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Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz
Saud Aljadhi is the sous chef at The Ritz-Carlton Riyadh Palace. (Supplied)
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Updated 02 October 2024

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

DUBAI: From being a young boy helping his mother prepare Ramadan meals to becoming a sous chef at The Ritz-Carlton Riyadh Palace, Saud Aljadhi’s journey is one of perseverance, passion and overcoming the odds.  

Aljadhi always had a passion for cooking, he says. He would help to prepare salads and soups in his family home near Riyadh.  

In 2014, he launched a food truck business, serving burgers. Its success prompted him to quit his job at the Ministry of Education and pursue cooking full-time.  




Saudi National Day cake. (Supplied)

“I honestly lost a lot — whether financially or socially — but it was all for my passion,” Aljadhi tells Arab News. “It was a one-man show. I was operating alone.” 

Aljadhi’s ambitions led him abroad, first to Canada to study at George Brown College, then to Australia, where he was balancing his studies at Victoria University with working at restaurants while raising his child as a single father.  

“I would drop my son off at kindergarten every morning before going to work. It was quite the challenge,” he recalls. “But I got help from my colleagues, many of whom were single parents as well.” 

Despite challenges like the devastating fires in Australia in 2019, earthquakes, and the COVID-19 pandemic, Aljadhi’s determination never wavered. He returned to ֱ in 2022 and landed a position at The Ritz-Carlton Riyadh, fulfilling a long-held dream.  




Chorisia Restaurant. (Supplied)

“I used to say I would come to The Ritz-Carlton and be a sous chef,” he says. “I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel. And today, I’m where I dreamed to be. I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel,” he added. 

“It’s nice to reach your dreams and goals in life. It makes me extremely happy,” he continues. “But I still have a lot of ambitions, and I’m working on a plan to achieve them.” 

While working at The Ritz-Carlton, Aljadhi was selected for Marriott International’s prestigious Tahseen leadership program, aimed at nurturing local talent in ֱ. “The program taught me a lot,” he said. “I learned leadership skills, teamwork, budgeting and revenue management.” It further solidified his career path, giving him the tools to excel in the hospitality industry, he said. 

Breaking through societal stereotypes as a Saudi male chef, Aljadhi has earned respect and recognition for his accomplishments. “In our tribe, it wasn’t even allowed to work this job,” he shares. “But now, society accepts me after all that I’ve achieved. It has even become a trend now to be a chef.” 

However, he points out, it’s not an easy job. 

“People think chefs just cook, but that’s not true. A chef is like a physician, chemist, mathematician, and engineer all in one. For example, right now, I’m working on a cake that’s three by two meters for Saudi National Day. My team and I are measuring everything down to the millimeter. We’re even manufacturing custom molds that aren’t available in the market just to get this cake built. This job isn’t easy — it requires creativity and precision. Just like an engineer builds a building, we as chefs are building a plate and a dish.” 

Here, Aljadhi discusses local cuisine, his favorite dish to cook, and his management style.    

When you were starting out, what was the most common mistake you made?  

My cutting technique was all wrong. How you hold a knife and cut is so important — it really affects the dish. For example, it can change the ratio of leachate in your ingredients. I used to cut my fingers a lot — I have plenty of scars to prove it. But once I learned the proper technique, everything changed. Now, the first thing I teach my Saudi trainees is how to handle a knife properly. 

What’s your top tip for amateur chefs?  

Specialize in what you love. That’s where you’ll really excel. Find your passion — it might be pastry or baking — and go after it. Focus on what you love and you’ll never get bored. 




Moflaq Hasawi at AlOrjouan. (Supplied)

What one ingredient can instantly improve any dish?  

When it comes to local dishes, ghee is the magic ingredient. As soon as you add it, the dish instantly gets better. We use it in so many things — kabsa, jareesh, and many other dishes. Authentic, local ghee especially has such a unique flavor. And for spices, coriander is my go-to. It works with so many dishes — falafel, kabsa, molokhiya, you name it. It just adds that extra something. 

When you go out to eat, do you find yourself critiquing the food?  

