ֱ

Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 

Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 
Maryam Tariq recently completed a stint at the Artist Inn Residency in Ubud, Bali. (Supplied)
Short Url
Updated 15 May 2025

Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 

Saudi digital artist Maryam Tariq: ‘Art became a way to communicate with the world’ 

DUBAI: Against a black background, parts of a face emerge: a chin, followed by lips, ears and eyes — at times alone and at others in unison — colored in yellow, light pink and purple, accompanied by what appear to be lines of TV static in the same colors.  

This digital work, “Memory Recall,” is the latest creation of Jeddah-based Saudi artist Maryam Tariq, which she presented in the digital section of Art Dubai in April, at the booth of Jeddah’s Hafez Gallery. Over the past five years, Tariq, who was born and raised in Yanbu, has made a name for herself with her mixed-media artworks, often utilizing light and 3D projection mapping. 




This digital work, “Memory Recall,” is the latest creation of Jeddah-based Saudi artist Maryam Tariq. (Supplied)

“Memory Recall” creates an alluring, dream-like environment. Tariq says it references human perception just after birth. The work was influenced by philosophical theories about early human development, particularly those of German psychoanalyst Erich Neumann.  

“I wanted to bring back the faded memory of when we were first born and our consciousness was still forming,” she tells Arab News. “It’s an abstract memory because our brain is still trying to make sense of the world; it doesn’t know the difference between an eye or an apple. 

“I feel the artwork represents a good place — a place where our ego hasn’t yet been formed,” she continues. “It’s a good place to try and be in from time to time.”  

The work offers a sense of what she calls “mystical participation,” referring to the period where a newborn has yet to identify themselves as an individual and is trying to make sense of the world around them. By prompting the viewer to delve back into such a state through the work’s dynamic interplay of light and shadows heightened with color, Tariq strives to remove the sense of “I” that dominates our collective experience.  

Tariq’s interest in creating art came early in life, she says, inspired by her father. 

“My father is an engineer and also an artist, but it’s more of a hobby for him,” she tells Arab News. As a child she would watch him sketch and paint and wanted to do the same.  




Her work largely focuses on exploring sacred geometry and the spiritual principles that shape nature, resulting in surreal works bridging the realm of digital and traditional art. (Supplied) 

“It was our way to spend time together. As a child I wasn’t especially talkative or social and art became a way for me to communicate with the world, my friends and family,” she explains. 

Tariq studied animation at Effat University in Jeddah, and earned her diploma in visual and digital production, which she describes as being similar to filmmaking, as it has a strong focus on storytelling. 

Since then, her work has largely focused on exploring sacred geometry and the spiritual principles that shape nature, resulting in surreal works bridging the realm of digital and traditional art. 

In 2020 she launched The Golden Ratio, her own media art agency, which has since produced immersive visual experiences for music festivals and concerts alongside DJs and producers across the Gulf region and Europe.  

Her first solo exhibition, “Remembering the Future,” took place at Hafez Gallery in Jeddah in 2021, and was followed by her inclusion in the 2022 exhibition “Re-appearing Imaginaries” at the Misk Art Institute in Riyadh as well as in Noor Riyadh that same year. In 2023, she showed her work at the Sharjah Islamic Arts Festival and in 2024 she was part of the Noise Media Art fair in Vienna, Austria.  

Tariq recently completed a stint at the Artist Inn Residency in Ubud, Bali, which prompted her to embrace nature and traditional art forms while also distancing herself a little from the tech that dominates daily life.  

“I feel sometimes I get exhausted from using too much technology and feel like just going back to nature and using my hands. So that’s what I did,” she says. “I learned how to sculpt. And after I took it into the digital world. It was a nice experience to mix both. 

“I feel drawn to the digital realm because it’s fun and you can do so much with it; you can go wild with your imagination,” she continues. “But I also feel more involved with traditional (art). While technology is always being updated — always growing with new things to do and explore — I also love the traditional. I feel, sometimes, the need to strike a balance between both.” 

Through her art, Tariq hopes to offer her viewers an experience of escape, contemplation and possibly a shift in perception. 

“I want to take them to this place where they are calm and are just a baby again, experiencing the world for the first time to make sense of things,” she says of “Memory Recall.” “It’s an experience where color is new, and everything is new. I want to offer this perspective of looking at the world with pure eyes.” 


Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 
Updated 28 October 2025

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

RIYADH: On Oct. 27 at the Global Health Exhibition in Riyadh, the Jameel Arts & Health Lab, in collaboration with the World Health Organization, unveiled the regional launch of its photo essay showcasing how the arts “can support health and wellbeing across cultures, with a focus on underserved communities.”  

The photo essay — on display at the Riyadh Exhibition & Convention Center until Oct. 30 — is the first part of the Jameel Arts & Health Lab-Lancet Global Series on the Health Benefits of the Arts, billed in a press release as “a landmark international collaboration that will culminate in a full academic series published by The Lancet in early 2026” and based on a 2019 WHO report “highlighting the role of the arts in promoting health, preventing illness and supporting the management and treatment of a variety of health conditions from infancy to old age.”  

The series was led by Prof. Nisha Sajnani (co-director at the Jameel Arts & Health Lab and director of Drama Therapy and Arts and Health at NYU Steinhardt), Dr. Nils Fietje (co-director at the lab and technical officer at the World Health Organization Regional Office for Europe) and Stephen Stapleton (a founding co-director of the lab).  

“The arts and health fields have their own language and their own protocols, which often acts as barriers for collaboration,” Stapleton says in the press release. “With this series we aimed to break down those barriers by finding a common language accessible to professionals from both disciplines.” 

Here, we showcase a few of the 30 images comprising the photo essay.  

‘Clown Me In’ 

This image shows a clowning workshop at a refugee camp in Turkiye, led by Sabine Choucair, co-founder of the Lebanon-based association Clown Me In, as part of a project to support communities affected by the 2023 Turkiye-Syria earthquakes, which displaced around 3 million people. A statement from the photo essay curatorial team, led by Stephen Stapleton, explains: “An all-female team reached over 3,400 people across Hatay, Kahramanmaraş, and Islahiye in just 10 days. Drawing on art therapy, theatre, and storytelling, the initiative demonstrated how creative interventions can foster emotional relief, social connection, and hope among displaced and vulnerable populations.”  

(Photo courtesy: Evelina Rönnbäck/ Clowns Without Borders and Clown Me In)

‘Giving Blood at the Museum’ 

Since 2021, when this photo was taken, the Orléans Museum of Fine Arts in France has hosted monthly blood drives, “transforming the act of donation into a culturally enriching experience,” according to the curatorial team’s statement. “In the Old Masters gallery, medical equipment is placed among paintings, creating a calm and inspiring setting. Donors receive art-themed prompts to encourage reflection and relaxation. This innovative approach … has successfully increased participation, with all appointment slots consistently filled since the program’s launch.” 

(Photo courtesy: Musée des Beaux-Arts d'Orléans )

‘C&Բ;𲹰’&Բ;

The Camps Breakerz Crew offers breakdance workshops across Gaza’s refugee camps and schools. The workshop in this image took place in 2023. “Founded by Mohamed Ghraiz and Ahmed Alghariz, who grew up in Gaza, the program uses hip-hop culture to support mental health, build community, and create moments of joy. Reaching over 300 children annually, it provides a safe space for expression and connection (and) helps reduce stress, depression, and post-traumatic symptoms through dance,” the statement says. 

(Photo courtesy: Ahmed Alghariz/Camps Breakerz )

‘Movement is Thy Mantra’ 

In “Still Dancing,” first performed in Dubai in 2019 (as seen in photo), Dr. Vonita Singh and caregivers guide people with Parkinson’s disease through Kathak dance moves. The show was “conceptualized by Dr. Singh and directed by Sanjeev Dixit of Third Half Theater.” Singh, the founder of Movement Mantra “uses mindful movement to help maintain motor and emotional health,” inspired by her father’s experience with Parkinson’s. “Still Dancing” has been performed in the UAE and India and “demonstrates how classical Indian dance can empower people with Parkinson’s and improve quality of life,” the statement says. 

(Photo courtesy: Vonita Singh)

‘A Dying Wish’ 

Former ambulance driver Kees Veldboer established the Stichting Ambulance Wens Nederland (Netherlands Ambulance Wish Foundation) in 2007 in order to offer the terminally ill “moments of joy in their last days by creating opportunities for them to fulfil their final wishes,” according to the statement. “The program echoes the learning of palliative care programs that integrate psychological and spiritual care alongside pain and symptom relief. This initiative points to a broader approach to the role of museums and their contributions to societal health and wellbeing.” To date, more than 270 medically trained volunteers have helped fulfil the wishes of around 24,000 people.  

