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London calling: Saudi cafés and restaurants find footing in UK capital 

London calling: Saudi cafés and restaurants find footing in UK capital 
Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. (Supplied)
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Updated 17 July 2025

London calling: Saudi cafés and restaurants find footing in UK capital 

London calling: Saudi cafés and restaurants find footing in UK capital 
  • A guide to finding a taste of home on your travels  

LONDON: As the number of Saudi expats and visitors in London continues to grow, it’s no surprise that Saudi-owned brands are rising in popularity in the British capital. So, if you’re planning to make the big move — or just visiting — but you’re concerned about feeling homesick, don’t worry; your favorite cafés are coming with you, making your mornings abroad feel a little more like home. 

Somewhere Café 




Somewhere Café has joint Saudi-Emirati ownership. (Supplied)

If you’ve visited Somewhere Café in the UAE or ֱ, then you’re already familiar with its unmatched ambiance, food, and décor. With its first UK outlet, the beloved café — which has joint Saudi-Emirati ownership — has brought its signature “home-away-from-home” experience, along with classic Middle Eastern flavors, to London’s premier department store: Harrods. 

“Inspired by our travels, we invite you to experience a piece of our journey. Much like finding a painting and bringing it home as a memento, Somewhere celebrates the unique from everywhere. The space is elegantly well-travelled, with an eclectic touch, showcasing Middle Eastern influences through craft and curation,” co-founder Amal AlMarri told Arab News. 

If you’re craving something beyond the ordinary, Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. Its most popular items include beef shawarma rice, kunafa croissant, and guacamole hummus. For lunch or dinner, you might try the crispy, golden shrimp kunafa or indulge in the rich truffle and cheese batata harra.  

To complement its bold menu, the café features a warm, dimly lit interior — a cozy and inviting space to relax with friends and family. Before you leave, the dessert menu — featuring a delectable farak French toast or French coffee baklava — deserves an equal amount of attention. 

Hijazi Corner 




At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. (Supplied)

London’s first Saudi restaurant — Hijazi Corner — is a vibrant addition to the city’s dynamic culinary scene. At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. The inspiration behind the restaurant? His mother’s kitchen. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny, and looks amazing — even just talking about it now makes me hungry,” Al-Zubaidi told Arab News last year. “But even if I used the exact same ingredients and followed her method, hers would still taste better.” 

Rooted in tradition, the menu features dishes typically found in Saudi homes — especially Jeddah’s historic Al-Balad district, where Al-Zubaidi grew up. Highlights include chicken seelag, slow-roasted lamb haneeth, and delicate, flaky samboosek. 

In just two years, Hijazi Corner has become one of London’s most sought-after Middle Eastern restaurants — a testament to the deep longing among Saudi expats for authentic flavors from home. 

Qahwah London 




Qahwah London serves a range of traditional desserts such as baklava, kunafa, and basbousa. (Supplied)

For those pining for the traditional, rich, aromatic flavors of Arabic coffee, Qahwah London is exactly what you need, with a wide selection of authentic qahwah options, including a tangy, spiced black coffee or the café’s signature Royal Infusion — a warming blend of cinnamon, cardamom, and ginger. Feeling hungry? Qahwah London also serves a range of traditional desserts such as baklava, kunafa, and basbousa — the perfect pairing for a steaming cup of Arabic coffee. 

Guests can also book private gatherings for friends and family, or host intimate events like weddings or nikkah ceremonies. As part of its private offerings, the café provides a luxurious setting: rooms adorned with gold-plated coffee cups and an eye-catching assortment of traditional sweets — all designed to create a decadent group experience. 

Diwan Kitchen 




Diwan Kitchen captures a key element of Arab culinary culture: its deeply social nature. (Supplied)

Diwan Kitchen is perfect for Saudis in the UK who are craving not only an authentic bite from home, but the feeling of being back in the Kingdom. It captures a key element of Arab culinary culture: its deeply social nature.  

“We wanted to show people what traditional Saudi dining is like” Adem Nasraddin, co-founder of the restaurant, told Arab News on the restaurant’s opening night in May. “There’s a rhythm to Saudi life. A scent, a pace, a flavor. We bottled that feeling and served it on a plate.” 

The menu takes diners on a journey across the Kingdom, from the Hijaz region, with its rich, tangy foul medammas — served in the center of the table with bread for sharing — to Najd, with jareesh, a hearty stew-like dish topped with fresh meat and vegetables. 

