Citrus festival shows agricultural diversity, economic potential in Najran
Citrus festival shows agricultural diversity, economic potential in Najran/node/2585676/saudi-arabia
Citrus festival shows agricultural diversity, economic potential in Najran
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Farmers and investors were enthusiastic about the festival (SPA)
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Farmers and investors were enthusiastic about the festival (SPA)
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Updated 08 January 2025
Arab News
Citrus festival shows agricultural diversity, economic potential in Najran
The festival is a vibrant platform for displaying Najran’s agricultural potential
Updated 08 January 2025
Arab News
RIYADH: The 14th Najran National Citrus Festival highlights the region’s agricultural investment and marketing diversity, which offers economic returns for farmers and investors alike, the Saudi Press Agency reported.
The festival at King Abdulaziz Park walkway in Najran is organized by the Ministry of Environment, Water and Agriculture in the region.
Participants including farmers, agricultural experts and investors showed innovative solutions and highlighted the region’s robust citrus production.
Hamad Al-Dakman, the director of the agricultural prevention and guidance department at the National Center for Sustainable Agriculture Research and Development, Estidamah, in an interview with SPA emphasized the center’s role in promoting sustainable agricultural practices.
By selecting optimal plant seeds and trees, the center aims to enhance citrus production efficiency while advancing water and energy conservation technologies, Al-Dakman said.
He noted the importance of knowledge transfer and partnerships in supporting the agricultural sector, aligning with the Kingdom’s food-security goals.
Similarly, Najran Association Green’s chairman, Raf’an Al-Amer underscored the association’s efforts to expand vegetation cover, having planted more than 60,000 trees in the past four years.
Plans are underway to plant an additional 500,000 trees by 2027 in collaboration with government and private entities, contributing to the Kingdom’s Green Vision, Al-Amer said.
Farmers and investors were enthusiastic about the festival.
Farmer Ibrahim Saleh Al-Sinan praised the event for addressing farmers’ needs, marketing their products, and allowing visitors to sample and purchase citrus fruits directly.
Agricultural investor Abdullah Fahd Al-Waili highlighted the region’s favorable conditions for citrus farming, including fertile soil, a suitable climate and water availability.
Al-Waili, whose farm in Khbash covers 4 million sq. meters with more than 50,000 citrus trees, noted the economic viability of agricultural investment in the region.
The festival is a vibrant platform for displaying Najran’s agricultural potential, supporting farmers, and driving sustainable agricultural development.
Noor Riyadh announces artists for this year’s festival of light and art
This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh
Updated 05 November 2025
Nada Alturki
RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6.
The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces.
“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.”
Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)
This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.
The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.
The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of ֱ’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968.
Croatian artist Ivana Franke's "Center" (2024). (Supplied)
“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”
The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum.
The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District.
Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)
Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives.
Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.
The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (ֱ), Abdelrahman Elshahed (ֱ), Ahmad Angawi (ֱ), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (ֱ), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (ֱ), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (ֱ), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (ֱ), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (ֱ), Monira Al-Qadiri (Kuwait), Muhannad Shono (ֱ), n + n Corsino (France), Nebras Aljoaib (ֱ), Obaid Alsafi (ֱ), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (ֱ), Saeed Gebaan (ֱ), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (ֱ).