I’m really detail-oriented. For example, I love going to Italian restaurants, but I always notice the little things. If a fork or plate is missing from the table, especially in a fine-dining setting, it makes me feel like I’m not welcome. It might annoy the people I’m with, but I can’t help paying attention to those details. When you’re paying for a meal, you expect everything to be perfect. One thing that really stands out to me is how the flavors in the same dish can sometimes change. Maybe they switched the type of cheese or used a different supplier—whatever it is, I can tell right away. Consistency is key in the restaurant business. If the quality starts to vary, it can really hurt the restaurant. Customers expect the same great dish every time, and if that slips, it can cost the business in the long run. 

What’s the most-common issue that you find in other restaurants?  

Many don’t really understand how much revenue they’re actually bringing in. Not many people seem interested in learning how that financial flow works, even though there’s a lot of government support available to help with it. 

When you go out to eat, what’s your favorite dish to order? 

Neopolitan pizza. I’m actually opening my own pizza business, focused on making authentic pizza, just like in Italy. I learned from the best at a restaurant in Melbourne that’s been specializing in pizza for over 70 years. They taught me how to make pizza, pasta, and tiramisu the traditional way. It’s surprisingly simple, but it’s all about doing it the right way, starting with making the dough from scratch just like the Italians do. 

What’s your go-to dish if you have to cook something quickly at home?  

Something like what I had for dinner last night — steak with asparagus, broccoli and cherry tomatoes. It doesn’t even take five minutes. I just sear the steak for two minutes on each side to get it medium-rare, toss the veggies in the pan, and that’s it. Bon appétit! 

What’s your favorite dish to cook and why?  

I really love making pizza. I let the dough rest for three days to get it just right, and I take great care of it during that time. Everyone knows that when the weekend rolls around, it’s pizza time. I have pretty high standards for my pizza, so I always use the best quality ingredients. It makes all the difference. 

What’s the most difficult dish for you to get right?  

I honestly think Saudi dishes are some of the hardest to make because they take so much time. For example, margoog can take two to three hours, and jareesh can take up to five hours. Sure, you could make them faster, but the flavor just wouldn’t be the same. Kabsa is probably the easiest local dish to make, but even that takes about an hour and a half before you’re ready to eat. 

As a leader, what are you like? 

I love working in a positive, happy environment, and I try to bring that energy to the team. I make sure everyone is happy and satisfied. Of course, when mistakes happen, there are times when I can get frustrated. The first time, I’ll address it kindly. But if the same issue keeps happening, especially when it comes to hygiene, I might get a little irritated. I have to be sharp sometimes because, at the end of the day, I’m the manager. 

When things do get stressful, I do my best to motivate the team and lighten the mood. I want them to present food with joy, not just treat it like another task. They can all cook, but if the food isn’t made with love, it won’t taste as good. The flavor just won’t be there. 

Chef Saud’s mataziz recipe 

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For the lamb broth: 

900g lamb (shoulder or leg, cut into pieces); 2 tbsp olive oil; 1 onion, chopped; 3 cloves garlic, chopped; 3 carrots, cubed; 4 medium potatoes, peeled and cubed; 1L meat or vegetable stock; 2 tsp ground cumin; 1 tsp ground coriander; salt and pepper to taste; fresh parsley or dill for garnish. 

For the mataziz dough: 3 cups all-purpose flour; 1 tsp salt; 1 cup warm water (adjust as needed); 2 tbsp olive oil (optional) 

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For the lamb broth: 

1. In a large pot, heat the olive oil over medium-high heat. Add the lamb pieces and leave until browned on all sides. Remove from the pan and set aside. 

2. In the same pan, sauté the chopped onion until soft, then add the garlic and cook for another minute. 

3. Return the browned lamb to the pan. Add the carrots, potatoes, and stock. 

4. Stir in the cumin, coriander, salt and pepper. Bring to a boil, then reduce the heat, cover and simmer for 1.5 to 2 hours until the lamb is tender. 

For the mataziz dough:  

1. In a mixing bowl, combine the flour and salt. Gradually add warm water and mix until a dough forms. 

2. Knead on a floured surface for about 5-10 minutes until smooth. Add olive oil for extra flavor and softness, if desired. 

3. Cover the dough with a damp cloth and let it rest for about 30 minutes. This helps to relax the gluten. 

4. Divide the dough into small balls (about the size of a golf ball). 

5. Roll each ball out on a floured surface until very thin (about 1/8 inch thick) and cut to size for the dish. 

6. Heat a skillet over medium-high heat. 

7. Cook each rolled out dough for 4-8 minutes on each side until lightly browned and cooked through. They should be slightly puffed. 

