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Conversations under the tree: Saudi community space encourages discussions on environment

Special Conversations under the tree: Saudi community space encourages discussions on environment
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Co-founders of AEON Collective Princess Noura bint Turki and Princess Mashael Al-Shalan. (AN Photo/Loai Elkelawy)
Special Conversations under the tree: Saudi community space encourages discussions on environment
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The tree library is not only an area for dialogue, but also a garden where people can enjoy conversation while surrounded by nature. (AN Photo/Loai Elkelawy)
Special Conversations under the tree: Saudi community space encourages discussions on environment
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The tree library is not only an area for dialogue, but also a garden where people can enjoy conversation while surrounded by nature. (AN Photo/Loai Elkelawy)
Special Conversations under the tree: Saudi community space encourages discussions on environment
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The tree library is not only an area for dialogue, but also a garden where people can enjoy conversation while surrounded by nature. (AN Photo/Loai Elkelawy)
Special Conversations under the tree: Saudi community space encourages discussions on environment
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The tree library is not only an area for dialogue, but also a garden where people can enjoy conversation while surrounded by nature. (AN Photo/Loai Elkelawy)
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Updated 26 April 2025

Conversations under the tree: Saudi community space encourages discussions on environment

Conversations under the tree: Saudi community space encourages discussions on environment
  • Riyadh venture part of wider network with sites around world  

RIYADH: A Saudi nonprofit organization has created a “tree library” in Riyadh, which aims to educate the public while providing a community space for environmental discussions.

AEON Collective’s initiative is raising awareness of environmental topics through organized discussions and offering opportunities for knowledge exchange.

Princess Mashael Al-Shalan, co-founder of AEON Collective, told Arab News: “We have a firm belief that if we are trying to tackle a lot of these issues we’re talking about in our day-to-day operations — climate change, energy security, biodiversity loss, land degradation — as we heard in Saudi last year, you need to have a way of talking truly about the complexity of these issues.”

The tree library was developed during the COVID-19 lockdowns, when in-person meetings were restricted.

Princess Al-Shalan added: “We needed to find some way to make it a bit safer for people to congregate again in person, to have some of these difficult conversations and do them in a way that was consistent, of delivering on actionable dialogs, not necessarily just conversation for its (own) sake.”

The tree library is not only an area for dialogue, but also a garden where people can enjoy conversation while surrounded by nature.

Co-founder Princess Noura bint Turki compared it to a majlis, or traditional gathering.

She added: “They’re just respectful interactions and exchanges of ideas which then, even if you have a problem, you end up solving this problem or finding solutions. That is a win-win for everyone.”

The tree library is now growing and has become a haven for all types of environmental health and well-being activities.

Princess Noura explained that health and wellness were essential to creating a healthy community.

She said: “We provide them with the space, they have these conversations together, they work out or they do some healing practices and exercises, but at the same time they reflect on the space where they feel connected to nature and they start thinking about sustainability issues.

“They can have conversations around sustainability, around challenges that we’re facing, and come up with solutions. That way you get people from various backgrounds, various interests, to talk about subjects, to speak to them at the individual level. That’s how you create a community.”

AEON Collective has created a number of tree libraries around the world, including in Italy, Kuwait, Jamaica, Liberia, and the US.

Princess Al-Shalan described how these interconnected libraries were a representation of the underground mycelium networks that trees use to communicate.

She said: “(This) romantic paradigm is something that we’re trying to replicate in the physical and digital realm with these locations of the tree library, so that the notion of a system coming to the aid of its weakest constituents in a specific way is how we’re trying to address it.”

Although interconnected, each tree library is designed to serve its own local community.

Princess Al-Shalan said: “The priorities of each of those different jurisdictions are most definitely different from those in Riyadh.

“So while, for example, Failaka Island used to be the food basket of Kuwait prior to the First Gulf War, after it a lot of the land there was no longer productive.

“The return of those lands to something that’s a bit more productive as a vehicle for food security for Kuwait is immensely important.”

The co-founders of AEON Collective speak of how collaborative discussions often lead to stronger advocacy efforts and policy changes, with open communication empowering people to take action and promote a sustainable future for the planet.

Princess Noura said: “The whole idea is you want to inspire a new generation of support, and the way you inspire a new generation is by showing them through action.

“If we can work with people from our generation or our younger generation to showcase the positive impacts that can happen through an individual and at a community level, when it comes to environmental conservation, human well-being, then you are charting a way for the new generations and the upcoming generations to really have urgency moving forward.

“We hope that everyone feels that this is a space for them, where they can come and learn and contribute and also educate others, because that’s how we learn from each other and create stronger communities.”


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025

Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.” 

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of ֱ’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (ֱ), Abdelrahman Elshahed (ֱ), Ahmad Angawi (ֱ), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (ֱ), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (ֱ), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (ֱ), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (ֱ), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (ֱ), Monira Al-Qadiri (Kuwait), Muhannad Shono (ֱ), n + n Corsino (France), Nebras Aljoaib (ֱ), Obaid Alsafi (ֱ), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (ֱ), Saeed Gebaan (ֱ), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (ֱ).