(Photo courtesy: Roel Foppen for Stichting Ambulance Wens)

‘Song and Soft Embrace’ 

This image was taken at the Cluj Cultural Center in Romania and shows a group of mothers who participated in a 10-week singing program “designed to support women experiencing postpartum depression.” The initiative was based on research from the Center for Performance Science and was developed by Breathe Arts Health Research. The statement explains: “The (program) demonstrated music’s potential to ease postpartum depression symptoms and explored how this clinically proven approach could be adapted across diverse cultural and healthcare settings.” 

(Photo courtesy: Ioana Ofelia/Cluj Cultural Centre)

‘Tehachapi, The Yard’ 

Tehachapi is a level 4 maximum security prison in California. The US-based artist JR and his team photographed some of the prisoners from above. “Each participant was then given the chance to record their story. No specific questions were asked; they had the freedom to express themselves openly and candidly. JR also photographed formerly incarcerated individuals and prison staff, collecting a total of 48 portraits and stories from the prison system,” the statement explains. These images were then pasted onto the ground in the prison’s yard, to create a large-scale installation only clearly discernible from the air, showing former and current prisoners, prison staff, and people who had been victims of crime standing shoulder-to-shoulder. “This naturally ephemeral installation disappeared in 3 days under the footsteps of the prison's population. The project showed the powerful role art can have within a prison context where anxiety, depression, and other mental health issues often go unacknowledged and unaddressed.” 

(Photo courtesy: JR Studio)

 


The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks
Updated 28 October 2025

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

DUBAI: Amina Debbiche, co-founder of The Open Crate, a private boutique art consultancy based in Dubai, recently shared with Arab News her top picks from the Art Basel fair in Paris.

Art Basel Paris 2025 featured 206 galleries from 41 countries, with a strong focus on both established and new participants.

The event, which wrapped up on Sunday, featured galleries from the Middle East, including Marfa’ Projects (Beirut), ATHR Gallery (Jeddah), and Selma Feriani Gallery (Tunis/London).

Christine Safa’s ‘Deux maisons, ciel azurite’ (‘Two houses, Azurite sky’)

“At Galerie Lelong, Christine Safa’s ‘Deux maisons, ciel azurite’ (2025) presented a serene reflection on memory and place. In her signature palette of deep reds and blues, Safa conjured two houses that exist in a space between abstraction and recollection.

“The structures feel less architectural and more emotional, evoking a sense of warmth and nostalgia. The subtle layering of oil paint captured the Mediterranean light, while the composition, restrained yet profound, created a feeling of both distance and belonging.

“A work of quiet contemplation, it merged landscape and dreamscape, where color spoke as a language of intimacy and return. In 2024, Safa was awarded the 13th Jean Francois Prat Prize.”

Hayv Kahraman’s ‘Push Pull Ghost Fires’

“Hayv Kahraman’s oil and acrylic work on line, exhibited at Jack Shainman Gallery, explored themes of fragmentation and renewal through the figure of a woman poised yet dissolving.

“Her body, rendered in Kahraman’s signature mix of oil and acrylic, holds a sacred yet spectral presence, with her patterned dress referencing inherited identity.

“Ghostly tendrils veil her face, evoking both erasure and emergence. The work balances lyricism with defiance, offering a powerful meditation on memory, displacement, and the human condition.”

Idris Khan’s ‘The answer steps soundless’

“At Victoria Miro gallery, Idris Khan’s oil-based ink-on-gesso-on-aluminum piece unfolded as a meditative exploration of time and accumulation.

“The layers of oil-based ink on gessoed aluminum created a quiet rhythm, deep blues hum with both restraint and expansiveness. In Khan’s work, repetition transcends the visual, turning texture and gesture into atmospheric meditation.

“The piece speaks not through color but through absence, a monumental silence filled with devotion, memory, and the unseen.”

Amedeo Modigliani’s ‘Jeune fille aux macarons’

“Amedeo Modigliani’s ‘Jeune fille aux macarons’ (1918), exhibited at Pace Gallery, exudes a quiet elegance. With its elongated neck and mask-like face, the portrait strikes a balance between serenity and melancholy.