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Presentation is always an opportunity to show your creativity. My only advice is to reflect nature on the plate. Start with a circle of mataziz dough in the middle as a base for all the vegetables. Don’t forget to add black lemon as it gives a different flavor to the dish. Create a garden around it using meat broth. Add the lamb and add your touch of dill or coriander. The dish should be served hot. 


Middle Eastern art takes center stage in Sotheby’s London exhibition

Middle Eastern art takes center stage in Sotheby’s London exhibition
Updated 32 sec ago

Middle Eastern art takes center stage in Sotheby’s London exhibition

Middle Eastern art takes center stage in Sotheby’s London exhibition

DUBAI: Highlights from Sotheby’s exhibition of highlights from its upcoming Modern & Contemporary Middle East and Arts of the Islamic World & India auctions.

Abdulhalim Radwi 

‘Untitled (Desert Scene)’ 

The late Abdulhalim Radwi is one of the most significant Saudi artists of all time. He studied in Italy in the 1960s and his work has drawn comparisons to that of the great French impressionist Paul Cézanne and the Dutch master Vincent Van Gogh. “Radwi’s ability to merge popular culture and sentiments with newly acquired artistic techniques serves as a precursor to contemporary Saudi art today,” an old Sotheby’s catalogue states. At first, however, his style was met with confusion in his homeland, where local artistic sensibilities “very much remained grounded in more realistic artistic renderings.” Discussing his first local exhibition in 1964, Radwi said: “My works were shot down in exoticism, irony and surprise, while the people’s visual imagination in that era was held by representation and copying from reality.” The Sotheby’s catalogue continues: “He was driven by the conviction that art has a cerebral function in an environment that considered it as ornamental. According to Radwi, the very essence of a piece lies not in its physicality but in the emotions it triggers.” This piece — a mix of oil paint and sand on canvas — was created in 1975, and is expected to fetch between £40,000 and £60,000 (SAR 203k-305k) in October’s auction.  

 

Ahmed Mater 

‘X-ray Painting 5’ 

This work from arguably ֱ’s most important contemporary artist comes from the series that established him as a pioneer of the Kingdom’s art scene back in 2004, when he was featured alongside Abdulnasser Gharem and Sahraf Fayadh in a Jeddah exhibition. It combines his two occupations: medicine and art. “In these works, the first synthesis of art and science, faith and medicine can be seen,” Mater writes on his website.  

“Ahmed Mater demonstrates the very special ability to speak in a universal voice but from a personal perspective,” Linda Komaroff of the LA Country Museum of Art wrote in a 2010 essay in which she also noted of the artist’s “X-ray” series: “What could be more intimate and personal than literally to see inside another individual? … The skeletal images suggest some elemental form of humanity, stripped of the skin, hair, eyes, and clothes that differentiate as well as separate us.” 

 

Paul Guiragossian 

‘Portefaix en Chomage’ 

This depiction of unemployed porters is typical of the acclaimed Jerusalem-born Lebanese-Armenian artist’s work, in terms of both subject matter and style. “Guiragossian was primarily a painter of clustered people: elongated figures, huddled close together, hunched or squatting. They crowd the canvas, never over-spilling its edges. Togetherness usually feels threatened, somehow, but also a spell that might ward against loss,” the art writer and curator Sam Thorne wrote in 2014. Speaking to Selections, the art website, in 2019, one of Guiragossian’s daughters said: “He would say he was like a reporter of his environment. When he was unemployed, he painted the street porters who were unemployed and hungry. When he got married … (and) had children, he painted families. I would say his objective in the early stages was portraying marginalized people based on his own life.” 

 

Fahrelnissa Zeid 

‘Untitled (Flowers)’ 

Zeid was an extraordinary artist who lived an extraordinary life, which included seeing her brother convicted of the murder of their father, marrying an Iraqi prince, and becoming the first woman to have a solo exhibition at London’s Institute for Contemporary Arts (in 1954). “Her practice underwent transformations ranging from a figurative expressionism to the abstract sublime,” an old Sotheby’s catalogue states. “Untitled (Flowers)” dates from the late 1940s, a time when Zeid’s artistic style was in the midst of that transition from figurative artwork to a more complex abstraction, and bridges those two worlds. It is expected to fetch between £40,000 and £60,000 at auction.     

