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Is the BBC biased in its Gaza-Israel coverage?

Analysis Is the BBC biased in its Gaza-Israel coverage?
BBC documentary, “Gaza: How to Survive a Warzone,” was withdrawn after backlash that it centred on a boy called Abdullah who is the son of Hamas's deputy minister of agriculture. (File/BBC)
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Updated 11 March 2025

Is the BBC biased in its Gaza-Israel coverage?

Is the BBC biased in its Gaza-Israel coverage?
  • BBC’s critics say removal of documentary reflects pro-Israel biased coverage since the war’s onset
  • Academics and media professionals warn that censorship amplifies Palestinian dehumanization

DUBAI: The BBC’s decision to remove its documentary on Gaza has reignited public debate over the broadcaster’s pro-Israel bias in its coverage of the latest war and sparked concerns over the influence of the pro-Israel lobby on western media’s impartiality.

Last week, the broadcaster faced backlash from pro-Israel advocates, prominent Jewish media figures, and Israeli representatives in the UK government when it emerged that Abdullah Al-Yazouri, the 14-year-old main narrator in the BBC Two documentary, “Gaza: How to Survive a Warzone,” was the son of Ayman Al-Yazouri, a deputy agriculture minister who worked for the Hamas-run government.

After withdrawing the documentary from its iPlayer service, the BBC was once again criticized by academics, public figures and TV personalities who argued that the channel should have maintained its journalistic impartiality and independence.

The channel’s critics said the removal of the documentary, which provides the rare perspective of a child on the devastating consequences of the war on Gaza, reflected the BBC’s pro-Israel biased coverage since the war began, further deepening the dehumanization of Palestinians and marginalizing their voices.

“The BBC should not have succumbed to pressure from pro-Israeli groups and the British government, who should not have intervened,” Chris Doyle, director of the Council for Arab British Understanding, told Arab News.

“What is extraordinary is the vast gap between how this documentary was maliciously depicted as being Hamas propaganda and the reality of the film itself, which is a child’s eye view of life in war-torn Gaza that does not get into politics but is a very human story of how Palestinian children survived day-to-day,” noted Doyle.




Palestinian children play amidst the rubble in Jabalia in the northern Gaza Strip. (File/AFP)

The documentary, filmed over nine months in the run-up to January’s ceasefire deal, features three children among the main characters navigating their lives amid bombings and vast destruction caused by the war on Gaza.

The boy’s family connection with the Hamas-run government employee drew the interference of UK Secretary of Culture Lisa Nandy, who said she expressed “deep concerns” during a meeting with the BBC’s Director-General Tim Davie and urged the channel to report “what happened and who knew what when.”

After conducting an investigation, the BBC issued an apology on Thursday for “serious flaws” in the making of the documentary. 

It said it has “no plans” to broadcast it again in its current form, despite the pleas of 500 media professionals and filmmakers, including Gary Lineker and Juliet Stevenson, for the channel to reinstate the documentary, calling it an “essential piece of journalism” that “amplifies voices so often silenced.”

Warning of “racist assumptions,” they said: “Weaponizing family associations to discredit a child’s testimony is both unethical and dangerous.”

Doyle urged the BBC to review its decision “in a very independent fashion free from external interference.”

He said the broadcaster’s action renders work that “humanizes Palestinians and treats Palestinian children as human beings with rights with aspirations, with hopes, with fears” as “illegitimate.”

It also endorses a dominant narrative that militarizes Palestinians and associates them with armed groups, according to the BBC’s critics.

Loreley Hahn-Herrera, lecturer in global media and digital cultures at SOAS University of London, said condemning the documentary as influenced by Hamas does not consider that anyone who works in the government is not necessarily a member of its armed wing.

Hamas is classified as a terrorist organization in the UK, US and Europe.

“Ayman Al-Yazouri is a mid-level bureaucrat who was educated in the UK. I don’t think it is fair to make children guilty by association, which further feeds into the narrative of linking all Palestinians in Gaza to Hamas and criminalizing Palestinian men and stripping them away from their civilian status,” Hahn-Herrera told Arab News.