Half Million 




½ M Café is on Oxford Street. (Supplied)

Grab a coffee and a quick bite at Half Million Café on Oxford Street, then stroll over to Hyde Park for the perfect London morning. 

As in its original location in ֱ, Half Million in London is committed to delivering a “premium coffee experience.” Whether you’re in the mood for a classic breakfast tea or a vibrant red berry infusion, there’s something to satisfy every craving. And when the sun is out, their iced coffees offer the perfect refreshment. The menu — from cakes and sandwiches to freshly baked pastries — is completely halal. 

If you’re after a bold, decadent brew in a sleek, stylish setting, Half Million Café is the ideal stop. With its modern cup designs and curated aesthetic, it’s a chic addition to London’s café scene. 


Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week
Updated 06 October 2025

Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week

DUBAI: Saudi influencer Nojoud Al-Rumaihi, who is also a fashion consultant, has been spotted at a number of runway shows during Paris Fashion Week.

Al-Rumaihi attended Lebanese couturier Elie Saab’s Spring/Summer 2026 showcase, as well as shows staged by Hermes, Valentino, and Lebanese designer Georges Hobeika.

She has been sharing behind-the-scenes glimpses of her time at fashion week on social media, with insights on her favorite runway looks as well as her own outfits.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Rumaihi shared a series on Instagram Stories about Hermes designer Nadege Vanhee’s latest show in Paris, in which Vanhee sent out a collection of brassiere tops, quilted silk coats and racer-back dresses.

Models marched around the space in tall riding boots, their silky ponytails swishing. They wore sandy-colored shirts, skirts and brassiere ensembles, cinched snugly with leather straps and lacework. Racer backs revealed shoulder blades, while leather bra tops held silk fabric in place, covering the chest, Reuters reported.

The color palette was dominated by muted beige and khaki tones, with a few touches of bright red — a leather trouser set, a handbag and motifs on scarves.

Al-Rumaihi also attended Italian label Valentino’s showcase in Paris, during which creative head Alessandro Michele’s latest collection Fireflies was put on show.

Prim retro silhouettes — bows, ruching, velvet skirts — set a mood at Paris Fashion Week of controlled nostalgia, Associated Press noted.

The high point was a draped gold gown with a feathered white collar, evoking myth and Valentino’s Roman past. A polka-dot shirt, satin skirts split with bright yellow panels, and occasional colorblocking kept the eclectic spirit alive, though without the exuberant force Michele had deployed before.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

That was the story of the show: less spectacle, more editing. Where Michele’s early collections for the house, and his Gucci tenure before that, thrived on sheer overload — tassels, turbans, ruffles, references piled high — here he cut cleaner lines and pared styling back. The result felt more wearable, but also less astonishing.

Valentino’s identity is rooted in beauty and polish. Under founder Valentino Garavani, the house meant jet-set elegance and “Valentino red.” Under designer Pierpaolo Piccioli, it leaned into couture-like refinement. Michele entered with a different tool kit: maximalist nostalgia, gender-fluid styling, and deep archive mining. He has said the job is to “manipulate the past to make it now,” balancing modern maximalism with relevance so the brand does not freeze in time.

For her part, Al-Rumaihi billed it as “a magnificent experiential show” on Instagram, where she shared a video of models traversing a spotlit runway.


Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week
Updated 05 October 2025

Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week

DUBAI: Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week on Saturday, with a pragmatic attitude to glamor evident in the line of blouses and pencil skirts.

Deva Cassel, Monica Bellucci’s daughter, opened the show wearing a khaki pencil skirt and a silk blouse.

And the beaded gowns synonymous with Saab were nowhere in sight. Instead, animal-print silk trench coats, blazers and wide-leg organza denim trousers were the order of the day.

The show was staged at Paris’ Palais de Tokyo. (Getty Images)

“I wanted the collection to speak of a courageous woman,” Saab said backstage, according to Vogue. “Women are born courageous, I know that, but now the world needs them to be more fearless than ever.”

The collection was not without evening-ready glamor, but instead of voluminous ballgowns, printed chiffon was artfully draped in shorter dresses, while belted skirts and lighter-than-air blouses offered options for boardroom-to-restaurant outfits.

Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week. (AFP)

The show was staged at Paris’ Palais de Tokyo and attended by the likes of supermodel Heidi Klum and Saudi influencer Nojoud Al-Rumaihi.