 

Hassan Hajjaj 

‘BB Stance’ 

This work from 2000 is a classic example of the Moroccan filmmaker, designer and photographer’s signature style — vibrant colors, stylized poses, and a border of that puts a twist on Andy Warhol’s “Campbell’s Soup Cans” by using products local to the Moroccan market (in this case, beef mortadella). “His frames are at once a nod to the twentieth-century avant garde concept of the readymade, as well as to his childhood in Morocco, where recycling was an everyday part of his life,” an entry on Sotheby’s website reads. “Hajjaj’s inclination to such materials is prompted by their immediacy and multifaced nature; in another act of recovery, the repeated patterns also make reference to Moroccan zellige tiles.” This particular image also references another of Hajjaj’s major influences — hip-hop. 

 

Monir Shahroudy Farmanfarmaian  

‘A Drawing (Variations on a Hexagram)’ 

Arguably Iran’s best-known female artist, Farmanfarmaian crafted her own definitive style over the course of her six-decade career, mixing classical Iranian culture and Islamic geometry with avant garde ideas often inspired by her time in New York in the 1940s and 1950s — and again in the Seventies and Eighties. She is perhaps most well-known for her mirror mosaics, but drawings such as this one clearly show her fascination with geometry and the principles of Islamic art, which was the cornerstone of those famed mosaics.  


‘Night Always Comes’ — Netflix poverty thriller needed to pick a lane

‘Night Always Comes’ — Netflix poverty thriller needed to pick a lane
Updated 20 min 33 sec ago

‘Night Always Comes’ — Netflix poverty thriller needed to pick a lane

‘Night Always Comes’ — Netflix poverty thriller needed to pick a lane

DUBAI: In “Night Always Comes,” British director Benjamin Caron and British star (and producer) Vanessa Kirby attempt a gritty look at the lengths to which the ever-increasing wealth gap in the US can force those on the wrong side of the gap to go. Part-suspense thriller, part-social-realist diatribe, the film (written by Sarah Conradt) seems fueled by genuine anger and good intentions. Whether that’s enough to justify you actually watching it… well, maybe.

Kirby plays Lynette, a young woman with a trouble past holding down multiple jobs (including working at a bakery and being an escort) and trying to secure the finances to ensure that her childhood home, where she lives with her nightmare narcissist mother Doreen (Jennifer Jason Leigh), and her older brother Kenny (Zack Gottsagen), who has Down syndrome. As the film begins, she has 24 hours to get the required down payment of $25,000 to the landlord — cash that she believes she and her mother have squirreled away. Then Doreen turns up in a new car. Guess how much it cost? Yep. As a spur to get the plot moving, this works. But it’s an act so malicious that it undermines the film’s later attempts to explore the mother-daughter relationship in a more-balanced way and to suggest that Doreen isn’t all bad.

Terrified that she — and, particularly, Kenny — will be out on the streets the next day, Lynette throws herself into increasingly desperate attempts to secure the necessary funds by 9 a.m. These attempts include ripping off an old friend; returning to sex work and asking her rich client to “invest” in the property; stealing the rich client’s car when he refuses; and trying to sell some stolen/found cocaine. Kirby is compelling (which is just as well, as she’s in literally every scene of the film’s almost-two hours), and the decision to make Lynette a genuinely complex, multi-faceted, confrontational and not entirely likeable woman is a welcome one. But each step of the way, her actions become increasingly reckless and dumb, and harder to believe. And as the grim revelations about Lynette’s traumatic past pile up, the tension — impressively stoked for the first 45 minutes or so — actually drops because the film becomes formulaic.

There’s plenty to admire here — the believable sibling chemistry between Gottsagen and Kirby, for example — and Leigh, one of her generation’s finest actors, is excellent. But, as a whole, “Night Always Comes” is trying to be too many things, and ends up being great at none of them.


Stockholm in the summertime 

Stockholm in the summertime 
Updated 21 August 2025

Stockholm in the summertime 

Stockholm in the summertime 
  • Sweden’s capital is a cultural delight, and a joy to explore on foot 

STOCKHOLM: Sweden’s capital city, Stockholm, is spread across 14 islands connected by 57 bridges. Here, the freshwater of Lake Mälaren meets the brackish tides of the Baltic Sea. Even the city’s Viking-coded name reflects this layered geography and history: stock, meaning log or post, and holm, meaning islet. It’s a Viking city. 

