flavors from home.
Qahwah London
Qahwah London serves a range of traditional desserts such as baklava, kunafa, and basbousa. (Supplied)
For those pining for the traditional, rich, aromatic flavors of Arabic coffee, Qahwah London is exactly what you need, with a wide selection of authentic qahwah options, including a tangy, spiced black coffee or the café’s signature Royal Infusion — a warming blend of cinnamon, cardamom, and ginger. Feeling hungry? Qahwah London also serves a range of traditional desserts such as baklava, kunafa, and basbousa — the perfect pairing for a steaming cup of Arabic coffee.
Guests can also book private gatherings for friends and family, or host intimate events like weddings or nikkah ceremonies. As part of its private offerings, the café provides a luxurious setting: rooms adorned with gold-plated coffee cups and an eye-catching assortment of traditional sweets — all designed to create a decadent group experience.
Diwan Kitchen
Diwan Kitchen captures a key element of Arab culinary culture: its deeply social nature. (Supplied)
Diwan Kitchen is perfect for Saudis in the UK who are craving not only an authentic bite from home, but the feeling of being back in the Kingdom. It captures a key element of Arab culinary culture: its deeply social nature.
“We wanted to show people what traditional Saudi dining is like” Adem Nasraddin, co-founder of the restaurant, told Arab News on the restaurant’s opening night in May. “There’s a rhythm to Saudi life. A scent, a pace, a flavor. We bottled that feeling and served it on a plate.”
The menu takes diners on a journey across the Kingdom, from the Hijaz region, with its rich, tangy foul medammas — served in the center of the table with bread for sharing — to Najd, with jareesh, a hearty stew-like dish topped with fresh meat and vegetables.
Half Million
½ M Café is on Oxford Street. (Supplied)
Grab a coffee and a quick bite at Half Million Café on Oxford Street, then stroll over to Hyde Park for the perfect London morning.
As in its original location in ֱ, Half Million in London is committed to delivering a “premium coffee experience.” Whether you’re in the mood for a classic breakfast tea or a vibrant red berry infusion, there’s something to satisfy every craving. And when the sun is out, their iced coffees offer the perfect refreshment. The menu — from cakes and sandwiches to freshly baked pastries — is completely halal.
If you’re after a bold, decadent brew in a sleek, stylish setting, Half Million Café is the ideal stop. With its modern cup designs and curated aesthetic, it’s a chic addition to London’s café scene.
Wellness by the water: Exploring yoga in the Maldives
Relaxation and realization at the InterContinental Maldives Maamunagau Resort
Updated 17 July 2025
Hams Saleh
MALDIVES: There are few places in the world that truly embody serenity the way the Maldives does, and my recent yoga retreat at the InterContinental Maldives Maamunagau Resort was nothing short of transformative.
The resort — set among turquoise waters, white sand and swaying palm trees — was not just a getaway; it was a reset for the body, mind and soul.
From the moment I arrived, it felt as though time slowed down. Each day began with yoga classes overlooking the endless blue of the Indian Ocean with the sound of the wind rustling through palm trees and the gentle rhythm of waves crashing on the shore. It was unlike anything I have ever experienced. One of the most peaceful sessions took place around sunset, as the sky shifted from soft gold to dusky pink.
A yoga retreat at the InterContinental Maldives Maamunagau. (Supplied)
The retreat was led by Dubai-based instructor Emilia Métaireau. Each day, we explored one of the “koshas” — the five layers of the self in yogic thought — starting with the physical and gradually moving on to the emotional, mental and spiritual realms. Métaireau’s ability to guide us gently into each theme, while adapting to every participant’s level, made the experience both grounding and expansive.
And while the classes make you sweat, you remain in constant Zen mode. During the final relaxation, there was no escaping the inevitable: drifting into the deepest, most peaceful sleep.
Post-practice, we had plenty of time to explore and unwind at the resort. Our villa came with its own bicycles, which made exploring the island feel peaceful and playful. Riding from one side to the other with the sea breeze on my face was one of the small joys that made the trip so memorable.
The dining options were another highlight — whether at the Fish Market, The Retreat or at Café Umi for breakfast. The Lighthouse was undergoing renovations during our stay, but we were still able to enjoy its menu in a different setting. Fresh seafood, balanced flavors and thoughtful plating made each meal feel special.