The first five minutes of the documentary depict Palestinians condemning Hamas and its late leader Yahya Sinwar as they run away from the bombings.




Men and children ride in the back of a tricycle cart along the Wadi Gaza bridge along al-Rashid street across between Gaza City and Nuseirat in the central Gaza Strip. (File/AFP)

“The documentary shows kids traumatized by war and actively denouncing Hamas. This challenges the ongoing discourse coming from within Israel and its supporters in the West that associates everyone in Gaza with Hamas and, therefore, makes them targeted terrorists,” Hahn-Herrera said.

She added: “Of the very few political statements that were made throughout the documentary, they were all against Hamas.”

More seriously, Hahn-Herrera noted, the BBC succumbing to pro-Israeli pressure interferes with its credibility as the independent institution it claims to be and challenges its notion of autonomy from the government, which it wants the public to believe.

When reached out to by Arab News for comment, a BBC spokesperson pointed to the channel’s Friday statement indicating that an investigation is ongoing.

The BBC, among other Western outlets, has been facing growing accusations of predominantly featuring Israeli spokespeople and allies over Palestinian voices in its Gaza war coverage.

But the debate over the dominance of Israeli narratives in Western media during conflicts with the Palestinians is not new.

Ample academic research has analyzed coverage of previous Palestine-Israel wars, the majority of which revealed a disproportionate emphasis on Israeli perspectives while downplaying Palestinian suffering.

A 2011 groundbreaking study by Greg Philo and Mike Berry titled “More Bad News from Israel” showcased how the BBC’s editorial team faced constant pressure and scrutiny when reporting on Israel and Palestine, making it difficult to give a clear account of the Palestinian perspective.

“The pressures of organized public relations, lobbying and systematic criticism together with the privileging of Israeli perspectives by political and public figures, can affect the climate within which journalists operate,” the authors said.




Displaced Palestinians return to war-devastated Jabalia refugee camp in the northern Gaza Strip, shortly before ceasefire deal between Israel and Hamas was implemented. (File/AFP)

In November, The Independent reported that more than 100 BBC employees, in a letter to Davie and CEO Deborah Turness, accused the channel of reproducing and failing to challenge the narratives of Israeli officials that have “systematically dehumanized Palestinians,” while sidelining the Palestinian perspective and failing to contextualize the war within the broader history of 76-year occupation and a tight 18-year Gaza blockade.

Among the concerns noted by staff were “dehumanizing and misleading headlines” that erased Israel’s responsibility, such as “Hind Rajab, 6, found dead in Gaza days after phone calls for help,” given to an article about a 6-year-old girl who was shot by the Israeli military in Gaza in January 2024.

Other concerns included omissions of coverage, such as the failure to live broadcast South Africa’s genocide case against Israel at the International Court of Justice on Jan. 11 but choosing to live broadcast Israel’s defense the following day.

The Independent’s report was followed a month later by an article titled, “The BBC’s Civil War on Gaza,” published on Drop Site, an investigative news platform, featuring 13 BBC journalists who claimed that their objections over the biased coverage were brushed aside.

The 9,000-word article cited an analysis that revealed a “profound imbalance” in the channel’s way of reporting Palestinian and Israeli deaths, arguing that Israeli victims were more humanized. 

It also detailed accounts of bias including the use of stronger terms like “massacre,” “slaughter” or “atrocities” when describing Hamas’ crimes while failing to use the same terms to describe Israel’s crackdown on Gaza that killed over 46,000 people, the majority of whom were women and children.

The BBC, at the time, denied allegations of bias and defended its coverage, insisting it “strives to live up to our responsibility to deliver the most trusted and impartial news.”

A BBC spokesperson said at the time: “We are very clear with our audiences on the limitations put on our reporting — including the lack of access into Gaza and restricted access to parts of Lebanon, and our continued efforts to get reporters into those areas.”




Children play in the rubble of a destroyed building in Jabalia in the northern Gaza Strip amid the ongoing truce between Israel and Hamas. (File/AFP)

If anything, Hahn-Herrera said, the BBC’s recent documentary shared a rare perspective with Western audiences that humanized the suffering of Palestinian children.