Elsewhere on Saturday, Nadege Vanhee-Cybulski presented her Spring-Summer 2026 collection for Hermes in the barracks of the horse-backed Republican Guard security forces, staying true to the house's equestrian heritage.

“I wanted to bring a much more bohemian touch to horseback riding —- to show that it can also mean letting go, freedom, and a hint of ecstasy,” explained the French designer, who has designed women's collections for the label since 2014.

At Vivienne Westwood, inspiration came from old curtains, explained Austrian designer Andreas Kronthaler as he showed off a colorful new collection at the historic Institut de France that featured fluid, draped dresses and corseted baroque-style silhouettes.

Klum closed the show wearing a white, rhinestone-embellished bustier with a long cape, followed by the designer himself, who appeared with a bouquet of sunflowers so large he could barely carry it.

 


Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders
Updated 04 October 2025

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

DUBAI: Montenegrin Egyptian actress and model Tara Emad has been named among the newest inductees to The Business of Fashion (BoF) 500 Class of 2025, which recognizes individuals shaping the global fashion industry, alongside Saudi designer Ahmed Hassan, co-founder of streetwear label KML.

The BoF 500 is an annual index by the London-based platform The Business of Fashion, founded by Imran Amed, that celebrates designers, creatives, models, executives and entrepreneurs redefining the global fashion landscape. Each year, 100 new members are selected based on their impact, industry nominations and extensive editorial research.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Emad, who serves as a Cartier ambassador, is best known for her roles in the recently released Arabic action-comedy “Darwish,” the Arabic adaptation of “Suits,” Netflix’s family drama “Catalog,” and the film “Siko Niko.”

A fixture on red carpets across the region, she has become one of the Arab world’s most recognizable faces, championing regional designers while maintaining a strong international presence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, Hassan’s inclusion reflects the continued rise of ֱ’s creative scene and its expanding presence in the global fashion industry.

As co-founder of KML — known for its bold streetwear aesthetic infused with local cultural influences — Hassan, together with his brother and business partner Razan, has helped to bring Saudi design to the international stage.

In 2022, the brand was a semifinalist for the prestigious LVMH Prize — an annual award for young fashion designers run by the eponymous fashion conglomerate.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Fashion Commission also recognized their potential, providing support that led to KML showcasing its collections at fashion weeks in Paris, Riyadh and Milan.

“Paris was a wonderful experience,” Ahmed previously told Arab News. “People found our clothes rebellious — especially the skirts for men. But it was rebellious to wear pants in ֱ 200 years ago! Men everywhere here wore skirts — there were different names for them.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This year’s BoF 500 Class of 2025 includes 100 new names from 30 countries, spanning 40 nationalities. Among the inductees are musicians Kendrick Lamar and Tems, designers Giambattista Valli and Michael Rider, and models Hailey Bieber and Mamour Majang.

Past Arab members of the BoF 500 include Saudi couturier Mohammed Ashi, founder of Ashi Studio, who became the first designer from the Kingdom to join the index in 2023.


Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 
Updated 03 October 2025

Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 

DUBAI: Puerto Rican star Bad Bunny this week spoke about the global reach of his songs, highlighting how deeply moved he feels by listeners in Palestine embracing his work.

Speaking in an interview with Billboard Arabia, the Grammy-winning artist reflected on the response to his track “DtMF.”

“It’s really beautiful to see so many people from Latin America connecting with that song, people from Palestine connecting with that song, people from all over the world connecting with that song,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

He explained that the impact extended to his other personal works. “And not only with that one but also with ‘DeVita’ and ‘Dalma Fotos,’ songs where I mention San Juan, songs where I mention places only from here, from Puerto Rico, where I mention my grandfather … Personal songs that people identify with,” he added.

Bad Bunny reflected on what this connection means for him as an artist. “That’s where you see that music is about that, and art in general is about being real, about being honest, and about people being able to identify with what you feel, because through those songs they see that there is no difference between them and me.”

الحمدلله FOR A CEASEFIRE!!! Inshallah I can go again

“DtMF” — short for “Debi Tirar Mas Fotos” (“I should’ve taken more photos”) — went viral in Palestine, with people sharing before-and-after pictures of destruction from the war with Israel.

In the song, Bad Bunny looks back on moments he wishes he had captured, weaving in references to Puerto Rico, his grandfather and local musical styles such as bomba and plena. 

While he dwells on regret, he also emphasizes the importance of cherishing what remains, valuing connections, and honoring one’s roots and memories.