“Against a muted blue background, the copper tones of the figure pulse with inner light, transforming stillness into a palpable presence. Modigliani’s figure is both ethereal and earthly, a poignant icon of longing and fragility.”

Olafur Eliasson’s ‘Pluralistic vision’

“Olafur Eliasson’s ‘Pluralistic vision’ (2025), exhibited at neugerriemschneider, transformed perception into architecture.

“The installation of partially-silvered glass spheres and stainless steel, fractured and multiplied the viewer’s reflection, creating an optical field where seeing itself became a shared, shifting experience.

“As with much of Eliasson’s work, the piece invites active participation, exploring multiplicity, perspective, and the politics of observation.”

Anas Albraehe’s ‘Dreamers’

“Anas Albraehe’s ‘Dreamers’ (2025), exhibited at Mor Charpentier, offers intimate portraits of men in slumber, workers and refugees momentarily detached from the weight of their realities.

“Albraehe’s rich brushwork and radiant color transform sleep into a tender form of resistance. In this work, rest becomes a sanctuary, a fleeting space of dignity, safety, and renewal, where vulnerability turns into light.

Kader Attia’s ‘Untitled’ triptych

“Kader Attia’s work, exhibited at Mor Charpentier, is a luminous exploration of repair; intellectual, cultural, and spiritual.

“Mirrors, fragments, and sculptural juxtapositions form a dialogue between Western modernism and the non-Western influences that shaped it.

“As Attia writes in a show catalogue: ‘Reparation is a never-ending process of intellectual, cultural, and political readjustment.’ The work challenges the viewer’s reflection, revealing that fragmentation can be an act of healing.

“It is both critique and offering, inviting repair through vision.”

Ewa Juszkiewicz’s ‘Gloriosa’

“Ewa Juszkiewicz’s ‘Gloriosa’ (2025), shown at Almine Rech, reimagines the classical portrait by challenging ideas of concealment and transformation.

“The figure’s obscured face, enveloped in painterly textures and folds, subverts ideals of beauty and authorship. Juszkiewicz’s meticulous technique channels European portraiture while quietly deconstructing it, turning anonymity into power.

“‘Gloriosa’ offers a subversive portrait, not of a subject, but of the possibility of reinvention.”

Jack Pierson’s ‘Lone Wolf’

“Jack Pierson’s ‘Lone Wolf’ (2020), exhibited at Regen Projects, distilled solitude into form and material.

“Constructed from salvaged metal and wood letters, the work evokes the rugged poetry of the American road. The phrase, stark and cinematic, hovers between defiance and vulnerability.

“As with much of Pierson’s practice, words here become portraits, fragments of longing and identity, capturing the quiet heroism of solitude.”

Hassan Sharif’s ‘Untitled’

“Hassan Sharif’s ‘Untitled’ (2008), exhibited at Galleria Franco Noero, is a vibrant exploration of perception and form.

“The bold oil strokes across the canvas create a dynamic interplay of chaos and order, with fragmented objects and contrasting colors, earthy tones clashing with brighter hues.

“Sharif’s expressive, abstract approach strips away traditional representation, leaving raw brushwork and energy. This work captures a tension between control and release, offering a meditative yet dynamic encounter with the canvas.”


Radiohead’s Thom Yorke says he would not now play in Israel

Radiohead’s Thom Yorke says he would not now play in Israel
Updated 27 October 2025

Radiohead’s Thom Yorke says he would not now play in Israel

Radiohead’s Thom Yorke says he would not now play in Israel
  • Band begin their first tour in 7 years next month in Europe

LONDON: Radiohead frontman Thom Yorke has said in a British newspaper interview he would not now perform in Israel, eight years after the band defied pro-Palestinian activists to play a Tel Aviv gig. “Absolutely not. I wouldn’t want to be 5,000 miles anywhere near the Netanyahu regime,” he told The Sunday Times Magazine, referring to Prime Minister Benjamin Netanyahu’s government.

The interview with members of the British band — whose UK No. 1 albums include “OK Computer” and “Kid A” — took place before this month’s ceasefire agreement between Israel and Hamas.

The band begin their first tour in seven years next month, playing 20 shows in five European cities.

Radiohead's 2016-2018 “A Moon Shaped Pool” world tour ignited a backlash when the group performed in Tel Aviv despite boycott calls.

