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Ithra conference in ֱ shines spotlight on vibrant Islamic arts

Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
Special Ithra conference in ֱ shines spotlight on vibrant Islamic arts
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Ithra is hosting the second Islamic Art Conference from Nov. 25-30. (AN Photo/Hind Al-Khunaizi)
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Updated 25 November 2024

Ithra conference in ֱ shines spotlight on vibrant Islamic arts

Ithra conference in ֱ shines spotlight on vibrant Islamic arts
  • Conference seeks to highlight how traditional crafts can inspire innovative solutions in areas such as design, business and urban development
  • Adding to the immersive experience, three specially curated films explore the artistry and history of Islamic crafts

DHAHRAN: The King Abdulaziz Center for World Culture, also known as Ithra, is hosting the second Islamic Art Conference from Nov. 25-30.

In partnership with the Abdullatif Al-Fozan Award for Mosque Architecture, the theme of this year’s event is “In Praise of the Artisan.” Featuring 50 participants from 14 countries, including 27 distinguished speakers, the conference will explore the connection between heritage and innovation in Islamic art.

From panel discussions to live demonstrations, and with a diverse lineup of artists, historians, curators and academics, the program offers attendees an opportunity to engage with the artistry and history of Islamic craftsmanship.

There are thought-provoking lectures, hands-on workshops and interactive demonstrations, all designed to immerse visitors in the beauty and intricacy of Islamic art forms. A central theme this year is the vital role played by artisans in preserving cultural heritage while adapting to contemporary challenges.

Through these discussions, the conference seeks to highlight how traditional crafts can inspire innovative solutions in areas such as design, business and urban development.

Running alongside the event is the “In Praise of the Artisan” exhibition. This display of historical artifacts and contemporary works highlight the timelessness of Islamic artistry through media ranging from ornate wood carvings and luminous textiles to intricately painted ceramics and dazzling metalwork. For those eager to learn skills for themselves, there are workshops on crafts such as embroidery, wood carving and sailboat crafting.

Adding to the immersive experience, three specially curated films explore the artistry and history of Islamic crafts, delving into the lives of artisans and the cultural significance of their work. Each screening is followed by a discussion with the filmmakers.

Beyond the main exhibition, Ithra’s plaza will host eight mini-exhibits in collaboration with institutions such as The Heritage Commission, The Royal Institute of Traditional Arts, and The General Authority for the Care of the Two Holy Mosques. These highlight regional crafts from across the Islamic world, such as Turkey and Egypt, emphasizing the event’s global nature.

Prominent voices such as Dr. Mashary Al-Naim, Dr. Mahmoud Erol Kilic and artist Ahmad Angawi will lead debates on the challenges and opportunities artisans face in preserving their crafts in an era dominated by mass production. Topics will include the integration of craftsmanship into modern business models and the role of artisans in sustainable urban development.

The conference also emphasizes the potential of traditional crafts to drive social change. By fostering collaboration between artisans, designers and cultural institutions, it creates pathways for them to thrive in contemporary markets while maintaining their historical integrity.

One highlight is the work of Dhai Ibrahim Al-Otaibi, a rising star in the art of Naqda embroidery. Known for her innovative approach, Al-Otaibi blends the opulence of traditional silver and gold threads with modern fashion aesthetics.

“Naqda embroidery signifies a critical aspect of Saudi cultural identity, especially in the Eastern and Central regions,” Al-Otaibi told Arab News.

“By reinterpreting these methods, I hope to make this craft more accessible to new generations while preserving its authenticity.”

Al-Otaibi began her journey as an apprentice under the guidance of artisan Sarah Al-Dosari and is one of only 14 of Naqda embroidery practitioners in ֱ. Her contributions to the exhibition not only show her personal artistry but also underscore the enduring relevance of this centuries-old craft.

“In Praise of the Artisan” will continue at Ithra until December 2027, providing plenty of opportunity to experience the splendor of Islamic arts and their evolving role in a modern world.


REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance
Updated 07 November 2025

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

DUBAI: German filmmaker Edward Berger’s 2022 take on “All Quiet on the Western Front” was a masterpiece, and his English-language debut, last year’s “Conclave,” was a nuanced, smart political thriller. There’s no doubting his talent.

However, “Ballad of a Small Player” is not on that level. While it’s a visual delight, reminiscent of Wes Anderson’s vividly realized worlds. But the unusual stylistic choices often seem forced — art for art’s sake. It’s not helped by Rowan Joffé’s screenplay, which fails to build on initial intrigue and ends up feeling thrown together.

Colin Farrell plays disgraced Irish financier Brendan Reilly, who’s fled the UK for Macau having stolen the life savings of a wealthy old woman who had invested with his firm. In Macau, Reilly has reinvented himself as Lord Doyle — an aristocratic playboy hoping that his apparent wealth and upper-class upbringing (neither of which Reilly actually possesses) will be enough to fool creditors into funding his gambling habit. And his drinking.

Farrell is convincing as a fraudster adrift in the luxurious loneliness of five-star suites — a man who clearly wants to try and be ‘good,’ but whose moral failings and lack of self-control (and self-awareness) keep sabotaging his attempts. As his debts mount, he meets Dao Ming, a credit broker with her own issues (and debts). When one of her clients commits suicide, Reilly comforts her, and promises that when his fortunes change, he will clear her debts too.

But his losing streak continues, and he is found by investigator Cynthia Blithe (Tilda Swinton), who has been contracted by his former employers and gives him 24 hours to repay the funds he embezzled.

As Reilly spirals further into despair and stress he has a heart attack. As he loses consciousness, he sees Dao approach him, smiling. He wakes up in Dao’s house, where she nurses him back to health and they share their most intimate secrets. 

Reilly’s fortunes then turn around dramatically, resulting in an improbable winning streak at the baccarat tables. And then the opportunity to completely change his life, and Dao’s, by staking it all on a single hand.

Berger builds the tension and claustrophobia of Reilly’s world well at first, but he’s the only character close to fully developed. Dao’s intriguing persona is wasted, and the gifted Swinton’s role is too cartoonish to convince. Ultimately, the movie fails to deliver on its promising first impressions.