Inside Ithra’s ‘Horizon in Their Hands’ exhibition  

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  
Updated 05 October 2025

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  
  • Overlooked stories of pioneering Arab women come to light in new show 

DHAHRAN: There’s a new exhibition in town. Some of the artists you know, and some you don’t — which is exactly the point. 

The works of more than four dozen pioneering women from across the Arab world are on display — some for the first time ever — in “Horizon in Their Hands: Women Artists from the Arab World (’60s–’80s),” which opened Sept. 18 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran and runs until Feb. 14. The show contains 70 works by artists from 13 countries. 

Fatima Hassan Assiri, ‘Untitled.’ (Courtesy of Jameelah Assiri)

“The idea behind the title was to give back agency to a generation of women who have been overlooked,” the show’s curator, Rémi Homs, tells Arab News. “We also wanted to see this relationship between arts and craft as a horizon for further research. And we wanted to have this idea of hands — something handmade.” 

The exhibition is a collaboration between Ithra and Barjeel, a UAE-based foundation established by Sultan Sooud Al-Qassemi in 2010. Of the 50 artists featured, four are from ֱ: Mona Al-Munajjed, Fatima Hassan Assiri, Mounirah Mosly, and Safeya Binzagr, regarded as the mother of Saudi modern art. Both Al-Munajjed and Binzagr are the subjects of an “In Focus” section of the show, along with the late Tunisian artist Safia Farhat, and the Wissa Wassef Art Center in Egypt, which preserves hand-weaving traditions. 

 Mona Al-Munajjed, ‘Dreams Come True in Saudi,’ 2022 - Batik on silk. (Courtesy of the artist)

Al-Munajjed’s works, including “Traditional Saudi Door” and “Minaret of Mosque” — both from the mid-Eighties — weave together personal memory and collective history, capturing intimate domestic scenes and broader social narratives of Jeddah. Using the fiery batik dyeing technique, she blends vibrant colors and subtle textures, creating visual stories that feel both deeply personal and historically resonant. 

Assiri, the mother of renowned artists Ahmed and Jamila Mater, showcases an untitled acrylic-on-wood panel piece — a complex composition that intertwines colors and motifs, employing the feminist-centric traditional Saudi art form, Al-Qatt Al-Asiri — which women historically used to decorate their homes with specific shapes, colors, and markings, and is listed on UNESCO’s Intangible Cultural Heritage of Humanity. 

Nadia Mohamed, ‘Palms and Fields,’ 2021 - Tapestry. (Courtesy of Barjeel Art Foundation Collection, Sharjah)

“The Young Woman,” by Mosly, exemplifies the late artist’s ability to blend portraiture with broader social and cultural themes, while Binzagr’s lithography etchings, intimate and bold, captured the spirit of Saudi life, blending figurative storytelling with a modernist sensibility that continues to resonate. Her 1980 work “Desert Ship,” depicting camels in front of a tent, is particularly striking. 

The show is split into thematic sections, including “Depicting a Rapid Modernization,” “Alternative Pathways: Self-Taught Artists,” “Revisiting Islamic Art Legacies,” “New Media Experimentation,” “Reclaiming Local Craft Practices,” and “Al-Qatt Al-Asiri.” 

Many of the works carry partial or unknown histories. Homs cites a brass piece by Egyptian artist Atyat El-Ahwal (1989), initially listed only by name and date.  

“We basically had no information about her,” he says. “We included her work because we wanted to focus not just on the more well-known names,” he said. Further research — and input from visitors and experts — helped uncover her full name, dates of birth and death (1919–2012), and even a video likely recorded in the 1970s found on YouTube, all allowing her work to be contextualized in a broader history.  

Everyday materials appear in surprising ways — transformed into abstract compositions, for example — and embroidery is reimagined as narrative painting. Henna recurs across many works; Homs highlighted Emirati pioneer Najat Makki, saying: “Henna was an accessible part of everyday life.”  

He praises the artists’ innovative and creative use of available materials. “Something that you cannot see in history books from the West, but it’s something very important and, in my opinion, very groundbreaking,” he says. 

And Homs is hopeful that the exhibition will lead to further revelations of artworks by women in the Arab world. 

“Yes, we are seeing 70 different works by 50 different artists—22 of whom are still alive,” he says. “But it’s the tip of the iceberg. I’d say that we are seeing maybe the first 5 percent of artists we need to discover.”