“It shows that Palestinians even under occupation, even under constant military attacks, want to have a normal life. It demonstrated that despite all the difficulties and the challenges that Palestinians are facing, they are a resourceful population, and they continue to try to live in normalcy as much as possible,” she said.


Saudi’s Manga Productions, Japan’s KOEI TECMO announce new gaming partnership

Saudi’s Manga Productions, Japan’s KOEI TECMO announce new gaming partnership
Updated 17 June 2025

Saudi’s Manga Productions, Japan’s KOEI TECMO announce new gaming partnership

Saudi’s Manga Productions, Japan’s KOEI TECMO announce new gaming partnership
  • Manga Productions licensed for Nioh 3 in Mideast, North Africa
  • Full Arabic support for region’s gamers, says CEO Essam Bukhary

RIYADH: ֱ’s Manga Productions has announced a partnership with Japan’s KOEI TECMO as the publisher of the highly anticipated action game Nioh 3 in the Middle East and North Africa region.

According to a recent Saudi Press Agency report, the game is scheduled for release in early 2026 on PlayStation 5 and Steam.

Nioh 3 is the latest installment in the popular RPG series known for its mysterious samurai setting, earning widespread acclaim for its unique blend of Japanese mythology and intense combat.

The series has achieved global success, selling over 8 million copies worldwide. This new installment features an open-world environment and innovative combat system that allows players to switch between “samurai” and “ninja” fighting styles during battles.

As a part of this collaboration, Manga Productions will handle its Arabic translation, marketing and publishing for the Middle East and North Africa region.

Manga Productions, which is a subsidiary of the Mohammed bin Salman Foundation, will engage Saudi creators in the localization process to ensure a culturally relevant experience for Arabic-speaking gamers.

Dr. Essam Bukhary, CEO of Manga Productions, stated: “The launch of Nioh 3 with full Arabic support for gamers in the region is an additional step towards delivering world-class experiences while empowering Saudi talent at every stage of development.”

He added: “The trust we have earned from our global partners reflects Manga Productions’ capabilities in publishing, distribution, and marketing, as well as our continued success in professionally delivering high-quality content to audiences in the region while respecting local culture.”

Hisashi Koinuma, president and chief operating officer of KOEI TECMO, said the success of DYNASTY WARRIORS: ORIGINS has further strengthened the partnership with Manga Productions to bring Nioh 3 to Arabic-speaking gamers.

Abdulaziz Al-Naghmoush, head of business development and content licensing at Manga Productions, welcomed the pact.

“Following our collaboration on DYNASTY WARRIORS: ORIGINS, which was well-received for delivering a uniquely localized Arabic experience, we are now taking a new step with Nioh 3.”

He said the offering would be a “seamless, localized experience that makes players feel as if it was made especially for them from day one.”


WhatsApp to start showing ads to users in parts of the messaging app

A WhatsApp icon is displayed on an iPhone, Nov. 15, 2018, in Gelsenkirchen, Germany. (AP)
A WhatsApp icon is displayed on an iPhone, Nov. 15, 2018, in Gelsenkirchen, Germany. (AP)
Updated 17 June 2025

WhatsApp to start showing ads to users in parts of the messaging app

A WhatsApp icon is displayed on an iPhone, Nov. 15, 2018, in Gelsenkirchen, Germany. (AP)
  • WhatsApp said ads will be targeted to users based on information like their age, the country or city where they’re located, the language they’re using, the channels they’re following in the app, and how they’re interacting with the ads they see

