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The road to COP16: synergy among conventions paves the way for Riyadh

Special The road to COP16: synergy among conventions paves the way for Riyadh
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The Saudi Pavilion at COP29. (AN Photo/Abdulrahman Bin Shulhub)
Special The road to COP16: synergy among conventions paves the way for Riyadh
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Khaled Al-Abdulkader, CEO of the National Center for Vegetation Cover Development during a panel discussion at the Saudi Pavilion. (AN Photo/Abdulrahman Bin Shulhub)
Special The road to COP16: synergy among conventions paves the way for Riyadh
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Saudi Minister of Energy Abdulaziz bin Salman on his way to the Saudi Pavilion at COP29. (AN Photo/Abdulrahman Bin Shulhub)
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Updated 22 November 2024

The road to COP16: synergy among conventions paves the way for Riyadh

The road to COP16: synergy among conventions paves the way for Riyadh
  • Khaled Al-Abdulkader: Land degradation impacts agricultural systems, soil fertility, and climate stability
  • Al-Abdulkader: If you invest $1 in land restoration, the returns can reach up to $30

BAKU: As the world looks ahead to COP16 in Riyadh, a clear message is emerging from discussions at COP29 in Baku: addressing global challenges requires breaking down silos between conventions on land, climate, and biodiversity. These three pillars are deeply interconnected, and their integration is essential for building a sustainable future.

The importance of land degradation is a recurring theme, with experts pointing to its role as both a symptom and a driver of broader environmental crises.

Land degradation not only diminishes biodiversity but also reduces agricultural productivity and undermines climate resilience, leading to an estimated $10 trillion in annual economic losses, according to the Economics of Land Degradation Initiative.

COP16 aims to position land rehabilitation at the forefront of global environmental policy by emphasizing its cross-cutting role in achieving sustainable development goals.

The intersection of land, climate, and biodiversity

In an interview with Arab News, Khaled Al-Abdulkader, CEO of º£½ÇÖ±²¥â€™s National Center for Vegetation Cover Development, underlined the significance of restoring degraded lands as a cornerstone of integrated environmental action.

“Land degradation impacts agricultural systems, soil fertility, and climate stability. Restoring land not only enhances biodiversity and carbon sequestration but also offers significant economic benefits, creating opportunities for local communities,†he said.

Al-Abdulkader highlighted how º£½ÇÖ±²¥ is implementing initiatives that directly align with the objectives of the UN’s three major conventions: the UN Convention to Combat Desertification, the Convention on Biological Diversity, and the UN Framework Convention on Climate Change.

Projects such as mangrove restoration and ecosystem rehabilitation illustrate how land restoration can simultaneously support biodiversity, reduce carbon emissions, and provide financial returns.

“If you invest $1 in land restoration, the returns can reach up to $30. This demonstrates how land-based solutions can address not only environmental challenges but also economic and social priorities,†he added.

Nature-based solutions: a transformative investment

A panel discussion at the Saudi Pavilion during COP29 also shed light on the potential of nature-based solutions in tackling land degradation and its associated impacts. These involve human interventions that emphasize existing facets of healthy ecosystems.

Astrid Schomaker, executive secretary of the Convention on Biological Diversity, stressed that sustainable land use and rethinking agricultural practices are critical. “Nature-based solutions, when implemented with societal and environmental safeguards, yield outstanding returns. They represent a transformative investment for both ecosystems and communities,†she remarked.

Schomaker called for agriculture to shift towards more sustainable practices, recognizing its dual role as a contributor to and a victim of environmental degradation. This aligns with the broader push for nature-based solutions that can mitigate climate change, conserve biodiversity, and ensure food security, all while fostering economic resilience.

º£½ÇÖ±²¥â€™s role on the global stage

As the host of COP16 in December, º£½ÇÖ±²¥ is poised to bring innovative frameworks to the table. Al-Abdulkader noted that the Riyadh conference will feature groundbreaking initiatives, including the introduction of thematic days focused on land, agricultural systems, innovation, and people.

The Kingdom has already demonstrated its leadership through its commitment to restoring vegetation cover and promoting sustainable land use. Such efforts align with Saudi Vision 2030, which prioritizes environmental sustainability alongside economic diversification.

The need for global synergy

COP16 in Riyadh will serve as a platform to enhance collaboration across borders, ensuring that land degradation, biodiversity loss, and climate action are addressed in tandem.

“We need to foster more synergy among the conventions,†Al-Abdulkader emphasized. “This includes not just technical cooperation but also mobilizing financial resources, improving institutional capacities, and ensuring that every stakeholder — from governments to local communities — is involved.â€

The call for enhanced cooperation was echoed by Manual Pulgar-Vidal, former president of COP20, who emphasized the need for actionable targets that integrate the efforts of all three conventions. “The Riyadh conference will be an opportunity to launch a comprehensive action agenda that ensures land restoration remains a global priority,†he said.

The road ahead

With the road to COP16 now clearly mapped out, the focus is on uniting nations, organizations, and individuals to address the challenges of land degradation and its ripple effects. The discussions at COP29 have laid the groundwork for a future where land restoration is recognized not only as an environmental necessity but also as an economic opportunity.

The Riyadh conference promises to be a milestone in global environmental cooperation, with the potential to set new standards for integrating land, biodiversity, and climate objectives.


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025

Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,†reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,†said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.†

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,†reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of º£½ÇÖ±²¥â€™s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,†said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.â€

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (º£½ÇÖ±²¥), Abdelrahman Elshahed (º£½ÇÖ±²¥), Ahmad Angawi (º£½ÇÖ±²¥), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (º£½ÇÖ±²¥), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (º£½ÇÖ±²¥), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (º£½ÇÖ±²¥), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (º£½ÇÖ±²¥), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (º£½ÇÖ±²¥), Monira Al-Qadiri (Kuwait), Muhannad Shono (º£½ÇÖ±²¥), n + n Corsino (France), Nebras Aljoaib (º£½ÇÖ±²¥), Obaid Alsafi (º£½ÇÖ±²¥), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (º£½ÇÖ±²¥), Saeed Gebaan (º£½ÇÖ±²¥), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (º£½ÇÖ±²¥).