I stayed at a boutique hotel in Gamla Stan, Stockholm’s oldest neighborhood — a storybook setting of cobbled lanes and medieval buildings; compact, walkable, and full of surprises. Up any elevated alleyway, you’ll find small specialty shops and local vendors selling ice cream or hot snacks. A short walk away are popular chains with more international offerings. 

I happened to visit during Midsommar, the festival marking the peak of Swedish summer. While viewers of the film might worry, I saw no bears or cults — just floral headpieces and white linen dresses. It’s one of the most earnest, unironic national celebrations I’ve ever seen.  

The ABBA Museum. (Getty Images)

The sky stubbornly stays lit until nearly midnight — it is just as bright at 10 p.m. as it was at 10 a.m., making an early bedtime feel irrelevant. However, many of the nearby shops and cafés close around 7 pm. 

As a self-professed foodie-in-training, meals were a feast for the eyes and stomach. I indulged in fresh salmon, brown meatballs, and nearly every pastry I could find. I also squeezed and sampled the condiments that seem to only come in toothpaste-like tubes for some reason. My hotel breakfast was full of quirky and fun delights — my plates looked like mad scientist experiments. I also tried every fresh juice and immune-boosting liquid potion they offered.  

One of my favorite rituals was fika, the Swedish pause for coffee and something sweet. Unlike the Spanish siesta, fika is meant to be social. Coined in the 19th century by scrambling the syllables of kaffi (old spelling of coffee), it’s a cornerstone of calm and connection. While it traditionally involves hot coffee and a pastry, iced drinks are just as common these days. I quickly developed a preference for the cardamom bun (kardemummabulle) over the more common cinnamon (kanelbulle). 

Stockholm’s intellectual energy is no surprise — it is, after all, the home of the Nobel Prize. A visit to the Nobel Museum offers deeper insight. Another fun fact: Sweden introduced the world’s first banknote in the 1660s, and yes, there’s a museum for that too. Their colorful krona banknotes feature portraits of notable women. 

Kanelbulle in Stockholm. (Getty Images)

The Royal Palace is an architectural masterpiece overlooking the water and well worth the price of admission.  

My favorite activity of all, though, was simply wandering round the city. I found bookshops dedicated entirely to science fiction, another to transportation, and dozens more with niche themes. 

Stockholm is also a city of boats. Ferries and leisure craft buzz between the islands, reflecting the city’s deep history of fishing and trade. 

There’s also a pleasing architectural balance: clean lines contrast with centuries-old facades. Even the metro doubles as art. Often called the world’s longest art gallery, over 90 of its 100 subway stations contain murals, mosaics, and sculptures — many carved into raw bedrock. Even short commutes feel like cultural excursions. 

One such trip took us to Skansen, the world’s first open-air museum, on Djurgården island. Founded in the 1890s, it combines living history with a Nordic animal park. Inside, you can stroll through a recreated 19th-century town, then turn a corner to see animals lounging beneath giant trees. With live musicians playing folk songs and so much greenery, it truly feels like stepping into a fairytale. 

Nearby, the ABBA Museum celebrates Sweden’s most famous musical export. And all across the country, Dala horses — carved wooden steeds painted in red, blue, and white — stand proudly in shops and public spaces. They became my favorite souvenir, along with hand-painted kanelbulle earrings. 

While I didn’t catch the aurora borealis this time and wish I’d explored more of the country — there’s always next time. I had such an enriching experience, I will definitely be back. Sweden is a place that invites you to build your own destiny at your own pace — much like an IKEA cabinet. 


Acclaimed British musician Paul Weller sues accountants that cut ties over his pro-Palestine views

Acclaimed British musician Paul Weller sues accountants that cut ties over his pro-Palestine views
Updated 20 August 2025

Acclaimed British musician Paul Weller sues accountants that cut ties over his pro-Palestine views

Acclaimed British musician Paul Weller sues accountants that cut ties over his pro-Palestine views
  • Accounting firm Harris and Trotter ‘offended’ by his assertion that Israel is committing genocide
  • The Jam ex-frontman: ‘Silencing those who speak this truth is not just censorship — it’s complicity’

LONDON: British musician Paul Weller is suing his former accounting firm after it reportedly ended their business ties over his pro-Palestinian comments.

Harris and Trotter had a professional relationship with Weller spanning more than three decades, The Independent reported on Wednesday.