Yorke hinted at some regret over the decision in the new interview, saying he was “horrified” when a “clearly connected high up” Israeli came to their hotel to thank them for playing.

The issue has dogged the band and its members at other points. Yorke briefly walked offstage during a solo gig in Australia last year after a pro-Palestinian heckler shouted “How many dead children will it take for you to condemn the genocide in Gaza?”

The frontman released a statement in May saying the incident left him “in shock that my supposed silence was somehow being taken as complicity.”

Radiohead bandmate Jonny Greenwood is married to an Israeli artist and has faced sustained criticism from boycott advocates for his long-time collaboration with Israel-born rock musician Dudu Tassa.

The Radiohead guitarist told the magazine he spent a lot of time in Israel with family and was “not ashamed of working with Arab and Jewish musicians.”
 


Princess Rajwa stuns at parliament opening

Princess Rajwa stuns at parliament opening
Updated 27 October 2025

Princess Rajwa stuns at parliament opening

Princess Rajwa stuns at parliament opening

DUBAI: The stylish Princess Rajwa Al-Hussein had her daughter on her mind at the inauguration of Jordan’s 20th parliament’s second ordinary session led by King Abdullah on Sunday.

The ֱ-born princess wore a grey twill midi dress from Self Portrait, a London-based ready-to-wear label that was launched in 2013 by Han Chong.

Princess Rajwa complemented her look with a custom bag by Jordanian brand By Sireen, which had her daughter Princess Iman’s name on it in Arabic. (Instagram)

She complemented the look with a custom bag by Jordanian brand By Sireen, which had her daughter Princess Iman’s name on it in Arabic. The ensemble came together with black leather slingback pumps from YSL.

Also in attendance was Queen Rania, who shared pictures of herself alongside King Abdullah and Crown Prince Hussein bin Abdullah on Instagram.

She was dressed in a full-length, sky-blue silk-shirt dress by Italian luxury label Valentino. She completed the look with blue suede pumps by Jennifer Chamandi and a bag from Fendi.

She was joined by Princess Salma, who opted for an all-black look with midi dress by London brand Me+Em.

In his speech, King Abdullah reaffirmed Jordan’s support for Palestinians in the Occupied Territories.

“Today, we stand witness to the tragedy endured by our brothers and sisters in Gaza, who continue to persevere. To them we say: we stand with you as brothers, supporting you with all that we can.”

He also spoke about developing Jordan’s education, health care and transport sectors, and plans for megaprojects, investment attraction and job creation.


British Airways pauses Louis Theroux podcast sponsorship after Bob Vylan interview

British Airways pauses Louis Theroux podcast sponsorship after Bob Vylan interview
Updated 26 October 2025

British Airways pauses Louis Theroux podcast sponsorship after Bob Vylan interview

British Airways pauses Louis Theroux podcast sponsorship after Bob Vylan interview
  • Interviewer spoke to band member about Glastonbury performance including ‘death to the IDF’ chant
  • Producer: ‘Louis is a journalist with a long history of speaking to controversial figures who may divide opinion’

LONDON: Louis Theroux’s podcast has had its sponsorship by British Airways paused after the documentary maker interviewed a member of the band Bob Vylan. 

During the interview, frontman Bobby Vylan said he does not regret prompting criticism earlier this year when he led an audience in a chant of “death, death to the IDF (Israel Defense Forces)” at Glastonbury music festival.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“I’m not regretful of it. I’d do it again tomorrow, twice on Sundays. I’m not regretful of it at all, like the subsequent backlash that I’ve faced. It’s minimal,” Vylan said in the podcast, released on Oct. 1.

“It’s minimal compared to what people in Palestine are going through … What’s there to regret? Oh, because I’ve upset some right-wing politician or some right-wing media?”

BA said its adverts had been removed from the podcast, adding: “The content clearly breaches our sponsorship policy in relation to politically sensitive or controversial subject matters.

“We and our third-party media agency have processes in place to ensure these issues don’t occur and we’re investigating how this happened.”

A spokesperson for Mindhouse Productions, which produces the podcast, told Sky News: “Louis is a journalist with a long history of speaking to controversial figures who may divide opinion.

“We would suggest people watch or listen to the interview in its entirety to get the full context of the conversation.”

Commercial success has followed the Glastonbury controversy, with the band’s album “Humble as the Sun” reaching the top spot on the UK’s hip hop and R&B album chart.