WhatsApp said Monday that users will start seeing ads in parts of the app, as owner Meta Platforms moves to cultivate a new revenue stream by tapping the billions of people that use the messaging service.
Advertisements will be shown only in the app’s Updates tab, which is used by as many as 1.5 billion people each day. However, they won’t appear where personal chats are located, developers said.
“The personal messaging experience on WhatsApp isn’t changing, and personal messages, calls and statuses are end-to-end encrypted and cannot be used to show ads,” WhatsApp said in a blog post.
It’s a big change for the company, whose founders Jan Koum and Brian Acton vowed to keep the platform free of ads when they created it in 2009.
Facebook purchased WhatsApp in 2014 and the pair left a few years later. Parent company Meta Platforms Inc. has long been trying to generate revenue from WhatsApp.
WhatsApp said ads will be targeted to users based on information like their age, the country or city where they’re located, the language they’re using, the channels they’re following in the app, and how they’re interacting with the ads they see.
WhatsApp said it won’t use personal messages, calls and groups that a user is a member of to target ads to the user.
It’s one of three advertising features that WhatsApp unveiled on Monday as it tries to monetize the app’s user base. Channels will also be able to charge users a monthly fee for subscriptions so they can get exclusive updates. And business owners will be able to pay to promote their channel’s visibility to new users.
Most of Meta’s revenue comes from ads. In 2025, the Menlo Park, California-based company’s revenue totaled $164.5 billion and $160.6 billion of it came from advertising.

 


Israel strikes Iran’s state broadcaster building

Israel strikes Iran’s state broadcaster building
Updated 16 June 2025

Israel strikes Iran’s state broadcaster building

Israel strikes Iran’s state broadcaster building
  • Online footage online shows IRIB’s Glass Building engulfed in flames after the attack

LONDON: Israel has launched an airstrike on the headquarters of Iran’s state broadcaster, the Islamic Republic of Iran Broadcasting, in central Tehran, according to numerous videos circulating on social media on Monday.

Footage shared online appeared to show the Glass Building of the IRIB engulfed in flames after the strike.

 

One widely circulated clip shows the moment a missile hit the facility during a live broadcast — the presenter, Sahar Emami, is seen on-air before a loud explosion interrupts the feed.

Smoke and debris fill the room as the presenter takes cover and a man is heard shouting. Iran’s state-run media confirmed the attack, directly attributing it to Israel.

According to the first reports, there were several casualties although the exact number has not officially been released.

Videos posted online show significant damage to the building, which appeared to be on fire.

London-based news channel Iran International, reported that IRIB resumed broadcasting from another studio after the attack, with Emami joining the Khabar Network’s live broadcast.

The strike came shortly after Israeli Defense Minister Israel Katz warned on Monday that Iran’s state media outlets would soon be targeted.

“The Iranian propaganda and incitement megaphone is about to disappear,” he said in a statement earlier on Monday, adding that nearby residents had been urged to evacuate.

“In the coming hours, the (Israeli military) will operate in the area, as it has in recent days throughout Tehran, to strike military infrastructure of the Iranian regime,” the military said in a post in Persian on X.

The strike hit an upmarket district of Tehran, home to several diplomatic and international offices, including the embassies of Qatar, Oman, and Kuwait, as well as UN buildings and the Agence France-Presse bureau.

The area also contains major medical facilities and a large police headquarters, raising concerns over the broader impact of the strike.


Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC

Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC
Updated 16 June 2025

Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC

Ex-Syrian commander claims Assad ordered execution of missing US journalist Tice: BBC
  • Maj. Gen. Bassam al-Hassan said to have tried to dissuade former Syrian president but ultimately relayed order
  • BBC claims US officials met Hassan in Beirut at least three times, are investigating the uncorroborated account

LONDON: A former Syrian commander who allegedly oversaw the detention of missing American journalist Austin Tice claims that ex-President Bashar Assad personally ordered Tice’s execution, .

The report centers on Maj. Gen. Bassam al-Hassan, a former commander in the elite Republican Guard and one of Assad’s most trusted advisers. According to the BBC, Hassan spoke to FBI and CIA officials about Tice’s fate during at least three meetings in Lebanon, one of which reportedly took place inside the US embassy compound.

Hassan, who also served as chief of staff of the National Defense Forces — a pro-regime paramilitary group previously linked by the BBC to Tice’s abduction — allegedly oversaw the facility where the journalist was held. Sources close to Hassan said that in 2013, following Tice’s brief escape attempt, he was instructed to execute him.