The acclaimed musician and former frontman of The Jam filed a discrimination claim over the accounting firm’s decision.

It followed public statements by Weller that Israel is committing genocide in Gaza. He was told in March that Harris and Trotter would no longer work with him or his companies, his lawyers said in a pre-action letter.

A partner at the firm sent a WhatsApp message to Weller saying: “It’s well known what your political views are in relation to Israel, the Palestinians and Gaza, but we as a firm are offended at the assertions that Israel is committing any type of genocide.

“Everyone is entitled to their own views, but you are alleging such anti-Israel views that we as a firm with Jewish roots and many Jewish partners are not prepared to work with someone who holds these views.”

In ending its relationship with Weller, the firm illegally discriminated against his protected philosophical beliefs, his lawyers said.

Weller has publicly supported moves to recognize Palestine as a state. “I’ve always spoken out against injustice, whether it’s apartheid, ethnic cleansing or genocide. What’s happening to the Palestinian people in Gaza is a humanitarian catastrophe,” he said.

“I believe they have the right to self-determination, dignity and protection under international law, and I believe Israel is committing genocide against them.

“That must be called out. Silencing those who speak this truth is not just censorship — it’s complicity.”

According to his lawyers, Weller will donate any received financial damages toward humanitarian campaigns in Gaza.

“I’m taking legal action not just for myself, but to help ensure that others are not similarly punished for expressing their beliefs about the rights of the Palestinian people,” he said.

The firm Hodge Jones and Allen is representing Weller. One of its lawyers, Cormac McDonough, said the case “reflects a wider pattern of attempts to silence artists and public figures who speak out in support of Palestinian rights.

“Within the music industry especially, we are seeing increasing efforts to marginalise those who express solidarity with the people of Gaza.”


Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’
Updated 20 August 2025

Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’

Member of rap trio Kneecap out on bail on terror charge, calls lawsuit ‘distraction’
  • O hAnnaidh says charge a ‘distraction,’ as lawyers try to throw it out
  • Judge will rule whether prosecution can continue on Sept. 26

LONDON: Hundreds of fans turned out to support a member of Irish rap group Kneecap on Wednesday at a London court as he sought to throw out a terrorism charge for allegedly displaying a flag in support of Iran-backed Lebanese militia Hezbollah.

Liam Og O hAnnaidh, who was initially charged under the Anglicised name Liam O’Hanna and whose stage name is Mo Chara, is alleged to have waved the yellow flag of Hezbollah during a Kneecap gig in London on Nov. 21, 2024.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

O hAnnaidh is accused of holding up the flag on stage while saying “Up Hamas, up Hezbollah.” Kneecap have said the flag was thrown on stage during their performance.

The 27-year-old was charged in May under the Terrorism Act, which makes it a criminal offence to display an article in a way which arouses reasonable suspicion that someone is a supporter of a proscribed organization.

 

O hAnnaidh appeared at Westminster Magistrates’ Court on Wednesday wearing the keffiyeh scarf associated with the Palestinian cause and had to fight his way through a scrum of photographers to get inside the building.

He sat alongside an Irish language interpreter during the hearing and his bandmates Naoise O Caireallain, stage name Moglai Bap, and J.J. O Dochartaigh, who goes by DJ Provao, were also in court, with supporters filling the public gallery.

RULING NEXT MONTH

Irish music was played outside the court throughout the hearing, with many supporters waving Irish and Palestinian flags while others held placards reading “Free Mo Chara.”

O hAnnaidh’s lawyers say the charge was brought too late and the prosecution case should be thrown out, as O hAnnaidh was formally charged on May 22 this year, one day after the six-month limit for such charges.

Prosecutor Michael Bisgrove, however, argued that O hAnnaidh was charged on May 21, within the time limit. Judge Paul Goldspring said he would give a decision on Sept. 26.

O hAnnaidh left the court to cheers from supporters, telling the crowd the charge against him was “a distraction from the real story” of Israel’s actions in the Palestinian territories.

Belfast-based Kneecap, who rap in Irish and English and regularly display pro-Palestinian messages during their gigs, previously said the charge was an attempt to silence them.

The group — who rap about Irish identity and support the republican cause of uniting Northern Ireland with the Republic of Ireland — have been increasingly vocal about the war in Gaza since O hAnnaidh was charged.