The dining options were another highlight — whether at the Fish Market, The Retreat or at Café Umi for breakfast. (Supplied)
The resort is also on the edge of a UNESCO Biosphere Reserve, and offers rare access to graceful manta rays in their natural habitat. We headed out on a boat, gliding across crystal-clear waters in search of them, stopping at three different spots. Mantas have a vast area to explore, so sightings are never guaranteed and, after a while, we began to lose hope. But just as we were about to head back, the team spotted them near the surface. Guests — including my husband — were able to get into the water with the rays. He said they were much larger than he expected, yet graceful and fascinating to watch up close.
The resort’s spa — set above the water — was the perfect complement to the physical and spiritual work on the retreat. The treatment rooms offer panoramic views of the ocean, which only deepens the relaxation experience, and every aspect, from the scents used to the post-treatment tea, was curated to bring a sense of calm and renewal.
This retreat gave me the space to reconnect with myself in a truly meaningful way, and Métaireau’s guidance gave me a deeper understanding of yoga. I used to attend classes in Dubai, but I struggled to focus, often skipping the breathing exercises, weighed down by the stress of a busy workday. But being in the Maldives, surrounded by nature, was a completely different experience. With every session, I felt more present, more grounded and more in tune with myself.
If you would like to try yoga — or if you’ve already tried but found it hard to engage properly — then I highly recommend going on a retreat, even within your own country. Stepping away from your daily routine makes all the difference.
Mona Khashoggi brings ‘Sinbad the Sailor’ to life on the London stage
Updated 16 July 2025
Hams Saleh and Saffiya Ansari
DUBAI: Saudi writer and producer Mona Khashoggi’s latest production, “Sinbad the Sailor,” was staged on Tuesday at London’s Sadler’s Wells Theatre, blending traditional Arab storytelling with contemporary performance.
The family-friendly dance show was a vibrant reinterpretation of the legendary seafarer’s adventures, inspired by tales from “One Thousand and One Nights” and set in eighth-century Mesopotamia.
Khashoggi is a long-time advocate for reviving Arab arts through international collaborations. (Supplied)
The musical tells the story of Sinbad, who loses his fortune in a card game and goes on a journey to find new treasures. Along the way he faces sea monsters, wild adventures and magical caves. He meets a kind girl and together they find friendship, love and a way back home to Baghdad, where Sinbad inspires a young boy with his stories.
Khashoggi, a long-time advocate for reviving Arab arts through international collaborations, emphasized her decision to work with a global cast. “Because this is a dance show … I wanted the best ballet and contemporary dancers. My dancers are all professional from the Mathew Bourne school, English National Ballet and West End Musicals,” she told Arab News.
Staging Sinbad in London is part of Khashoggi’s broader mission to spotlight Arab culture for international audiences. (Supplied)
“My lead Mark Samaras is in ‘Moulin Rouge.’ My creatives are from the West End with awards. I wanted to push the bar high and introduce an Arab story,” she added. “Mona Khash Productions is a British production. I always work and produce my shows in London before we tour internationally. London and the West End shows are the center and capital of theater in the world.”
Staging Sinbad in London is part of Khashoggi’s broader mission to spotlight Arab culture for international audiences.
Traditional songs were gathered from Iraq, Lebanon, Egypt, ֱ and Syria, with the audience enjoying original compositions by Emirati composer Ihab Darwish. (Supplied)
“My work and passion is to revive our culture and bring it to a wider audience and international audience. My shows are educational and cultural. The dance and costumes are inspired by stories from ‘1001 Nights,’ set in Mesopotamia in the 8th century, during the era of Haroun El-Rashid and Queen Zubaida,” she said.
Traditional songs were gathered from Iraq, Lebanon, Egypt, ֱ and Syria, with the audience enjoying original compositions by Emirati composer Ihab Darwish.
Director and choreographer Anjali Mehra, whose credits include “Jesus Christ Superstar” and "Lord of the Rings,” said: “The Middle East offers so many exciting social and celebratory dances.
“I was inspired by certain steps, foot rhythms, arm movements and stage patterns. With a mixed heritage cast, we were able to combine modern storytelling dance with classical technique and Arabic steps to bring ‘Sinbad the Sailor’ to life,” Mehra added.