According to the sources, Hassan initially sought to dissuade Assad but ultimately relayed the order, which was then carried out. The detail of Tice’s escape attempt aligns with prior reports, including a Reuters investigation citing witnesses who recalled seeing “an American man, dressed in ragged clothing” attempting to escape through the streets of Damascus’ upscale Mazzeh neighborhood — believed to be Tice’s final sighting.

Tice disappeared in August 2012 while reporting on Syria’s civil war in the Damascus suburbs, just days after his 31st birthday. A former US Marine captain who had served in Iraq and Afghanistan, Tice was working as a freelance journalist while studying for a law degree at Georgetown University. He was abducted while preparing to leave the country to go to Lebanon.

For years, the Assad regime has denied any knowledge of Tice’s whereabouts or involvement in his disappearance. However, the BBC previously reported that classified documents obtained during its investigation supported long-standing suspicions by US authorities that Damascus was directly involved. The latest investigation suggests that Tice was held in the notorious Tahouneh prison, a regime-controlled facility in Damascus. Hassan is also said to have provided the US officials with possible locations for Tice’s remains, though efforts to verify his claims are ongoing.

“There is not anything, at least at this time, to corroborate what (Hassan) is saying,” a source familiar with the investigation told The Washington Post. “The flip side of it is, with his role in the regime, it’s hard to understand why he would want to lie about something like that.”

Despite the recent developments, skepticism persists. Western intelligence officials expressed doubt that Assad would have issued a direct kill order, noting that the Syrian president typically relies on intermediaries to insulate himself from such decisions.

Speaking to the BBC during a recent trip to Lebanon, Tice’s mother, Debra Tice, said she believed Hassan may have told US officials “a story they wanted to hear” to help close the case.

“I am his mother. I still believe that my son is alive and that he will walk free,” she said.

A former NDF member also told the BBC that Tice was viewed as a valuable bargaining chip for possible negotiations with Washington.

According to the report, Hassan fled to Iran following the collapse of the Syrian regime in December. He was later contacted by phone and invited to Lebanon to meet US officials, who assured him he would not be detained.

The BBC revelations come on the heels of an interview published by The Economist with Safwan Bahloul, a three-star general who previously served in Syria’s external intelligence agency and was tasked with interrogating Tice.

Bahloul, who speaks fluent English and has lived in Britain, said Hassan assigned him to question Tice and handed him the American’s iPhone. His mission was to determine whether Tice was “merely a journalist” or “an American spy.”

Bahloul also said Hassan orchestrated the recording of a video, released on YouTube in September 2012, that showed Tice blindfolded and surrounded by armed men. US intelligence later concluded that the video had been staged by the regime to suggest that Tice was being held by Islamic militants.


TikTok rolls out AI-powered tools to turn text into video ads

TikTok rolls out AI-powered tools to turn text into video ads
Updated 16 June 2025

TikTok rolls out AI-powered tools to turn text into video ads

TikTok rolls out AI-powered tools to turn text into video ads
  • Advertisers will be able to upload an image or write a text prompt to generate five-second video clips
  • New features announced on Monday at the Cannes Lions advertising festival

LONDON: TikTok is rolling out new advertising tools powered by artificial intelligence that give marketers the ability to turn text or still images into AI-generated video ads.

The ByteDance-owned platform announced the new features on Monday during the Cannes Lions advertising festival in France.

The features, part of TikTok’s Symphony product suite, allow advertisers to upload an image or write a text prompt describing their desired ad. TikTok’s AI then generates five-second video clips that can be used as advertisements.

The text and image-to-video features build on similar AI-powered services introduced by TikTok in 2024, which allow marketers to use AI-generated avatars ­— AI-enhanced digital spokespeople — to promote and sell products on the platform.

AI-generated ads are the latest frontier for social media platforms, which have been investing heavily in AI to automate processes such as content moderation, misinformation detection, and content creation for advertisers and creators seeking more cost-effective ways to produce material for social media.

With such tools, platforms hope to attract marketers to expand their advertising budgets.

Recently, Facebook and Instagram parent company Meta announced it was testing new tools that allow advertisers to create marketing content, including images and messaging, using generative AI prompts.